100 paintings - five centuries of objects looked at
The 100 most famous still lifes
From Caravaggio's Basket of Fruits to Cubist Constructions, a hundred paintings that gave silent things historical power.
The route brings together vanities, tables served, bouquets, fruits, instruments and everyday objects. The paintings available in the store use their Alpha images and links; five modern works remain documentary and lead to the museum.
The world on a table
Why still life is a major genre
Still life seems to start from almost nothing: a few fruits, a glass, a bouquet, sometimes a book or a skull. However, it concentrates the big questions of painting - light, space, material, color and duration.
By immobilizing things, the painter does not make them inert: he reveals their weight, their fragility and their strange presence.
The ranking crosses several traditions without confusing fame and repetition. Each artist is limited in order to preserve the diversity of the genre and show its transformations.
The 100 still lifes in pictures
Twenty-five works that redefined still life.
#1
The Apple Basket
Classified no. 1, The Apple Basket shows how Paul Cézanne transforms a set of objects into a pictorial event. The fruits organize a laboratory of simple shapes: spheres, curves, folds and colored planes. Their balance on the table tests perspective and makes perception itself the true subject of the painting. In the 19th century, the motif became a terrain autonomous experimentation. The touch, color and construction of the space now count as much as descriptive accuracy. The dating chosen is around 1893 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and information available on the model. His fame lies in this ability to make the ordinary inexhaustible: the simpler the subject seems, the more complex the pictorial organization proves to be.
Image and link: Alpha Reproduction.
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#2
Sunflowers
Classified no. 2, Tournesols shows how Vincent van Gogh transforms a set of objects into a pictorial event. The bouquet becomes an architecture of colors. The stems regulate directions, the petals capture light and the vase stabilizes a whole where the ephemeral is observed with almost monumental precision. Modernity finally transforms the table into a field of construction: simplification, cubist fragmentation, expressive color and contemporary visual culture renew familiar objects. The dating chosen is 1888 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model. In this ranking, it serves as a benchmark because it summarizes a tradition while opening a new way of looking at close things.
Image and link: Alpha Reproduction.
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#3
Fruit basket
Classified No. 3, Fruit Basket shows how Caravaggio transforms a set of objects into a pictorial event. The fruits organize a laboratory of simple shapes: spheres, curves, folds and colored planes. Their balance on the table tests perspective and makes perception itself the true subject of the painting. It belongs to the great European boom of the genre in the 16th century and 17th centuries, when tables, flowers, food and precious objects became both demonstrations of virtuosity and moral signs. The dating chosen is around 1596 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and information available on the model.
Image and link: Alpha Reproduction.
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#4
The Ray
Classified no. 4, La Raie shows how Jean Siméon Chardin transforms a set of objects into a pictorial event. The work condenses a world in a restricted space. Framing, light, material and the intervals between objects lead the gaze and give a still scene a surprisingly active tension. In the 18th century, still life gained a new dignity: less spectacular, it focuses on the gravity of objects, the softness of light and the poetry of everyday life. The dating chosen is 1728 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model. The link associated with the image allows you to find the corresponding file, while the institutional notice remains the reference for dating and conservation.
Image and link: Alpha Reproduction.
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#5
Still life with lemons, oranges and roses
Classified No. 5, Still Life with Lemons, Oranges and Roses shows how Francisco de Zurbaran transforms a set of objects into a pictorial event. The bouquet becomes an architecture of colors. The stems regulate directions, the petals capture light and the vase stabilizes a whole where the ephemeral is observed with almost monumental precision. It belongs to the great boom european of the genre in the 16th and 17th centuries, when tables, flowers, food and precious objects became both demonstrations of virtuosity and moral signs. The dating chosen is 1633 and the technique indicated is oil on canvas or panel. The image and button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model.
Image and link: Alpha Reproduction.
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#6
Still life
Classified no. 6, Still Life shows how Pablo Picasso transforms a set of objects into a pictorial event. The work condenses a world into a restricted space. Framing, light, material and the intervals between objects lead the gaze and give a still scene a surprisingly active tension. Modernity finally transforms the table into a field of construction: simplification, cubist fragmentation, expressive color and contemporary visual culture renew familiar objects. The dating chosen is February 4, 1922 and the technique indicated is oil on canvas. This work remains strictly documentary: it is not offered for reproduction here. The image and button lead directly to the notice from the Art Institute of Chicago. In this classification, it serves as a benchmark because it summarizes a tradition while opening a new way of looking at close things.
Image: Art Institute of Chicago · Institutional notice.
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#7
Still life with fruits and stringed instrument
Classified no. 7, Still Life with Fruits and String Instrument shows how Georges Braque transforms a set of objects into a pictorial event. Objects are not simple accessories: their wear, their silence and their arrangement transform the scene into meditation on time, human presence and the fragility of things. Modernity finally transforms the table into a field of construction: simplification, cubist fragmentation, expressive color and contemporary visual culture renew familiar objects. The dating chosen is 1938 and the technique indicated is oil and sand on canvas. This work remains strictly documentary: it is not offered for reproduction here. The image and button lead directly to the Art Institute of notice Chicago. Digital reproduction provides access to composition, but scale, paint thickness and material ratios remain essential in front of the original.
Image: Art Institute of Chicago · Institutional notice.
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#8
Still life
Classified No. 8, Still Life shows how Giorgio Morandi transforms a set of objects into a pictorial event. The work condenses a world into a restricted space. Framing, light, material and the intervals between objects lead the gaze and give a still scene a surprisingly active tension. Modernity finally transforms the table into a field of construction: simplification, cubist fragmentation, expressive color and contemporary visual culture renew familiar objects. The dating chosen is 1955 and the technique indicated is oil on canvas. This work remains strictly documentary: it is not offered for reproduction here. The image and button lead directly to the notice from the Art Institute of Chicago. The link associated with the image allows you to find the corresponding file, while the institutional notice remains the reference for dating and conservation.
Image: Art Institute of Chicago · Institutional notice.
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#9
Cow skull with calico roses
Classified No. 9, Cow Skull with Calico Roses shows how Georgia O'Keeffe transforms a set of objects into a pictorial event. Objects are not simple accessories: their wear, their silence and their arrangement transform the scene into meditation on time, human presence and the fragility of things. Modernity finally transforms the table into a field of construction: simplification, cubist fragmentation, expressive color and contemporary visual culture renew familiar objects. The dating chosen is 1931 and the technique indicated is oil on canvas. This work remains strictly documentary: it is not offered for reproduction here. The image and the button lead directly to the notice from the Art Institute of Chicago. His fame holds to this capacity to make the ordinary inexhaustible: the simpler the subject seems, the more complex the pictorial organization proves to be.
Image: Art Institute of Chicago · Institutional notice.
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#10
Red interior, still life on blue table
Classified no. 10, Red Interior, Still Life on Blue Table shows how Henri Matisse transforms a set of objects into a pictorial event. The work condenses a world into a restricted space. Framing, light, material and the intervals between objects lead the gaze and give a still scene a surprisingly active tension. Modernity finally transforms the table into field of construction: simplification, cubist fragmentation, expressive color and contemporary visual culture renew familiar objects. The dating chosen is around 1905 -1947 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual from the store and the information available on the model. In this ranking, it serves as a benchmark because it summarizes a tradition while opening a new way of looking at things close to it.
Image and link: Alpha Reproduction.
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#11
Still life in front of an open window, Place Ravignan
Classified no. 11, Still Life in front of an open window, Place Ravignan shows how Juan Gris transforms a set of objects into a pictorial event. The work condenses a world into a restricted space. Framing, light, material and the intervals between objects lead the gaze and give a still scene a surprisingly active tension. Modernity finally transforms the table in the field of construction: simplification, cubist fragmentation, expressive color and contemporary visual culture renew familiar objects. The dating chosen is 1915 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model. Digital reproduction provides access to the composition, but scale, paint thickness and material ratios remain essential in front of the original.
Image and link: Alpha Reproduction.
