Baroque, classicism, chiaroscuro and Golden Age

Top 100 painters of the 17th century

From Caravaggio, Rubens, Rembrandt, Velazquez and Vermeer to Poussin, Claude Lorrain, Artemisia Gentileschi, Frans Hals and Georges de La Tour, here are the great painters who shaped the 17th century.

The 17th century is one of the most powerful ages in the history of painting. It saw the birth of Baroque, the triumph of chiaroscuro, the rise of Dutch genre painting, the grandeur of French and Roman classicism, Flemish aristocratic portraits, refined still lifes and landscapes that had become major subjects.

100classified painters
100collection links
2collections created
Rembrandt, maître du XVIIe siècle

Before the grid

Why the 17th century changed all painting

Around 1600, European painting changed. Caravaggio imposes dramatic light and popular models; the Carracci reinvent the great classical decor; Rubens gives the baroque an imperial energy; Velazquez and Rembrandt make portraiture an inner experience.

At the same time, the United Provinces invented an artistic market of incredible richness: landscapes, seascapes, interiors, still lifes, tavern scenes, civic portraits and architectural paintings. Painting is no longer just religious or princely: it also looks at the house, the city, the table, the sea and daily life.

Top 1 to 10

The peaks of the 17th century

Caravaggio, Rubens, Rembrandt, Velázquez, Vermeer, Poussin, Claude Lorrain, Van Dyck, Artemisia Gentileschi and Frans Hals concentrate the great revolutions of the century: light, portrait, classicism, theater and modern gaze.

Ranks 11 to 20

Italy, Spain and France of the Grand Siècle

From Carracci to Le Brun, this chapter follows classical reform, tenebrism, Spanish religious painting and the birth of a monumental French Baroque.

Ranks 21 to 30

Flanders, Rome and great baroque settings

Jordaens, Snyders, Teniers, Champaigne, Rosa, Sacchi, Maratta, Cortona and Preti show the amplitude of the Baroque, between Flemish abundance, dramatic landscape and Roman decor.

Ranks 31 to 40

Daily life and Dutch light

Jan Steen, De Hooch, Ter Borch, Metsu, Dou, Fabritius, Maes, Cuyp, Ruisdael and Hobbema make ordinary life, landscape and interior complete worlds.

Ranks 41 to 50

Landscape, animals and still life

Van Goyen, Ruysdael, Avercamp, Potter, Hondecoeter, Heda, Claesz, Kalf, De Heem and Rachel Ruysch take specialty genres to an exceptional level.

Ranks 51 to 60

Portraits, schools of Rembrandt and Caravaggesque Utrecht

Leyster, Van der Helst, Flinck, Bol, De Keyser, Lievens, Honthorst, Ter Brugghen and Van Baburen show the diversity of the Dutch Golden Age.

Ranks 61 to 70

Late mannerism, taverns, architecture and navy

Bloemaert, Wtewael, Van Ostade, Wouwerman, De Witte, Saenredam, Berckheyde, Van der Heyden and Bakhuizen broaden the painting of the century towards the city, the church, the sea and the people.

Ranks 71 to 80

Visionary landscapes and European crossroads

Van de Velde, Berchem, Dujardin, Seghers, Savery, Hoogstraten, Elinga, Vrel, Elsheimer and El Greco connect sea, dreamed Italy, perspective, silence and spirituality.

Ranks 81 to 90

Caravaggios, decorators and baroques from Europe

Orazio Gentileschi, Manfredi, Saraceni, Lanfranco, Albani, Strozzi, Cano, Coello, Maíno and Van der Meulen extended the Baroque throughout Europe.

Ranks 91 to 100

Classical France and Flemish heritage

Callot, La Hyre, Le Sueur, Bourdon, Mignard, Rigaud, Noël Coypel, Stella, Coques and Brouwer close the classification between war, portrait, decor, genre scene and classicism.

Method

How the 100 painters were selected

The selection favors artists who played a major role in 17th century painting, through their influence, their pictorial quality, their place in a school or their contribution to a genre: history, portrait, landscape, still life, genre scene, marine, architecture or religious painting.

The ranking balances the great universal names and specialized masters. He not only seeks the most famous painters, but those who best explain the variety of the century: Baroque Italy, Mystical Spain, Rubenian Flanders, Dutch Golden Age and Classical France.

Where to start?

Three simple routes in the 17th century

For chiaroscuro and drama, start with Caravaggio, Artemisia Gentileschi, Ribera, Georges de La Tour, Honthorst and Ter Brugghen. For baroque grandeur, look at Rubens, Van Dyck, Jordaens, Cortona, Lanfranco and Le Brun.

For daily life and silent light, go to Vermeer, Pieter de Hooch, Ter Borch, Metsu, Dou, Fabritius and Maes. For the landscape and still life, continue with Claude Lorrain, Poussin, Ruisdael, Cuyp, Heda, Kalf, De Heem and Rachel Ruysch.

The 17th century, laboratory of modern painting

This century is often summarized in Baroque, but it is much broader: he invents a new way of painting light, the body, the city, the house, power, the sea and objects. Its strength comes from this tension between spectacle and intimacy.

From Caravaggio to Vermeer, from Rubens to Rembrandt, from Velazquez to Poussin, the painters of the 17th century opened an immense part of our modern gaze: dramatic intensity, observation of reality, inner emotion and scholarly construction of the image.

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