Weeping Willow, Columbus W1869 - Claude Monet

Weeping Willow, Columbus W1869 - Claude Monet

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Weeping Willow, Columbus W1869 - Claude Monet

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Weeping Willow, Columbus W1869 - Claude Monet
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Weeping Willow, Columbus W1869 - Claude Monet

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Claude Monet · Giverny, 1918 · Columbus Museum of Art · W1869

Weeping Willow, Columbus W1869hand painted reproduction

An orange-red trunk rises on the left before dividing into heavy, almost black branches. Their curves enclose a curtain of green, yellow and blue leaves, while a narrow opening of water appears at the bottom. This vertical vision from 1918 transforms the Giverny willow into living, dense architecture crossed by warm shards.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Weeping Willow, Columbus W1869 - Claude Monet - full view
Weeping Willow, Columbus W1869Claude Monet · 1918
1918Dating
131 × 110.3 cmDimensions of the original
Oil on canvasOriginal technique
1991.001.041 · Wildenstein 1869Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The branches form a dark vault in front of a vertical curtain of light

The structure of the tree is read in stages. The trunk rises near the left edge in reds, pinks and yellows, then a main branch curves above the center. On the right, a second black mass unfolds in the opposite direction. These two arches do not completely close the space: they frame a lighter area where the branches descend like threads.

The leaves are suggested by long, pendulous touches, from turquoise green to acidic yellow. Some follow the fall of the foliage, others fold into small loops. At the bottom, burgundy, orange and olive green bands indicate the water of the pool. The perspective arises from this passage between the nearby branches, very thick, and the finer verticals of the bottom.

The willow is not described branch by branch: its weight, its fall and its movement are reconstructed by the directions of the pictorial material.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

Analysis of Weeping Willow, Columbus W1869 - Claude Monet
01

An incandescent trunk in the darkness

The reds and oranges on the left side should remain encased in very dark purples and greens. Their intensity gives the trunk its presence without transforming it into an isolated shape.

02

Arched branches that structure the entire canvas

The large brown and black arches lead the gaze above the center then to the right. Their continuity is essential, even when touches of foliage interrupt them.

03

A curtain made up of very different greens

Olive yellow, turquoise, emerald green and blue gray alternate in the fallout. Keeping them separate prevents a reproduction of this work from becoming a uniform green mass.

Details and visual documents

Observe the material and the exact version

The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.

Official reproduction of the Columbus Museum of Art of the Weeping Willow W1869 by Claude Monet
The reference reproduction of the Columbus Museum of ArtThis image distributed by the museum reproduces deeper blacks and more saturated yellows. Comparing it to surface photography allows us to better understand the real richness of the dark passages.
Arched branches, twigs and key thickness - detail of Weeping Willow, Columbus W1869 - Claude Monet
Arched branches, branches and key thicknessThe native detail shows the reliefs of the trunk and the variety of vertical marks. The yellows do not cover the greens: they are placed in interrupted touches which make the foliage vibrate.

The high definition photograph of the canvas measures 1,988 × 2,322 px; the reproduction from the Columbus Museum of Art measures 1,026 × 1,221 px. The detail of 1,100 × 1,100 px is a native cropping of the photograph. No files have been artificially enlarged and all three media are real WebPs.

Documented benchmarks

Three pieces of information specific to this work

These facts concern this precise version and are verified from the notice of the institution which keeps it.

Identification01

Columbus 1991.001.041, Wildenstein 1869

The Weeping Willow is an oil on canvas from 1918 measuring 131 × 110.3 cm. Preserved at the Columbus Museum of Art under number 1991.001.041, it is listed as Wildenstein 1869.

Late pattern02

A series of willows painted during the war

Monet worked intensely on the willow motif in 1918 -1919. These trees in the water garden allowed him to associate a monumental form with an increasingly free painting, often close to the climate of mourning of the First World War.

Collection03

Gift of Howard and Babette Sirak

The painting was donated to the Columbus Museum of Art by Howard and Babette Sirak. It thus belongs to one of the important American ensembles allowing us to follow Monet's passage towards his great late compositions.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version from the Columbus Museum of Art, 1991.001.041 and W1869
  • The original vertical format of 131 × 110.3 cm
  • The continuity of the two large arched branches
  • The range of greens and yellows preserved in the darkest areas

Work sheet

Title Weeping Willow, Columbus W1869
Artist Claude Monet (1840 -1926)
Date 1918
Original technique Oil on canvas
Dimensions 131 × 110.3 cm
Orientation Vertical
Conservation Columbus Museum of Art, Columbus, Ohio, United States
Inventory 1991.001.041 · Wildenstein 1869
Your reproduction Handmade oil painting on canvas
Consult the official notice - Columbus Museum of Art

Presentation in your interior

A palette designed with the room

Forest green, olive yellow, coral red, deep purple and petrol blue give this reproduction an enveloping presence. Its vertical format is suitable for a narrow wall, a bookcase or a sober living room, combined with dark wood, leather and natural textiles.

Weeping Willow, Columbus W1869, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

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A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
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