A composition dominated by flexible verticals
The trunks do not form a regular grid. They tilt, divide and cross, giving a lively rhythm that contrasts with the calm line of the river.
Canvas reproduction
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Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · Vétheuil · 1880 · W611
From a grassy bank, Monet looks out over the Seine through a curtain of willows. The thin trunks and flexible branches occupy almost the entire height, but reveal the lilac gray water and the houses on the opposite bank. Dated 1880, this oil on canvas measuring 66.68 × 81.92 cm is kept in the National Gallery of Art under number 2015.19.65 and corresponds to Wildenstein 611.

Look at the work
The main willow divides slightly to the right of center. Its branches rise, bend and get lost in a canopy made of small green, yellow and blue commas. On the left, other finer branches repeat this rhythm and prevent the sky from forming an empty area.
The other bank appears very low, through the trunks: ocher, pink and blue-gray houses form a discontinuous band behind the river. Monet reduces the architecture to a few colored masses so that the real subject remains the light filtered by the foliage.
The painting does not frame an isolated willow like a portrait of a tree: it takes the eye through a thickness of branches, leaves, air and reflections before reaching the houses of Vétheuil.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
The trunks do not form a regular grid. They tilt, divide and cross, giving a lively rhythm that contrasts with the calm line of the river.
Celadon greens, gray blues and light mauves overlap in the foliage. A few yellows in the grass and a few ochres on the houses warm up this range without breaking its unity.
Some areas remain very little covered and allow the surface to breathe. This airy execution reflects the transparency of young leaves and the passage of light rather than a compact plant mass.
Reference image
The National Gallery of Art's unique open image is extracted from its IIIF service at 3,000 × 2,405 px then encoded as a real WebP, without artificial enlargement.
The branches must remain visible without transforming into black contours. Their fragility is essential to the impression of foliage crossed by the air.
The houses form only a narrow strip beyond the water. Enlarging them would move the main pattern of the trees towards the village.
The foliage mixes yellow, blue, gray and soft green. Uniform saturation would remove the light passages that give W611 its full vibration.
Documented benchmarks
The National Gallery of Art preserves Les Saules, oil on canvas from 1880, 66.68 × 81.92 cm, inventory 2015.19.65 and Wildenstein 611.
Old exhibition titles, including Saules au bord de la rivière and Saules de Vétheuil, confirm the identification of the painted site during Monet's stay in the village.
The last number has become difficult to read, but the National Gallery of Art catalog dates the work to 1880 and links it to Wildenstein 611.
Sold by the artist in November 1880, the painting went to Potter and Bertha Palmer, then joined the Corcoran Gallery before its transfer to the National Gallery of Art in 2015.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | Willows W611 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1880 |
| Original technique | Oil on canvas |
| Dimensions | 66.68 × 81.92 cm |
| Orientation | Horizontal |
| Conservation | National Gallery of Art, Washington, United States |
| Inventory | 2015.19.65 · Wildenstein 611 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
This bright horizontal landscape is suitable for a living room, bedroom or reading space. A sage green, ivory or mist blue wall and a light frame reinforce its plant transparency.
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