Room 710 of the Grande Galerie du Louvre where four paintings by Leonardo da Vinci are exhibited
Louvre Museum · Denon Wing · Level 1

Leonardo da Vinci's paintings at the Louvre

The list of five masterpieces, their exact rooms and a simple route to see The Mona Lisa, The Virgin of the Rocks, La Belle Ferronnière, La Sainte Anne and Saint Jean Baptiste without unnecessarily retracing your steps.

Quick response: the Louvre preserves five major paintings by Leonardo da Vinci. Four are grouped into room 710, in the Great Gallery, and The Mona Lisa located right next door in room 711, known as the States Hall. Both rooms are in the Denon Wing, on level 1.

Number of paintings5 major works
Rooms710 and 711
LocationDenon · level 1
Targeted duration30 to 45 minutes
The complete list

Five paintings, two neighboring rooms

The grouping is exceptional: it allows portraits, religious compositions and Leonardo's late manner to be compared almost side by side. Inventory numbers avoid confusion with copies and studio works.

Work Date Inventory Hall Support and format Notice
The Virgin of the Rocks 1483 - 1486 INV 777 710 Wood transposed onto canvas
199 × 122 cm
Louvre
Portrait of a woman, wrongly said La Belle Ferronnière around 1490 -1497 INV 778 710 Wood
63 × 45 cm
Louvre
The Virgin, the Child Jesus and Saint Anne around 1503 -1519 INV 776 710 Wood
168 × 130 cm
Louvre
Saint John the Baptist around 1508 -1519 INV 775 710 Walnut
72.9 × 56.3 cm
Louvre
Portrait of Lisa Gherardini, known as The Mona Lisa around 1503 -1519 INV 779 711 Poplar
79.4 × 53.4 cm
Louvre

Namely: the dates are conservative ranges and several works have been repeated at length. The Louvre indicates the current location, but a loan, a restoration or a room closure can occasionally modify the hanging.

Recommended route

See the five works directly

From the pyramid, follow the signs "Denon", "Italian Paintings" then "The Mona Lisa". Rooms 710 and 711 are contiguous: the choice of order depends mainly on the crowds.

Salle des Estates of the Louvre with La Mona Lisa
1

Climb into the Denon wing

From the Napoleon hall, take Denon access then reach level 1. Signage towards La Mona Lisa is the simplest landmark.

2

Start with room 710

In the Grand Gallery, take the time to see Leonardo's four paintings. They are less distant from view and easier to compare.

3

Go to room 711

Then enter the States Room for The Mona Lisa. The Wedding at Cana by Veronese, on the opposite wall, is also worth a stop.

4

Reverse order at opening

If The Mona Lisa is your priority, go straight to 711 as soon as it opens, then return to 710 when the first stream of visitors moves.

Two useful durations: allow 30 to 45 minutes for the five paintings; allow 60 to 90 minutes if you look at the details, studio works and other Italian paintings in the Grande Galerie.

Room 711

The Mona Lisa: small in format, immense in attention

The glass, the safety distance and the crowd change the perception of the painting. Look at the whole thing first, then look for light transitions rather than sharp contours.

Leonardo da Vinci's Mona Lisa in high definition
INV 779 · room 711

Portrait of Lisa Gherardini, known as The Mona Lisa

Poplar79.4 × 53.4 cmaround 1503 -1519

The bust, crossed hands and parapet stabilize the figure, while the roads, waters and mountains construct an almost geological landscape. THE sfumato softens transitions around the eyes and mouth: the smile seems to change because it does not depend on a single trait.

To see it better, first stand slightly behind the central group. Overall reading often works better than trying to get as close to the window as possible.

Read the official notice from the Louvre →
Room 710

Four works to follow Leonardo's evolution

Room 710 allows you to go from an ambitious Milanese composition to two late works, while comparing a court portrait and research on light, gestures and landscapes.

Louvre version of The Virgin of the Rocks by Leonardo da Vinci
INV 777 · first bay

The Virgin of the Rocks

1483 - 1486199 × 122 cm

A wet cave replaces the usual architecture. The gestures connect the Virgin, the Child Jesus, Saint John and the angel in a silent circulation. Compare the plants in the foreground, the bluish depth and the angel's hand turned towards Saint John.

Official notice →
Portrait of a woman wrongly called La Belle Ferronnière by Leonardo da Vinci
INV 778 · Milanese portrait

La Belle Ferronnière

around 1490 -149763 × 45 cm

The parapet separates the woman from our space, but the oblique gaze cancels this distance. The headdress, the frontal jewel and the ribbons describe a social rank; the light shapes the face without stiffening the features.

Official notice →
The Virgin, Child Jesus and Saint Anne by Leonardo da Vinci at the Louvre
INV 776 · late work

The Saint Anne

around 1503 -1519168 × 130 cm

Three generations fit together in a flexible pyramid: Anne carries Mary, Mary holds the Child, and Jesus seizes the lamb which announces the Passion. Anne's smile and mineral landscape expand the scene well beyond a simple family group.