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#12
The Old Violin
Classified no. 12, The Old Violin shows how William Michael Harnett transforms a set of objects into a pictorial event. Objects are not simple accessories: their wear, their silence and their arrangement transform the scene into meditation on time, human presence and the fragility of things. In the 19th century, the motif became an autonomous field of experimentation. The touch, the color and construction of the space now matter as much as descriptive accuracy. The dating chosen is 1886 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model. The link associated with the image allows you to find the corresponding file, while the institutional notice remains the reference for dating and conservation.
Image and link: Alpha Reproduction.
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#13
Still life: banquet scene
Classified No. 13, Still Life: Banquet Scene shows how Heem's Jan Davidsz transforms a set of objects into a pictorial event. The work condenses a world into a restricted space. The framing, light, material and intervals between objects lead the gaze and give a still scene a surprisingly active tension. It belongs to the great European boom of the genre 16th and 17th centuries, when tables, flowers, food and precious objects became both demonstrations of virtuosity and moral signs. The dating chosen is around 1640 -1670 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model.
Image and link: Alpha Reproduction.
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#14
Still life with fruits, glassware and Wanli bowl
Classified No. 14, Still Life with Fruits, Glassware and Wanli Bowl shows how Willem Kalf transforms a set of objects into a pictorial event. The fruits organize a laboratory of simple shapes: spheres, curves, folds and colored planes. Their balance on the table tests perspective and makes perception itself the true subject of the painting. It belongs to the big one european rise of the genre in the 16th and 17th centuries, when tables, flowers, food and precious objects became both demonstrations of virtuosity and moral signs. The dating chosen is 1653 and the technique indicated is oil on canvas or panel. The image and button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model.
Image and link: Alpha Reproduction.
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#15
Still life with a skull and a writing pen
Classified no. 15, Still Life with a Skull and a Writing Pen shows how Pieter Claesz transforms a set of objects into a pictorial event. Objects are not simple accessories: their wear, their silence and their arrangement transform the scene into meditation on time, human presence and the fragility of things. It belongs to the great European boom of the genre in the 16th century and 17th centuries, when tables, flowers, food and precious objects became both demonstrations of virtuosity and moral signs. The dating chosen is 1628 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model.
Image and link: Alpha Reproduction.
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#16
End of snack
Classified no. 16, End of Snack shows how Willem Claesz Heda transforms a set of objects into a pictorial event. The work condenses a world into a restricted space. The framing, light, material and intervals between objects lead the gaze and give a still scene a surprisingly active tension. It belongs to the great European boom of the genre in the 16th and 17th centuries centuries, when tables, flowers, food and precious objects become both demonstrations of virtuosity and moral signs. The dating chosen is 1637 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model. The link associated with the image allows you to find the corresponding file, while the institutional notice remains the reference for dating and conservation.
Image and link: Alpha Reproduction.
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#17
Still life with flowers and fruits
Classified No. 17, Still Life with Flowers and Fruits shows how Rachel Ruysch transforms a set of objects into a pictorial event. The bouquet becomes an architecture of colors. The stems regulate directions, the petals capture light and the vase stabilizes a whole where the ephemeral is observed with almost monumental precision. It belongs to the great European boom of the genre in the 16th and 17th centuries, when tables, flowers, food and precious objects became both demonstrations of virtuosity and moral signs. The dating chosen is around 1700 -1720 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model.
Image and link: Alpha Reproduction.
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#18
Still life with cheeses, artichokes and cherries
Classified No. 18, Still Life with Cheeses, Artichokes and Cherries shows how Clara Peeters transforms a set of objects into a pictorial event. The work condenses a world in a restricted space. The framing, light, material and intervals between objects lead the gaze and give a still scene a surprisingly active tension. It belongs to the great European boom of genre in the 16th and 17th centuries, when tables, flowers, food and precious objects became both demonstrations of virtuosity and moral signs. The dating chosen is around 1610 -1620 and the technique indicated is oil on canvas or panel. The image and button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model.
Image and link: Alpha Reproduction.
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#19
Still life with game, vegetables and fruits
Classified no. 19, Still Life with Game, Vegetables and Fruits shows how Juan Sanchez Cotân transforms a set of objects into a pictorial event. The variety of textures - skin, feather, flesh, metal, glass - allows the painter to measure his profession against visible reality. Material abundance, however, allows the precariousness of all living things to emerge. However, material abundance allows the precariousness of all living things to emerge. It belongs to the great European boom of genre in the 16th and 17th centuries, when tables, flowers, food and precious objects became both demonstrations of virtuosity and moral signs. The dating chosen is around 1600 -1627 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model.
Image and link: Alpha Reproduction.
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#20
Magnolias on light blue velvet fabric
Classified No. 20, Magnolias on Light Blue Velvet Fabric shows how Martin Johnson Heade transforms a set of objects into a pictorial event. The bouquet becomes an architecture of colors. The stems regulate directions, the petals capture light and the vase stabilizes a whole where the ephemeral is observed with almost monumental precision. In the 19th century, the pattern became one autonomous testing ground. The touch, color and construction of the space now count as much as descriptive accuracy. The dating chosen is around 1885 -1895 and the technique indicated is oil on canvas or panel. The image and button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model. The link associated with the image allows you to find the corresponding file, while the institutional notice remains the reference for dating and conservation.
Image and link: Alpha Reproduction.
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#21
Bouquet of Flowers
Classified No. 21, Bouquet of Flowers shows how Jan Brueghel the Elder transforms a set of objects into a pictorial event. The bouquet becomes an architecture of colors. The stems regulate directions, the petals capture light and the vase stabilizes a whole where the ephemeral is observed with almost monumental precision. It belongs to the great European boom of the genre in the 16th century and 17th centuries, when tables, flowers, food and precious objects became both demonstrations of virtuosity and moral signs. The dating chosen is around 1600 -1620 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model. Its fame lies in this ability to make the ordinary inexhaustible: the simpler the subject seems, the more complex the pictorial organization proves to be.
Image and link: Alpha Reproduction.
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#22
Shoes
Classified no. 22, Les Souliers shows how Vincent van Gogh transforms a set of objects into a pictorial event. Objects are not simple accessories: their wear, their silence and their arrangement transform the scene into meditation on time, human presence and the fragility of things. Modernity finally transforms the table into a field of construction: simplification, cubist fragmentation, expressive color and contemporary visual culture renew familiar objects. The dating chosen is 1886 -1889 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model. In this ranking, it serves as a benchmark because it summarizes a tradition while opening a new way of looking at close things.
Image and link: Alpha Reproduction.
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#23
Still life of oranges and lemons with blue gloves
Classified No. 23, Still Life of Oranges and Lemons with Blue Gloves shows how Vincent van Gogh transforms a set of objects into a pictorial event. The fruits organize a laboratory of simple shapes: spheres, curves, folds and colored planes. Their balance on the table tests perspective and makes perception itself the true subject of the painting. Modernity finally transforms the table into a field of construction: simplification, cubist fragmentation, expressive color and contemporary visual culture renew familiar objects. The dating chosen is 1886 -1889 and the technique indicated is oil on canvas or panel. The image and button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model.
Image and link: Alpha Reproduction.
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#24
Kettle and fruit
Classified no. 24, Kettle and Fruits shows how Paul Cézanne transforms a set of objects into a pictorial event. The fruits organize a laboratory of simple shapes: spheres, curves, folds and colored planes. Their balance on the table tests perspective and makes perception itself the true subject of the painting. In the 19th century, the motif became a terrain autonomous experimentation. The touch, color and construction of space now count as much as descriptive accuracy. The dating chosen is around 1877 -1895 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model. The link associated with the image allows you to find the corresponding file, while the institutional notice remains the reference for dating and conservation.
Image and link: Alpha Reproduction.
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#25
The Silver Cup
Classified no. 25, The Silver Goblet shows how Jean Siméon Chardin transforms a set of objects into a pictorial event. The work condenses a world in a restricted space. Framing, light, material and the intervals between objects lead the gaze and give a still scene a surprisingly active tension. In the 18th century, still life gained a new dignity: less spectacular, it focuses on the gravity of objects, the softness of light and the poetry of everyday life. The dating chosen is around 1728 -1760 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model.
