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La Zaan à Zaandam W172 par Claude Monet, 1871, collection particulière

La Zaan in Zaandam W172 - Claude Monet

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Artwork description

Reproduction details

Claude Monet · La Zaan and its mills in 1871 · Wildenstein 172

The Zaan to Zaandam W172hand painted reproduction

A large brown sail advances on the Zaan in front of a bank punctuated by mills, red houses and small boats. The very low horizon leaves an immense place for the sky; its blues, whites and yellows are repeated in the water in short touches. Monet transforms a Dutch panorama into a construction of light where each vertical of mill responds to the movement of the sailboat.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
La Zaan in Zaandam W172 - Claude Monet - full view
The Zaan to Zaandam W172Claude Monet · 1871
1871Dating
42 × 73 cmDimensions of the original
Oil on canvasOriginal technique
Wildenstein 172Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A brown sail crosses the landscape of the mills

The main boat occupies the foreground slightly to the left of the center. Its triangular sail, heavy and warm, stands out against the clear sky; the dark red hull and its reflection form a compact base. A small black boat appears on the left, closer to the edge, and introduces a second navigation ladder.

On the opposite bank, the mills follow one another like small silhouettes. One of them, larger and topped with red and white wings, dominates a group of houses with orange roofs. Horizontal reflections extend these colors into the Zaan without exactly reproducing the shapes.

The main sail advances in front of an almost miniature bank: the river becomes the main space of the painting.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A horizon placed in the lower third

The sky and its reflection benefit from deep breathing. The mills remain low, which accentuates the presence of the sailboat in the foreground.

02

A dark shape surrounded by light

The brown sail focuses the eye because it stands out against light blues and yellows. Its warmth responds to the roofs of the shore.

03

Verticals that punctuate the distance

Masts and mill wings repeat themselves while decreasing. These fine signs are enough to measure distance without a strong geometric perspective.

Reference image

Read this specific version

The unique reference corresponds to the Wildenstein 172 version, kept in a private collection. The public domain file measures 1,600 × 917 px; it is kept at its native definition, without enlargement, then converted to WebP.

Composition01

A foreground occupied by a single sail

The boat hides part of the shore but leaves the mills visible on each side. This overlap immediately creates depth.

Color02

Light blues crossed with ocher

The sky and water share a luminous range. The browns of the sail and the reds of the houses give this freshness anchor points.

Matter03

A fragmented touch in the water

Small blue, white, gray and yellow gestures overlap without forming continuous lines. The reflection remains mobile and luminous.

Documented benchmarks

Three pieces of information specific to this work

This oil on canvas from 1871, measuring 42 × 73 cm, is identified as Wildenstein 172 and remains in a private collection.

Stay01

Monet in Zaandam during the summer of 1871

After London, Monet settled with Camille and their son Jean in this town near Amsterdam. He worked there for around four months and created more than twenty landscapes.

Landscape02

The Zaan, boats and mills

The river brings together the motifs that then hold the artist back: active navigation, colorful houses and industrial mills whose silhouettes structure the horizon.

Catalog03

A separate version under number 172

The catalog raisonné distinguishes several views of the Zaan painted from different points. This precise composition is recognized by its large brown sail and by the mill with its colorful wings on the bank.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Respect the panoramic ratio and the very low horizon line.
  • Maintain the warmth of the main sail against the light blues of the sky.
  • Differentiate the silhouettes of each mill without enlarging them.
  • Reproduce reflections in short, irregular touches rather than continuous strips.

Work sheet

Title The Zaan to Zaandam W172
Artist Claude Monet (1840 -1926)
Date 1871
Original technique Oil on canvas
Dimensions 42 × 73 cm
Orientation Panoramic
Conservation Private collection, Undocumented
Inventory Wildenstein 172
Your reproduction Handmade oil painting on canvas
View the work reference - Wikimedia Commons - Wildenstein 172 catalog

Presentation in your interior

A palette designed with the room

Its stretched format, clear sky and brown veil are suitable above a sofa, sideboard or desk. A light oak, walnut or matte bronze frame highlights warm accents without weighing down the horizon.

La Zaan in Zaandam W172, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
La Zaan in Zaandam W172 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

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