Les Saules W611 - Claude Monet

Les Saules W611 - Claude Monet

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Les Saules W611 - Claude Monet

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Les Saules W611 - Claude Monet
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Les Saules W611 - Claude Monet

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Comprendre les formats

Trois rendus pour une même œuvre

Claude Monet · Vétheuil · 1880 · W611

Willows W611hand painted reproduction

From a grassy bank, Monet looks out over the Seine through a curtain of willows. The thin trunks and flexible branches occupy almost the entire height, but reveal the lilac gray water and the houses on the opposite bank. Dated 1880, this oil on canvas measuring 66.68 × 81.92 cm is kept in the National Gallery of Art under number 2015.19.65 and corresponds to Wildenstein 611.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Les Saules W611 - Claude Monet - full view
Willows W611Claude Monet · 1880
1880Dating
66.68 × 81.92 cmDimensions of the original
Oil on canvasOriginal technique
2015.19.65 · Wildenstein 611Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The trees become a moving veil between the viewer and the Seine

The main willow divides slightly to the right of center. Its branches rise, bend and get lost in a canopy made of small green, yellow and blue commas. On the left, other finer branches repeat this rhythm and prevent the sky from forming an empty area.

The other bank appears very low, through the trunks: ocher, pink and blue-gray houses form a discontinuous band behind the river. Monet reduces the architecture to a few colored masses so that the real subject remains the light filtered by the foliage.

The painting does not frame an isolated willow like a portrait of a tree: it takes the eye through a thickness of branches, leaves, air and reflections before reaching the houses of Vétheuil.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A composition dominated by flexible verticals

The trunks do not form a regular grid. They tilt, divide and cross, giving a lively rhythm that contrasts with the calm line of the river.

02

An almost entirely cold palette

Celadon greens, gray blues and light mauves overlap in the foliage. A few yellows in the grass and a few ochres on the houses warm up this range without breaking its unity.

03

Canvas reserves and light touches

Some areas remain very little covered and allow the surface to breathe. This airy execution reflects the transparency of young leaves and the passage of light rather than a compact plant mass.

Reference image

Read this specific version

The National Gallery of Art's unique open image is extracted from its IIIF service at 3,000 × 2,405 px then encoded as a real WebP, without artificial enlargement.

Composition01

Preserve the fineness of the high branches

The branches must remain visible without transforming into black contours. Their fragility is essential to the impression of foliage crossed by the air.

Color02

Keep the opposite bank low and discontinuous

The houses form only a narrow strip beyond the water. Enlarging them would move the main pattern of the trees towards the village.

Matter03

Keep the greens pale and nuanced

The foliage mixes yellow, blue, gray and soft green. Uniform saturation would remove the light passages that give W611 its full vibration.

Documented benchmarks

Three pieces of information specific to this work

The National Gallery of Art preserves Les Saules, oil on canvas from 1880, 66.68 × 81.92 cm, inventory 2015.19.65 and Wildenstein 611.

Location01

The banks of the Seine at Vétheuil

Old exhibition titles, including Saules au bord de la rivière and Saules de Vétheuil, confirm the identification of the painted site during Monet's stay in the village.

Registration02

"Claude Monet 188[?]" bottom right

The last number has become difficult to read, but the National Gallery of Art catalog dates the work to 1880 and links it to Wildenstein 611.

Provenance03

From Durand-Ruel to the Corcoran Collection

Sold by the artist in November 1880, the painting went to Potter and Bertha Palmer, then joined the Corcoran Gallery before its transfer to the National Gallery of Art in 2015.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 611 version
  • The large willow slightly off-center
  • The Seine visible between the trunks
  • The houses of Vétheuil on the opposite bank

Work sheet

Title Willows W611
Artist Claude Monet (1840 -1926)
Date 1880
Original technique Oil on canvas
Dimensions 66.68 × 81.92 cm
Orientation Horizontal
Conservation National Gallery of Art, Washington, United States
Inventory 2015.19.65 · Wildenstein 611
Your reproduction Handmade oil painting on canvas
View the notice and open image - National Gallery of Art · 2015.19.65

Presentation in your interior

A palette designed with the room

This bright horizontal landscape is suitable for a living room, bedroom or reading space. A sage green, ivory or mist blue wall and a light frame reinforce its plant transparency.

Les Saules W611, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

Claude Monet French painting – French artists Impressionist

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
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