Image and link: Alpha Reproduction.
See this reproduction →The Dutch Golden Age dialogues with Spain, Flanders and France.
#26
Vanity to musical instruments, with the five senses
Classified No. 26, Vanity with Musical Instruments, with the Five Senses shows how Pieter Claesz transforms a set of objects into a pictorial event. Objects are not simple accessories: their wear, their silence and their arrangement transform the scene into meditation on time, human presence and the fragility of things. It belongs to the great European boom of the genre 16th and 17th centuries, when tables, flowers, food and precious objects became both demonstrations of virtuosity and moral signs. The dating chosen is around 1625 -1645 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model.
Image and link: Alpha Reproduction.
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#27
Still life with crab, fruit and glass
Classified no. 27, Still Life with Crab, Fruit and Glass shows how Pieter Claesz transforms a set of objects into a pictorial event. The variety of textures - skin, feather, flesh, metal, glass - allows the painter to measure his profession against visible reality. Material abundance, however, allows the precariousness of all living things to emerge. However, material abundance reveals the precariousness of all living things. It belongs to the great European growth of the genre in the 16th and 17th centuries, when tables, flowers, food and precious objects became both demonstrations of virtuosity and moral signs. The dating chosen is around 1625 -1645 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model.
Image and link: Alpha Reproduction.
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#28
Still life with herring
Classified no. 28, Still Life with Herring shows how Pieter Claesz transforms a set of objects into a pictorial event. The variety of textures - skin, feather, flesh, metal, glass - allows the painter to measure his profession against visible reality. Material abundance, however, reveals the precariousness of all living things. It belongs to the great European boom of the genre in the 16th and 17th centuries centuries, when tables, flowers, food and precious objects become both demonstrations of virtuosity and moral signs. The dating chosen is around 1625 -1645 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model. The link associated with the image allows you to find the corresponding file, while the institutional notice remains the reference for dating and conservation.
Image and link: Alpha Reproduction.
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#29
Fruits and rich dishes on a table, formerly A dessert
Classified No. 29, Fruits and rich tableware on a table, formerly A dessert shows how Jan Davidsz de Heem transforms a set of objects into a pictorial event. The fruits organize a laboratory of simple shapes: spheres, curves, folds and colored planes. Their balance on the table tests perspective and makes perception itself the true subject of the painting. She belongs to the great European boom of the genre in the 16th and 17th centuries, when tables, flowers, food and precious objects became both demonstrations of virtuosity and moral signs. The dating chosen is around 1640 -1670 and the technique indicated is oil on canvas or panel. The image and button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model.
Image and link: Alpha Reproduction.
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#30
Still life with a glass and oysters
Classified No. 30, Still Life with a Glass and Oysters shows how Jan Davidsz de Heem transforms a set of objects into a pictorial event. The variety of textures - skin, feather, flesh, metal, glass - allows the painter to measure his profession against visible reality. Material abundance, however, allows the precariousness of all living things to emerge. However, material abundance reveals the precariousness of all living things. It belongs to the great European boom of genre in the 16th and 17th centuries, when tables, flowers, food and precious objects became both demonstrations of virtuosity and moral signs. The dating chosen is around 1640 -1670 and the technique indicated is oil on canvas or panel. The image and button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model.
Image and link: Alpha Reproduction.
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#31
Still life with lobster and nautilus
Classified no. 31, Still Life with Lobster and Nautilus shows how Jan Davidsz de Heem transforms a set of objects into a pictorial event. The variety of textures - skin, feather, flesh, metal, glass - allows the painter to measure his profession against visible reality. Material abundance, however, allows the precariousness of all living things to emerge. However, material abundance reveals the precariousness of all living things. It belongs to the great European growth of the genre in the 16th and 17th centuries, when tables, flowers, food and precious objects became both demonstrations of virtuosity and moral signs. The dating chosen is around 1640 -1670 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model.
Image and link: Alpha Reproduction.
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#32
Vase of Flowers
Classified No. 32, Vase of Flowers shows how Jan Davidsz de Heem transforms a set of objects into a pictorial event. The bouquet becomes an architecture of colors. The stems regulate directions, the petals capture light and the vase stabilizes a whole where the ephemeral is observed with almost monumental precision. It belongs to the great European boom of the genre in the 16th and 17th centuries centuries, when tables, flowers, food and precious objects become both demonstrations of virtuosity and moral signs. The dating chosen is around 1640 -1670 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model. The link associated with the image allows you to find the corresponding file, while the institutional notice remains the reference for dating and conservation.
Image and link: Alpha Reproduction.
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#33
Still life with watermelon and apples
Classified no. 33, Still Life with Watermelon and Apples shows how Luis Meléndez transforms a set of objects into a pictorial event. The fruits organize a laboratory of simple shapes: spheres, curves, folds and colored planes. Their balance on the table tests perspective and makes perception itself the true subject of the painting. In the 18th century, still life won a new dignity: less spectacular, it attaches to the gravity of objects, the softness of light and the poetry of everyday life. The dating chosen is around 1760 -1775 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model.
Image and link: Alpha Reproduction.
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#34
Still life with salmon, lemon and containers
Classified no. 34, Still Life with Salmon, Lemon and Containers shows how Luis Meléndez transforms a set of objects into a pictorial event. The variety of textures - skin, feather, flesh, metal, glass - allows the painter to measure his profession against visible reality. Material abundance, however, allows the precariousness of all living things to emerge. In the 18th century, still life gained a reputation new dignity: less spectacular, it focuses on the gravity of objects, the softness of light and the poetry of everyday life. The dating chosen is around 1760 -1775 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model.
Image and link: Alpha Reproduction.
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#35
Still life with oranges and nuts
Classified no. 35, Still Life with Oranges and Nuts shows how Luis Meléndez transforms a set of objects into a pictorial event. The fruits organize a laboratory of simple shapes: spheres, curves, folds and colored planes. Their balance on the table tests perspective and makes perception itself the true subject of the painting. In the 18th century, still life gained a new dignity: less spectacular, it focuses on the gravity of objects, the softness of light and the poetry of everyday life. The dating chosen is around 1760 -1775 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model.
Image and link: Alpha Reproduction.
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#36
Still life with figs and bread
Classified no. 36, Still Life with Figs and Bread shows how Luis Meléndez transforms a set of objects into a pictorial event. The fruits organize a laboratory of simple shapes: spheres, curves, folds and colored planes. Their balance on the table tests perspective and makes perception itself the true subject of the painting. In the 18th century, still life gained a new dignity: less spectacular, it focuses on the gravity of objects, the softness of light and the poetry of everyday life. The dating chosen is around 1760 -1775 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model.
Image and link: Alpha Reproduction.
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#37
The snack
Classified no. 37, The Snack shows how Luis Meléndez transforms a set of objects into a pictorial event. The work condenses a world in a restricted space. Framing, light, material and the intervals between objects lead the gaze and give a still scene a surprisingly active tension. In the 18th century, still life gained a new dignity: less spectacular, it focuses on the gravity of objects, the softness of light and the poetry of everyday life. The dating chosen is around 1760 -1775 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model. Its fame lies in this ability to make the ordinary inexhaustible: the simpler the subject seems, the more complex the pictorial organization proves to be.
Image and link: Alpha Reproduction.
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#38
Still life with game
Classified no. 38, Still Life with Game shows how Juan Sanchez Cotân transforms a set of objects into a pictorial event. The variety of textures - skin, feather, flesh, metal, glass - allows the painter to measure his profession against visible reality. Material abundance, however, allows the precariousness of all living things to emerge. However, material abundance reveals the precariousness of all living things. It belongs to the great European boom of the genre in the 16th century and 17th centuries, when tables, flowers, food and precious objects became both demonstrations of virtuosity and moral signs. The dating chosen is around 1600 -1627 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model.
Image and link: Alpha Reproduction.