Official notice →
Saint John the Baptist by Leonardo da Vinci at the Louvre
INV 775 · late work

Saint John the Baptist

around 1508 -1519Walnut

The saint emerges from the black without decoration. His right hand points towards the sky while the smile and the look create a direct presence. The contours seem to dissolve: the light not only describes the body, it makes it appear.

Official notice →
Look better

Three details to compare

The visit becomes richer when we look for the same problem from one work to another: how to shape a face, connect gestures and make a landscape breathe.

Detail of the hands of The Mona Lisa

Hands

At La Mona Lisa, they form a calm base. In La Sainte Anne, the arms lead to the movement of the Child and the lamb.

Detail of the gesture of Saint John the Baptist

The gestures

A finger, a palm or a look are enough to connect the figures. Leonardo transforms the gesture into visual syntax.

Detail of the rocky landscape of The Virgin of the Rocks

Landscapes

Rocks, waters and horizons are not neutral backgrounds: they extend the time, matter and atmosphere of the painting.

Do not confuse

Original, workshop and old title

The proximity of paintings associated with Leonardo can make everything seem like his hand. Cartels and inventory numbers are essential.

Saint John the Baptist formerly transformed into Bacchus, Leonardo's studio work
The great Saint John /Bacchus, INV 780This large figure is attributed to the workshop, perhaps to Francesco Melzi. It should not be confused with the small one Saint John the Baptist autograph, INV 775.
Portrait formerly called La Belle Ferronnière, inventory 786 of the Louvre
Why "said wrongly"?The name La Belle Ferronnière historically designated another portrait, INV 786. A confusion of prints attached this spectacular title to Leonardo's painting, INV 778.

The drawings: the Louvre also preserves twenty-two drawings by Leonardo. Works on paper are fragile and are not all permanently exhibited. Consult the collection opening calendar and the programming of the Graphic Arts department before planning a specific room.

Prepare the visit

Hours, attendance and access

Practical information changes faster than hanging. Always check the official website on the day of your visit, especially in summer and at night.

Schedules

Monday, Thursday, Saturday and Sunday: 9 a.m. - 6 p.m. Wednesday and Friday: 9 a.m. - 9 p.m. Closing on Tuesday. Last entry one hour before closing.

Official times →

Best time

Aim for the opening, a night or the last hours. Room 711 remains dense: Room 710 generally offers quieter observation.

Reservation

Reservations may become mandatory depending on the period. For summer 2026, the Louvre announces a reservation required from July 1 to August 31 for almost all visitors.

Ticketing and official prices →

Open rooms

A work can be loaned or a room closed. Check access to collections and do not consider an old plan as an absolute guarantee.

Access to collections →

Accessibility: the museum publishes a recommended route to the Mona Lisa for visitors with reduced mobility. Hall agents can also indicate elevators and today's route.

Leonardo da Vinci Collection

Find the works of the Louvre in reproduction

Extend the visit with hand-painted reproductions, offered in several formats and linked to the corresponding collections of the store.

The entire Leonardo da Vinci collection

Portraits, religious scenes and famous paintings, with customizable dimensions.

See the collection
Frequently asked questions

Visit Leonardo at the Louvre

How many paintings by Leonardo da Vinci does the Louvre have?

The Louvre presents five major paintings recognized as works by Leonardo da Vinci: The Mona Lisa, The Virgin of the Rocks, La Belle Ferronnière, La Sainte Anne and Saint Jean Baptiste.

In which room is The Mona Lisa located?

The Mona Lisa is located in Room 711, called the States Room, in the Denon Wing on Level 1.

Where are the other four paintings?

They are grouped in room 710, in the Grande Galerie, right next to the Salle des Estates.

Which order of visit to choose?

For a logical visit, first see the four paintings in room 710 then The Mona Lisa in 711. When opening, reverse the order if your priority is to see The Mona Lisa with fewer people.

Are the five works still on display?

The location is that indicated by the Louvre, but a loan, restoration or occasional closure may modify the hanging. Check the official website before your visit.

Can we see Leonardo's drawings during the same visit?

Not necessarily. The Louvre retains twenty-two drawings, but not all works on paper are permanently exhibited due to their fragility.

How much time should you allow?

Thirty to forty-five minutes are enough for a journey focused on the five paintings. Allow up to an hour and a half to observe details and neighboring works.

Is La Belle Ferronnière really its title?

The title is traditional, but the Louvre writes "Portrait of a woman, wrongly called La Belle Ferronnière". The confusion comes from another portrait formerly associated with this name.

Institutional sources: notices of the five works in the Louvre Collections, "Treasures of the Italian Renaissance" route, museum opening hours and prices, calendar of access to the collections. Room information verified in July 2026; hanging and access conditions may change.

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