A succession of caps as a measure of distance
The cliffs overlap from the foreground to the bottom. Their regular decrease gives a very clear depth without architectural perspective.
Canvas reproduction
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Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · Fécamp · 1881 · W650
From the top of a cliff, the gaze runs along a succession of red capes into the distance. The pale green sea is almost still; a few tiny sails are enough to give the scale of the bay. Painted in 1881, this oil on canvas measuring 60 × 73.5 cm belongs to the Rudolf Staechelin collection and corresponds to Wildenstein 650, under the documented title Calm Time, Fécamp.

Look at the work
The nearby cliff occupies the entire left edge and descends towards a narrow beach. The following capes repeat its shape, decreasing to the horizon. The large surface of water opens the composition to the right.
Ocher, red and purple-brown shape the chalk and earth of the cliff. The sea mixes sea green, gray, pale blue and pink. The sky takes on these tones with very little contrast, which reinforces the effect of calm.
The movement comes less from the waves than from the repetition of the cliffs: each cape pushes the gaze a little further along the coast.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
The cliffs overlap from the foreground to the bottom. Their regular decrease gives a very clear depth without architectural perspective.
The horizontal keys are long and not very contrasting. A few lighter lines near the shore indicate only the faint surf.
Small light and dark boats punctuate the water. Their tiny scale amplifies the extent of the bay and the height of the viewpoint.
Reference image
A single exact image of W650 is used throughout the listing and as the sole Shopify media. The real WebP measures 1000 × 806 px and has not undergone any artificial enlargement.
Its reds, ochres and purples must remain distinct to maintain the relief of the rock.
It should become neither uniform blue nor white; its subtle nuances carry the effect of calm weather.
These precise accents give scale and liven up the water without breaking the silence of the landscape.
Documented benchmarks
The documentation for Temps calme, Fécamp identifies an oil on canvas from 1881, 60 × 73.5 cm, belonging to the Rudolf Staechelin collection and listed as Wildenstein 650.
The catalog raisonné and the image documentation precisely link W650 to Fécamp. The composition shows the coast observed from a high cliff.
Monet paints the sea, capes and beaches in very different states of light. Here, the absence of storms allows us to study the light shades of the water.
The painting has long been presented at the Kunstmuseum Basel with the Staechelin collection; it remains today in this private collection.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | Quiet weather, Fécamp W650 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1881 |
| Original technique | Oil on canvas |
| Dimensions | 60 × 73.5 cm |
| Orientation | Horizontal |
| Conservation | Rudolf Staechelin Collection, Private Collection |
| Inventory | Wildenstein 650 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
This horizontal navy is suitable for a living room, bedroom or office. A sea green, stone beige or light gray wall and a brown wood frame highlight its coastal tones.
Custom order
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