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#39
Still life with suspended game
Classified no. 39, Still Life with Hanging Game shows how Juan Sanchez Cotân transforms a set of objects into a pictorial event. The variety of textures - skin, feather, flesh, metal, glass - allows the painter to measure his profession against visible reality. Material abundance, however, allows the precariousness of all living things to emerge. However, material abundance reveals the precariousness of all living things. It belongs to the great European boom in the genre 16th and 17th centuries, when tables, flowers, food and precious objects became both demonstrations of virtuosity and moral signs. The dating chosen is around 1600 -1627 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model.
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#40
Still life with ham, game and tableware
Classified no. 40, Still Life with Ham, Game and Tableware shows how Willem Claesz Heda transforms a set of objects into a pictorial event. The variety of textures - skin, feather, flesh, metal, glass - allows the painter to measure his profession against visible reality. Material abundance, however, allows the precariousness of all living things to emerge. However, material abundance allows the precariousness of all living things to emerge. It belongs to the great European boom of the genre in the 16th and 17th centuries, when tables, flowers, food and precious objects became both demonstrations of virtuosity and moral signs. The dating chosen is around 1630 -1650 and the technique indicated is oil on canvas or panel. The image and button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model.
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#41
Still life with fish, oysters and shrimp
Classified No. 41, Still Life with Fish, Oysters and Shrimp shows how Clara Peeters transforms a set of objects into a pictorial event. The variety of textures - skin, feather, flesh, metal, glass - allows the painter to measure his profession against visible reality. Material abundance, however, allows the precariousness of all living things to emerge. However, material abundance allows the precariousness of all living things to emerge. It belongs to the great European boom of genre in the 16th and 17th centuries, when tables, flowers, food and precious objects became both demonstrations of virtuosity and moral signs. The dating chosen is around 1610 -1620 and the technique indicated is oil on canvas or panel. The image and button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model.
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#42
The fruit and vegetable seller
Classified no. 42, The Fruit and Vegetable Merchant shows how Louise Moillon transforms a set of objects into a pictorial event. The fruits organize a laboratory of simple shapes: spheres, curves, folds and colored planes. Their balance on the table tests perspective and makes perception itself the true subject of the painting. In the 18th century, still life won a new dignity: less spectacular, it attaches to the gravity of objects, the softness of light and the poetry of everyday life. The dating chosen is around 1630 -1640 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model.
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#43
Cut of cherries, plums and melon
Classified no. 43, Cut of Cherries, Plums and Melon shows how Louise Moillon transforms a set of objects into a pictorial event. The fruits organize a laboratory of simple shapes: spheres, curves, folds and colored planes. Their balance on the table tests perspective and makes perception itself the true subject of the painting. In the 18th century, still life won a new dignity: less spectacular, it attaches to the gravity of objects, the softness of light and the poetry of everyday life. The dating chosen is around 1630 -1640 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model.
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#44
Still life with peaches and plums
Classified no. 44, Still Life with Peaches and Plums shows how Louise Moillon transforms a set of objects into a pictorial event. The fruits organize a laboratory of simple shapes: spheres, curves, folds and colored planes. Their balance on the table tests perspective and makes perception itself the true subject of the painting. In the 18th century, still life gains a new dignity: less spectacular, it attaches itself to the gravity of objects, the softness of light and the poetry of everyday life. The dating chosen is around 1630 -1640 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model.
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#45
Still life with flowers and fruits - Anne Vallayer-Coster
Classified no. 45, Still life with flowers and fruits - Anne Vallayer-Coster shows how Anne Vallayer-Coster transforms a set of objects into a pictorial event. The bouquet becomes an architecture of colors. The stems regulate directions, the petals capture light and the vase stabilizes a whole where the ephemeral is observed with almost monumental precision. In the 18th century, the still life gains a new dignity: less spectacular, it attaches itself to the gravity of objects, the softness of light and the poetry of everyday life. The dating chosen is around 1770 -1785 and the technique indicated is oil on canvas or panel. The image and button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model.
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#46
Vase of flowers and shell
Classified no. 46, Vase of flowers and shell shows how Anne Vallayer-Coster transforms a set of objects into a pictorial event. The bouquet becomes an architecture of colors. The stems regulate directions, the petals capture light and the vase stabilizes a whole where the ephemeral is observed with almost monumental precision. In the 18th century, still life gained dignity short story: less spectacular, it focuses on the gravity of objects, the softness of light and the poetry of everyday life. The dating chosen is around 1770 -1785 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and information available on the model.
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#47
Flowers in a vase - Anne Vallayer-Coster
Classified no. 47, Flowers in a vase - Anne Vallayer-Coster shows how Anne Vallayer-Coster transforms a set of objects into a pictorial event. The bouquet becomes an architecture of colors. The stems regulate directions, the petals capture light and the vase stabilizes a whole where the ephemeral is observed with almost monumental precision. In the 18th century, still life gains a new dignity: less spectacular, it attaches itself to the gravity of objects, the softness of light and the poetry of everyday life. The dating chosen is around 1770 -1785 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model.
Image and link: Alpha Reproduction.
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#48
Still life with lobster - Anne Vallayer-Coster
Classified no. 48, Still life with lobster - Anne Vallayer-Coster shows how Anne Vallayer-Coster transforms a set of objects into a pictorial event. The variety of textures - skin, feather, flesh, metal, glass - allows the painter to measure his profession by visible reality. Material abundance, however, reveals the precariousness of all living things. In the 18th century, still life gains a new dignity: less spectacular, it attaches itself to the gravity of objects, the softness of light and the poetry of everyday life. The dating chosen is around 1770 -1785 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model.
Image and link: Alpha Reproduction.
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#49
Musical instruments - Anne Vallayer-Coster
Classified No. 49, Musical Instruments - Anne Vallayer-Coster shows how Anne Vallayer-Coster transforms a set of objects into a pictorial event. Objects are not simple accessories: their wear, their silence and their arrangement transform the scene into meditation on time, human presence and the fragility of things. In the 18th century, still life gained dignity new: less spectacular, it focuses on the gravity of objects, the softness of light and the poetry of everyday life. The dating chosen is around 1770 -1785 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and information available on the model.
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#50
Flowers: Iris and Hyacinths, with cherries and almonds on the table - Henri Fantin-Latour
Classified No. 50, Flowers: Iris and Hyacinths, with cherries and almonds on the table - Henri Fantin-Latour shows how Henri Fantin-Latour transforms a set of objects into a pictorial event. The bouquet becomes an architecture of colors. The stems regulate directions, the petals capture light and the vase stabilizes a whole where the ephemeral is observed with almost precision monumental. In the 19th century, the motif became an autonomous testing ground. The touch, color and construction of the space now count as much as descriptive accuracy. The dating chosen is around 1865 -1890 and the technique indicated is oil on canvas or panel. The image and button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model.
Image and link: Alpha Reproduction.
See this reproduction →From Manet to Van Gogh, the object became a painting laboratory.
#51
Glass bowl with white and blue grapes, peaches and plums - Henri Fantin-Latour
Classified No. 51, Glass bowl with white and blue grapes, peaches and plums - Henri Fantin-Latour shows how Henri Fantin-Latour transforms a set of objects into a pictorial event. The fruits organize a laboratory of simple shapes: spheres, curves, folds and colored planes. Their balance on the table tests perspective and makes perception itself the real subject from the painting. In the 19th century, the pattern became an autonomous field of experimentation. The touch, color and construction of space now count as much as descriptive accuracy. The dating chosen is around 1865 -1890 and the technique indicated is oil on canvas or panel. The image and button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model.
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#52
Still life with glass pitcher, fruits and flowers - Henri Fantin-Latour
Classified no. 52, Still life with glass pitcher, fruits and flowers - Henri Fantin-Latour shows how Henri Fantin-Latour transforms a set of objects into a pictorial event. The bouquet becomes an architecture of colors. The stems regulate directions, the petals capture light and the vase stabilizes a whole where the ephemeral is observed with almost monumental precision. In the 19th century century, the pattern becomes an autonomous field of experimentation. The touch, color and construction of space now count as much as descriptive accuracy. The dating chosen is around 1865 -1890 and the technique indicated is oil on canvas or panel. The image and button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows consult the visual of the store and the information available on the model.
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#53
Strawberries on a small earthenware plate - Henri Fantin-Latour
Classified no. 53, Strawberries on a small earthenware plate - Henri Fantin-Latour shows how Henri Fantin-Latour transforms a set of objects into a pictorial event. The fruits organize a laboratory of simple shapes: spheres, curves, folds and colored planes. Their balance on the table tests perspective and makes perception itself the true subject of the painting. At 19th century, the pattern became an autonomous testing ground. The touch, color and construction of the space now count as much as descriptive accuracy. The dating chosen is around 1865 -1890 and the technique indicated is oil on canvas or panel. The image and button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model.
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#54
Still life with white peonies and other flowers
Classified no. 54, Still Life with White Peonies and Other Flowers shows how Édouard Manet transforms a set of objects into a pictorial event. The bouquet becomes an architecture of colors. The stems regulate directions, the petals capture light and the vase stabilizes a whole where the ephemeral is observed with almost monumental precision. In the 19th century, the pattern became one autonomous testing ground. The touch, color and construction of the space now count as much as descriptive accuracy. The dating chosen is around 1864 -1882 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model. In this ranking, it serves as a benchmark because it summarizes a tradition while opening a new way of looking at things close to it.
Image and link: Alpha Reproduction.
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#55
Carnations and clematis in a crystal vase
Classified no. 55, Carnations and Clematis in a Crystal Vase shows how Édouard Manet transforms a set of objects into a pictorial event. The bouquet becomes an architecture of colors. The stems regulate directions, the petals capture light and the vase stabilizes a whole where the ephemeral is observed with almost monumental precision. In the 19th century, the pattern became one autonomous testing ground. The touch, color and construction of the space now count as much as descriptive accuracy. The dating chosen is around 1864 -1882 and the technique indicated is oil on canvas or panel. The image and button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model. Digital reproduction provides access to the composition, but scale, paint thickness and material ratios remain essential in front of the original.
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#56
Still life with flowers, fan and pearls
Classified no. 56, Still Life with Flowers, Fan and Pearls shows how Édouard Manet transforms a set of objects into a pictorial event. The bouquet becomes an architecture of colors. The stems regulate directions, the petals capture light and the vase stabilizes a whole where the ephemeral is observed with almost monumental precision. In the 19th century, the pattern became one autonomous testing ground. The touch, color and construction of the space now count as much as descriptive accuracy. The dating chosen is around 1864 -1882 and the technique indicated is oil on canvas or panel. The image and button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model. The link associated with the image allows you to find the corresponding file, while the institutional notice remains the reference for dating and conservation.
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#57
Peony vase on a lacquered top
Classified no. 57, Vase of peonies on a lacquered tray shows how Édouard Manet transforms a set of objects into a pictorial event. The bouquet becomes an architecture of colors. The stems regulate directions, the petals capture light and the vase stabilizes a whole where the ephemeral is observed with almost monumental precision. In the 19th century, the pattern became a terrain autonomous experimentation. The touch, color and construction of space now count as much as descriptive accuracy. The dating chosen is around 1864 -1882 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model. Its fame lies in this ability to make the ordinary inexhaustible: the simpler the subject seems, the more complex the pictorial organization proves to be.
Image and link: Alpha Reproduction.
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#58
Still life with melon and peaches
Classified no. 58, Still Life with Melon and Peaches shows how Édouard Manet transforms a set of objects into a pictorial event. The fruits organize a laboratory of simple shapes: spheres, curves, folds and colored planes. Their balance on the table tests perspective and makes perception itself the true subject of the painting. In the 19th century, the pattern became one autonomous testing ground. The touch, color and construction of the space now count as much as descriptive accuracy. The dating chosen is around 1864 -1882 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model.
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#59
Still life: fruit on a table
Classified no. 59, Still Life: Fruits on a Table shows how Édouard Manet transforms a set of objects into a pictorial event. The fruits organize a laboratory of simple shapes: spheres, curves, folds and colored planes. Their balance on the table tests perspective and makes perception itself the true subject of the painting. In the 19th century, the pattern became one autonomous testing ground. The touch, color and construction of the space now count as much as descriptive accuracy. The dating chosen is around 1864 -1882 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model.
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#60
Dishes and fruits on a red and black carpet (The Red Carpet)
Classified no. 60, Dishes and fruits on a red and black carpet (The Red Carpet) shows how Henri Matisse transforms a set of objects into a pictorial event. The fruits organize a laboratory of simple shapes: spheres, curves, folds and colored planes. Their balance on the table tests perspective and makes perception itself the true subject of the painting. Modernity finally transforms the table into a field of construction: simplification, cubist fragmentation, expressive color and contemporary visual culture renew familiar objects. The dating chosen is around 1905 -1947 and the technique indicated is oil on canvas or panel. The image and button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model.
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#61
Still life at the green marble table
Classified no. 61, Still Life at the Green Marble Table shows how Henri Matisse transforms a set of objects into a pictorial event. The work condenses a world into a restricted space. Framing, light, material and the intervals between objects lead the gaze and give a still scene a surprisingly active tension. Modernity finally transforms the table into a field of construction: simplification, cubist fragmentation, expressive color and contemporary visual culture renew familiar objects. The dating chosen is around 1905 -1947 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model. Its fame lies in this ability to make the ordinary inexhaustible: the simpler the subject seems, the more complex the pictorial organization proves to be.
Image and link: Alpha Reproduction.
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#62
Still life with apples on a pink tablecloth
Classified no. 62, Still Life with Apples on a Pink Tablecloth shows how Henri Matisse transforms a set of objects into a pictorial event. The bouquet becomes an architecture of colors. The stems regulate directions, the petals capture light and the vase stabilizes a whole where the ephemeral is observed with almost monumental precision. Modernity finally transforms the table into field of construction: simplification, cubist fragmentation, expressive color and contemporary visual culture renew familiar objects. The dating chosen is around 1905 -1947 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual from the store and the information available on the model. In this ranking, it serves as a benchmark because it summarizes a tradition while opening a new way of looking at things close to it.
Image and link: Alpha Reproduction.
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#63
Apples on the table, on a green background
Classified no. 63, Apples on the Table, on a Green Background shows how Henri Matisse transforms a set of objects into a pictorial event. The fruits organize a laboratory of simple shapes: spheres, curves, folds and colored planes. Their balance on the table tests perspective and makes perception itself the true subject of the painting. Modernity finally transforms the table in the field of construction: simplification, cubist fragmentation, expressive color and contemporary visual culture renew familiar objects. The dating chosen is around 1905 -1947 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model.
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#64
Still life with a blue jug
Classified no. 64, Still Life with a Blue Jug shows how Henri Matisse transforms a set of objects into a pictorial event. The work condenses a world into a restricted space. Framing, light, material and the intervals between objects lead the gaze and give a still scene a surprisingly active tension. Modernity finally transforms the table into a field of construction: simplification, cubist fragmentation, expressive color and contemporary visual culture renew familiar objects. The dating chosen is around 1905 -1947 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model. The link associated with the image allows you to find the corresponding file, while the institutional notice remains the reference for dating and conservation.
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#65
Tulips and oysters on a black background
Classified no. 65, Tulips and oysters on a black background shows how Henri Matisse transforms a set of objects into a pictorial event. The bouquet becomes an architecture of colors. The stems regulate directions, the petals capture light and the vase stabilizes a whole where the ephemeral is observed with almost monumental precision. Modernity finally transforms the table into a field of construction: simplification, cubist fragmentation, expressive color and contemporary visual culture renew familiar objects. The dating chosen is around 1905 -1947 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model. Its fame lies in this ability to make the ordinary inexhaustible: the simpler the subject seems, the more complex the pictorial organization proves to be.
Image and link: Alpha Reproduction.
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#66
Still life with a bottle of Bordeaux
Classified no. 66, Still Life with the Bordeaux Bottle shows how Juan Gris transforms a set of objects into a pictorial event. The work condenses a world in a restricted space. The framing, light, material and intervals between objects lead the gaze and give a still scene a surprisingly active tension. Modernity finally transforms the table into a field of construction: simplification, cubist fragmentation, expressive color and contemporary visual culture renew familiar objects. The dating chosen is around 1913 -1926 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model. In this ranking, it serves as a benchmark because it summarizes a tradition while opening a new way of looking at things close to it.
Image and link: Alpha Reproduction.
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#67
Compotier and glass (Still life with lemons)
Classified no. 67, Compotier and Glass (Still Life with Lemons) shows how Juan Gris transforms a set of objects into a pictorial event. The fruits organize a laboratory of simple shapes: spheres, curves, folds and colored planes. Their balance on the table tests perspective and makes perception itself the true subject of the painting. Modernity finally transforms the table in construction field: simplification, cubist fragmentation, expressive color and contemporary visual culture renew familiar objects. The dating chosen is around 1913 -1926 and the technique indicated is oil on canvas or panel. The image and button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model. Digital reproduction provides access to the composition, but scale, paint thickness and material ratios remain essential in front of the original.
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#68
The guitar (Still life on guitar)
Classified no. 68, The Guitar (Still Life on Guitar) shows how Juan Gris transforms a set of objects into a pictorial event. Objects are not simple accessories: their wear, their silence and their arrangement transform the scene into meditation on time, human presence and the fragility of things. Modernity finally transforms the table into a field of construction: simplification, cubist fragmentation, expressive color and contemporary visual culture renew familiar objects. The dating chosen is around 1913 -1926 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model. The link associated with the image allows you to find the corresponding file, while the institutional notice remains the reference for dating and conservation.
Image and link: Alpha Reproduction.
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#69
Still life with checkered tablecloth
Classified no. 69, Still Life with a Checked Tablecloth shows how Juan Gris transforms a set of objects into a pictorial event. The work condenses a world into a restricted space. The framing, light, material and intervals between objects lead the gaze and give a still scene a surprisingly active tension. Modernity finally transforms the table into a field of construction: simplification, cubist fragmentation, expressive color and contemporary visual culture renew familiar objects. The dating chosen is around 1913 -1926 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model. Its fame lies in this ability to make the ordinary inexhaustible: the simpler the subject seems, the more complex the pictorial organization proves to be.
Image and link: Alpha Reproduction.
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#70
Still life on violin and score
Classified no. 70, Still Life on the Violin and Score shows how Juan Gris transforms a set of objects into a pictorial event. Objects are not simple accessories: their wear, their silence and their arrangement transform the scene into meditation on time, human presence and the fragility of things. Modernity finally transforms the table into a field of construction: simplification, cubist fragmentation, expressive color and contemporary visual culture renew familiar objects. The dating chosen is around 1913 -1926 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model. In this ranking, it serves as a benchmark because it summarizes a tradition while opening a new way of looking at close things.
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#71
Strawberry jam
Classified no. 71, Strawberry Jam shows how Juan Gris transforms a set of objects into a pictorial event. The fruits organize a laboratory of simple shapes: spheres, curves, folds and colored planes. Their balance on the table tests perspective and makes perception itself the true subject of the painting. Modernity finally transforms the table into a field of construction: simplification, cubist fragmentation, expressive color and contemporary visual culture renew familiar objects. The dating chosen is around 1913 -1926 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model. Digital reproduction provides access to the composition, but scale, paint thickness and material ratios remain essential in front of the original.
Image and link: Alpha Reproduction.
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#72
Vincent's Chair with his pipe
Classified no. 72, Vincent's Chair with his pipe shows how Vincent van Gogh transforms a set of objects into a pictorial event. Objects are not simple accessories: their wear, their silence and their arrangement transform the scene into meditation on time, human presence and the fragility of things. Modernity finally transforms the table into a field of construction: simplification, cubist fragmentation, expressive color and contemporary visual culture renew familiar objects. The dating chosen is 1886 -1889 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model. The link associated with the image allows you to find the corresponding file, while the institutional notice remains the reference for dating and conservation.
Image and link: Alpha Reproduction.
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#73
The Armchair by Paul Gauguin
Classified no. 73, Le Fauteuil by Paul Gauguin shows how Vincent van Gogh transforms a set of objects into a pictorial event. The work condenses a world into a restricted space. Framing, light, material and the intervals between objects lead the gaze and give a still scene a surprisingly active tension. Modernity finally transforms the table into a field of construction: simplification, cubist fragmentation, expressive color and contemporary visual culture renew familiar objects. The dating chosen is 1886 -1889 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model. Its fame lies in this ability to make the ordinary inexhaustible: the simpler the subject seems, the more complex the pictorial organization proves to be.
Image and link: Alpha Reproduction.
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#74
Two sunflowers cut
Classified no. 74, Two Cut Sunflowers shows how Vincent van Gogh transforms a set of objects into a pictorial event. The bouquet becomes an architecture of colors. The stems regulate directions, the petals capture light and the vase stabilizes a whole where the ephemeral is observed with almost monumental precision. Modernity finally transforms the table into a field of construction: simplification, cubist fragmentation, expressive color and contemporary visual culture renew familiar objects. The dating chosen is 1886 -1889 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model. In this ranking, it serves as a benchmark because it summarizes a tradition while opening a new way of looking at things close to it.
Image and link: Alpha Reproduction.
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#75
Fritillaries imperial crown in a copper vase
Classified No. 75, Fritillaries Imperial Crown in a Copper Vase shows how Vincent van Gogh transforms a set of objects into a pictorial event. The work condenses a world into a restricted space. Framing, light, material and the intervals between objects lead the gaze and give a still scene a surprisingly active tension. Modernity finally transforms the table in construction field: simplification, cubist fragmentation, expressive color and contemporary visual culture renew familiar objects. The dating chosen is 1886 -1889 and the technique indicated is oil on canvas or panel. The image and button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the shop visual and model information available. Digital reproduction provides access to the composition, but scale, paint thickness and material ratios remain essential in front of the original.
Image and link: Alpha Reproduction.
See this reproduction →Gris, Matisse, Léger and modern painters are shifting the rules of the genre.
#76
Still life with bottle, carafe, bread and wine
Classified no. 76, Still Life with Bottle, Carafe, Bread and Wine shows how Claude Monet transforms a set of objects into a pictorial event. The work condenses a world into a restricted space. The framing, light, material and intervals between objects lead the gaze and give a still scene a surprisingly active tension. In the 19th century, the motif became a terrain autonomous experimentation. The touch, color and construction of the space now count as much as descriptive accuracy. The dating chosen is around 1864 and the technique indicated is oil on canvas or panel. The image and button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and information available on the model. The link associated with the image allows you to find the corresponding file, while the institutional notice remains the reference for dating and conservation.
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#77
Oranges, bananas and cup of tea
Classified no. 77, Oranges, Bananas and Cup of Tea shows how Pierre-Auguste Renoir transforms a set of objects into a pictorial event. The fruits organize a laboratory of simple shapes: spheres, curves, folds and colored planes. Their balance on the table tests perspective and makes perception itself the true subject of the painting. In the 19th century, the pattern became one autonomous testing ground. The touch, color and construction of the space now count as much as descriptive accuracy. The dating chosen is around 1881 and the technique indicated is oil on canvas or panel. The image and button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model. Its fame lies in this ability to make the ordinary inexhaustible: the simpler the subject seems, the more complex the pictorial organization proves to be.
Image and link: Alpha Reproduction.
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#78
Apples, oranges and lemons
Classified no. 78, Apples, Oranges and Lemons shows how Pierre-Auguste Renoir transforms a set of objects into a pictorial event. The fruits organize a laboratory of simple shapes: spheres, curves, folds and colored planes. Their balance on the table tests perspective and makes perception itself the true subject of the painting. In the 19th century, the pattern became one autonomous testing ground. The touch, color and construction of the space now count as much as descriptive accuracy. The dating chosen is around 1881 and the technique indicated is oil on canvas or panel. The image and button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model. In this ranking, it serves as a benchmark because it summarizes a tradition while opening a new way of looking at things close to it.
Image and link: Alpha Reproduction.
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#79
Still life with clay jug and iron cup
Classified no. 79, Still Life with a Clay Jug and Iron Cup shows how Paul Gauguin transforms a set of objects into a pictorial event. The work condenses a world into a restricted space. Framing, light, material and the intervals between objects lead the gaze and give a still scene a surprisingly active tension. In the 19th century, the motif became one autonomous testing ground. The touch, color and construction of the space now count as much as descriptive accuracy. The dating chosen is around 1888 -1901 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model.
Image and link: Alpha Reproduction.
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#80
Still life with sunflowers on an armchair (II)
Classified no. 80, Still Life with Sunflowers on an Armchair (II) shows how Paul Gauguin transforms a set of objects into a pictorial event. The bouquet becomes an architecture of colors. The stems regulate directions, the petals capture light and the vase stabilizes a whole where the ephemeral is observed with almost monumental precision. In the 19th century, the pattern became an autonomous testing ground. The touch, color and construction of the space now count as much as descriptive accuracy. The dating chosen is around 1888 -1901 and the technique indicated is oil on canvas or panel. The image and button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model. The link associated with the image allows you to find the corresponding file, while the institutional notice remains the reference for dating and conservation.
Image and link: Alpha Reproduction.
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#81
Fruit bowl and pitcher in front of the window
Classified no. 81, Fruit Cup and Pitcher in Front of the Window shows how Paul Gauguin transforms a set of objects into a pictorial event. The fruits organize a laboratory of simple shapes: spheres, curves, folds and colored planes. Their balance on the table tests perspective and makes perception itself the true subject of the painting. In the 19th century, the motif became an autonomous testing ground. The touch, color and construction of the space now count as much as descriptive accuracy. The dating chosen is around 1888 -1901 and the technique indicated is oil on canvas or panel. The image and button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model.
Image and link: Alpha Reproduction.
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#82
Still life with mangoes and hibiscus flower
Classified no. 82, Still Life with Mangoes and Hibiscus Flower shows how Paul Gauguin transforms a set of objects into a pictorial event. The bouquet becomes an architecture of colors. The stems regulate directions, the petals capture light and the vase stabilizes a whole where the ephemeral is observed with almost monumental precision. In the 19th century, the pattern became one autonomous testing ground. The touch, color and construction of the space now count as much as descriptive accuracy. The dating chosen is around 1888 -1901 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model. In this ranking, it serves as a benchmark because it summarizes a tradition while opening a new way of looking at things close to it.
Image and link: Alpha Reproduction.
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#83
Oranges and lemons with a view of Pont-Aven
Classified no. 83, Oranges and Lemons with a View of Pont-Aven shows how Paul Gauguin transforms a set of objects into a pictorial event. The fruits organize a laboratory of simple shapes: spheres, curves, folds and colored planes. Their balance on the table tests perspective and makes perception itself the true subject of the painting. In the 19th century, the pattern became one autonomous testing ground. The touch, color and construction of the space now count as much as descriptive accuracy. The dating chosen is around 1888 -1901 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model.
Image and link: Alpha Reproduction.
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#84
Basket of Flowers
Classified no. 84, Basket of Flowers shows how Osias Beert transforms a set of objects into a pictorial event. The bouquet becomes an architecture of colors. The stems regulate directions, the petals capture light and the vase stabilizes a whole where the ephemeral is observed with almost monumental precision. It belongs to the great European boom of the genre in the 16th and 17th centuries centuries, when tables, flowers, food and precious objects become both demonstrations of virtuosity and moral signs. The dating chosen is around 1610 -1620 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model. The link associated with the image allows you to find the corresponding file, while the institutional notice remains the reference for dating and conservation.
Image and link: Alpha Reproduction.
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#85
Still life with asparagus
Classified no. 85, Still Life with Asparagus shows how Adriaen Coorte transforms a set of objects into a pictorial event. The fruits organize a laboratory of simple shapes: spheres, curves, folds and colored planes. Their balance on the table tests perspective and makes perception itself the true subject of the painting. It belongs to the great European boom of the genre in the 16th and 17th centuries, when tables, flowers, food and precious objects became both demonstrations of virtuosity and moral signs. The dating chosen is 1697 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model.
Image and link: Alpha Reproduction.
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#86
Still life with hare, duck, bottles, bread and cheese - Jean-Baptiste Oudry
Classified no. 86, Still life with hare, duck, bottles, bread and cheese - Jean-Baptiste Oudry shows how Jean-Baptiste Oudry transforms a set of objects into a pictorial event. The variety of textures - skin, feather, flesh, metal, glass - allows the painter to measure his profession against visible reality. Material abundance, however, allows the precariousness of all living things to emerge. At 18th century, still life gained a new dignity: less spectacular, it attached itself to the gravity of objects, the softness of light and the poetry of everyday life. The dating chosen is around 1725 -1750 and the technique indicated is oil on canvas or panel. The image and button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model.
Image and link: Alpha Reproduction.
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#87
Red partridge, rabbit, lemons, oranges and kettle - Jean-Baptiste Oudry
Classified no. 87, Red partridge, rabbit, lemons, oranges and kettle - Jean-Baptiste Oudry shows how Jean-Baptiste Oudry transforms a set of objects into a pictorial event. The variety of textures - skin, feather, flesh, metal, glass - allows the painter to measure his profession against visible reality. Material abundance, however, allows the precariousness of all living things to emerge. In the 18th century century, still life gains a new dignity: less spectacular, it attaches itself to the gravity of objects, the softness of light and the poetry of everyday life. The dating chosen is around 1725 -1750 and the technique indicated is oil on canvas or panel. The image and button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows consult the visual of the store and the information available on the model.
Image and link: Alpha Reproduction.
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#88
Still life with game and rifle - Jean-Baptiste Oudry
Classified no. 88, Still life with game and rifle - Jean-Baptiste Oudry shows how Jean-Baptiste Oudry transforms a set of objects into a pictorial event. The variety of textures - skin, feather, flesh, metal, glass - allows the painter to measure his profession against visible reality. Material abundance, however, allows the precariousness of all living things to emerge. In the 18th century, nature morte gains a new dignity: less spectacular, she attaches herself to the gravity of objects, the softness of light and the poetry of everyday life. The dating chosen is around 1725 -1750 and the technique indicated is oil on canvas or panel. The image and button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model.
Image and link: Alpha Reproduction.
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#89
Still life with cake
Classified No. 89, Still Life with Cake shows how Raphaelle Peale transforms a set of objects into a pictorial event. The work condenses a world into a restricted space. The framing, light, material and intervals between objects lead the gaze and give a still scene a surprisingly active tension. In the 19th century, the motif became a field of experimentation autonomous. The touch, color and construction of the space now count as much as descriptive accuracy. The dating chosen is around 1815 -1825 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model. His fame lies in this ability to make the ordinary inexhaustible: the simpler the subject seems, the more complex the pictorial organization proves to be.
Image and link: Alpha Reproduction.
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#90
Still life with apple blossoms in a nautilus shell
Classified No. 90, Still Life with Apple Blossoms in a Nautilus Shell shows how Martin Johnson Heade transforms a set of objects into a pictorial event. The bouquet becomes an architecture of colors. The stems regulate directions, the petals capture light and the vase stabilizes a whole where the ephemeral is observed with almost monumental precision. In the 19th century, the pattern becomes an autonomous testing ground. The touch, color and construction of the space now count as much as descriptive accuracy. The dating chosen is around 1880 -1895 and the technique indicated is oil on canvas or panel. The image and button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model.
Image and link: Alpha Reproduction.
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#91
Flowers in a Japanese vase
Classified no. 91, Flowers in a Japanese Vase shows how Odilon Redon transforms a set of objects into a pictorial event. The bouquet becomes an architecture of colors. The stems regulate directions, the petals capture light and the vase stabilizes a whole where the ephemeral is observed with almost monumental precision. In the 19th century, the pattern became a terrain autonomous experimentation. The touch, color and construction of space now count as much as descriptive accuracy. The dating chosen is around 1900 -1912 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model. Digital reproduction provides access to the composition, but scale, paint thickness and material ratios remain essential in front of the original.
Image and link: Alpha Reproduction.
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#92
Bouquet of flowers in a green vase
Classified no. 92, Bouquet of Flowers in a Green Vase shows how Odilon Redon transforms a set of objects into a pictorial event. The bouquet becomes an architecture of colors. The stems regulate directions, the petals capture light and the vase stabilizes a whole where the ephemeral is observed with almost monumental precision. In the 19th century, the pattern became a terrain autonomous experimentation. The touch, color and construction of space now count as much as descriptive accuracy. The dating chosen is around 1900 -1912 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model. The link associated with the image allows you to find the corresponding file, while the institutional notice remains the reference for dating and conservation.
Image and link: Alpha Reproduction.
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#93
Vase of flowers: the red poppy
Classified No. 93, Vase of Flowers: The Red Poppy shows how Odilon Redon transforms a set of objects into a pictorial event. The bouquet becomes an architecture of colors. The stems regulate directions, the petals capture light and the vase stabilizes a whole where the ephemeral is observed with almost monumental precision. In the 19th century, the pattern became a terrain autonomous experimentation. The touch, color and construction of space now count as much as descriptive accuracy. The dating chosen is around 1900 -1912 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model. Its fame lies in this ability to make the ordinary inexhaustible: the simpler the subject seems, the more complex the pictorial organization proves to be.
Image and link: Alpha Reproduction.
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#94
Bouquet in a Chinese vase
Classified no. 94, Bouquet in a Chinese Vase shows how Odilon Redon transforms a set of objects into a pictorial event. The bouquet becomes an architecture of colors. The stems regulate directions, the petals capture light and the vase stabilizes a whole where the ephemeral is observed with almost monumental precision. In the 19th century, the pattern became a terrain autonomous experimentation. The touch, color and construction of space now count as much as descriptive accuracy. The dating chosen is around 1900 -1912 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model. In this ranking, it serves as a benchmark because it summarizes a tradition while opening a new way of looking at things close to it.
Image and link: Alpha Reproduction.
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#95
Still life with vase of flowers
Classified no. 95, Still Life with a Vase of Flowers shows how Fernand Léger transforms a set of objects into a pictorial event. The bouquet becomes an architecture of colors. The stems regulate directions, the petals capture light and the vase stabilizes a whole where the ephemeral is observed with almost monumental precision. Modernity finally transforms the table into a field of construction: simplification, cubist fragmentation, expressive color and contemporary visual culture renew familiar objects. The dating chosen is around 1920 -1940 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model. Digital reproduction provides access to the composition, but scale, paint thickness and material ratios remain essential in front of the original.
Image and link: Alpha Reproduction.
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#96
The Silver Terrine
Classified no. 96, The Silver Terrine shows how Jean Siméon Chardin transforms a set of objects into a pictorial event. The work condenses a world in a restricted space. The framing, light, material and intervals between objects lead the gaze and give a still scene a surprisingly active tension. In the 18th century, still life gained a new dignity: less spectacular, it focuses on the gravity of objects, the softness of light and the poetry of everyday life. The dating chosen is around 1728 -1760 and the technique indicated is oil on canvas or panel. The image and the button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model.
Image and link: Alpha Reproduction.
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#97
Still life with apples and oranges
Classified no. 97, Still Life with Apples and Oranges shows how Paul Cézanne transforms a set of objects into a pictorial event. The fruits organize a laboratory of simple shapes: spheres, curves, folds and colored planes. Their balance on the table tests perspective and makes perception itself the true subject of the painting. In the 19th century, the pattern became one autonomous testing ground. The touch, color and construction of the space now count as much as descriptive accuracy. The dating chosen is around 1877 -1895 and the technique indicated is oil on canvas or panel. The image and button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model.
Image and link: Alpha Reproduction.
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#98
Still life with apples and pot of primroses
Classified no. 98, Still Life with Apples and Pot of Primroses shows how Paul Cézanne transforms a set of objects into a pictorial event. The fruits organize a laboratory of simple shapes: spheres, curves, folds and colored planes. Their balance on the table tests perspective and makes perception itself the true subject of the painting. In the 19th century, the motif became an autonomous testing ground. The touch, color and construction of the space now count as much as descriptive accuracy. The dating chosen is around 1877 -1895 and the technique indicated is oil on canvas or panel. The image and button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the store and the information available on the model.
Image and link: Alpha Reproduction.
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#99
Still life with apples and pears
Classified no. 99, Still Life with Apples and Pears shows how Paul Cézanne transforms a set of objects into a pictorial event. The fruits organize a laboratory of simple shapes: spheres, curves, folds and colored planes. Their balance on the table tests perspective and makes perception itself the true subject of the painting. In the 19th century, the pattern became one autonomous testing ground. The touch, color and construction of the space now count as much as descriptive accuracy. The dating chosen is around 1877 -1895 and the technique indicated is oil on canvas or panel. The image and button open the corresponding Alpha Reproduction sheet, created for an artist who died before 1956. The sheet allows you to consult the visual of the shop and information available on the model.
Image and link: Alpha Reproduction.
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#100
Still life no. 41
Classified No. 100, Still Life No. 41 shows how Tom Wesselmann transforms a set of objects into a pictorial event. The work condenses a world into a restricted space. Framing, light, material and the intervals between objects lead the gaze and give a still scene a surprisingly active tension. Modernity finally transforms the table into a field of construction: simplification, cubist fragmentation, expressive color and contemporary visual culture renew familiar objects. The dating chosen is 1964 and the technique indicated is polymer paint on wood and plastic. This work remains strictly documentary: it is not offered for reproduction here. The image and the button lead directly to the instructions from the Art Institute of Chicago. The link associated with the image allows you to find the corresponding file, while the institutional notice remains the reference for dating and conservation.
Image: Art Institute of Chicago · Institutional notice.
See the museum notice →Editorial method
Three ranking criteria
The top favors works that have marked the history of the genre, without letting a single artist occupy the entire journey.
Importance
The role of the painting in the evolution of still life and in the artist's work.
Museum presence
An attribution, dating and medium documented by a recognized collection.
Diversity
Different schools, eras and motifs, with a limited number of works per painter.
Five centuries of painting
From the symbolic table to the modern laboratory
Caravaggio and Sanchez Cotan give the fruits a new gravity. In the Netherlands, Claesz, Heda, Kalf and De Heem transform the meal into a theater of materials and signs.
Chardin simplifies the scene, then Manet, Fantin-Latour, Cézanne and Van Gogh shift the issue towards touch, color and the construction of the gaze.
In the 20th century, Picasso, Braque, Gris, Matisse, Morandi and O'Keeffe show that familiar objects can become fragmentation, rhythm, abstraction or icon.
Institutional sources
Check and continue
Museums' online collections confirm attribution, date, technique and place of conservation.
Frequently asked questions
Read the ranking
Method, images, titles and links: useful references for browsing the hundred paintings.
How was this ranking established?
The ranking combines the historical importance of the works, their presence in museum collections, their role in the evolution of the genre and the availability of a verified Alpha sheet. It is editorial and not chronological.
Are all the works really paintings?
Yes. Drawings, prints, photographs and sculptures have been discarded. The modern mixed-material works selected use painting as their main medium.
Why are the titles in French?
The titles have been Frenchified for ease of reading. The original title remains accessible in the museum notice or in the documentation of the Alpha sheet.
Why do some images open the Alpha store?
The artists concerned died before 1956 and their works already have a reproduction sheet in the store. The image and link used are those of Alpha Reproduction.
Why do five works refer directly to the museum?
Picasso, Braque, Morandi, O'Keeffe and Wesselmann died after 1955. These paintings remain documentary, are not offered for reproduction and refer to the Art Institute of Chicago.
Is a still life always a painting of flowers or fruits?
No. The genre also includes meals, books, instruments, household objects, hunting trophies, shells, skulls and trompe l'oeil.
Have the museums validated this classification?
No. This is an independent selection. The museums cited serve as documentary sources and do not approve of the classification or commercial offer.
Where to check a work?
Museum links open the official notice. For an Alpha file, the available provenance and collection information allows you to continue to the institutional source.
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