The world of Portraits of Women by Leonardo da VinciGinevra de' Benci, the Lady with the Ermine, the Beautiful Ironworker and Mona Lisa show how Leonardo transforms the female portrait into mental, spatial and atmospheric presence.
Around 1474 -1478Ginevra de' Benci
Around 1489 -1491Lady with ermine
Around 1503 -1519Long elaboration of Mona Lisa
°2,500Paintings, drawings, studies and pages by Leonardo - overall estimate
Hand paintedReal oil painting, no print.
Formats of your choiceA composition adapted to the dimensions ordered.
Photo validationExamine your board before shipping.
Possible alterationsRequest adjustments before sending.
Around 1474 -1519 · gaze, interior movement and landscape
Ginevra de' Benci, the Lady with the Ermine, the Beautiful Ironworker and Mona Lisa show how Leonardo transforms the female portrait into mental, spatial and atmospheric presence.
Leonardo da Vinci's female portraits cover a decisive evolution. Ginevra de' Benci, painted in Florence, stands out in front of the juniper tree which plays on her first name and identity; the reverse combines motto and emblems. The Lady with the Ermine represents Cecilia Gallerani, linked to Ludovic Sforza: the joint movement of the young woman and the animal makes a presence felt off-camera. La Belle Ferronnière, traditionally named thus without certainty of identity, uses parapet, jewelry and sideways gaze to establish a firmer distance. La Belle Ferronnière, traditionally named thus without certainty of identity, uses parapet, jewelry and sideways gaze to establish a firmer distance. La Belle Ferronnière, traditionally named thus without certainty of identity, uses parapet, jewelry and sideways gaze to establish a firmer distance. La Belle Ferronnière, traditionally named thus without certainty of identity, uses parapet, jewelry and sideways gaze to establish a firmer distance. La Belle Ferronnière, traditionally named thus without certainty of identity, uses parapet, jewelry and sideways gaze to establish a firmer distance. La Belle Ferronnière, rather than limits. These works were commissioned in specific social contexts, but Leonardo goes beyond the inventory of rank. The selection "Portraits of women by Leonardo da Vinci" notably compares Portrait of Ginevra by Benci and The Lady with the Ermine. His reading favors figures.
In Leonardo, the female portrait does not stop: eyes, hands, animal and landscape prolong a movement that the frame never closes.
Course & style
Journey, subjects and pictorial language
Leonardo da Vinci's female portraits cover a decisive evolution. Ginevra de' Benci, painted in Florence, stands out in front of the juniper tree which plays on her first name and identity; the reverse combines motto and emblems. The Lady with the Ermine represents Cecilia Gallerani, linked to Ludovic Sforza: the joint movement of the young woman and the animal makes a presence felt off-camera. La Belle Ferronnière, traditionally named thus without certainty of identity, uses parapet, jewelry and sideways gaze to establish a firmer distance. La Belle Ferronnière, traditionally named thus without certainty of identity, uses parapet, jewelry and sideways gaze to establish a firmer distance. La Belle Ferronnière, traditionally named thus without certainty of identity, uses parapet, jewelry and sideways gaze to establish a firmer distance. La Belle Ferronnière, traditionally named thus without certainty of identity, uses parapet, jewelry and sideways gaze to establish a firmer distance. La Belle Ferronnière, traditionally named thus without certainty of identity, uses parapet, jewelry and sideways gaze to establish a firmer distance. La Belle Ferronnière, rather than limits. These works were commissioned in specific social contexts, but Leonardo goes beyond the inventory of rank.
Connect name and nature
Ginevra appears in front of the juniper tree and a moral emblem. This milestone sheds light on the "Portraits of Women by Leonardo da Vinci" collection, favoring figures.
Rotate the model
Cecilia and the ermine react to an off-camera presence.
Dissolve the contours
Mona Lisa unites face, air and landscape through sfumato.
01
Juniper
The plant associates the name Ginevra with virtue and portraiture. This trait guides a reading of "Portraits of Women by Leonardo da Vinci" centered on the figures.
02
Hermine tour
The animal repeats the movement of the model and densifies the off-camera.
03
Parapet
La Belle Ferronnière uses this limit to adjust the distance.
04
Sfumato
Passages without a hard line give the face optical mobility.
Explore by universe
Compare four forms of presence
Emblem, movement, distance and atmosphere explain why these portraits are not reduced to their identity.
Ginevra01
Emblematize the name
Juniper transforms the background into personal language.
For Florence. Reading of "Portraits of Women by Leonardo da Vinci" by the figures.Cecilia02
React outside the framework
Woman and animal turn together towards an invisible event.
For MilanIronworker03
Maintain distance
Look, jewelry and parapet affirm a controlled presence.
For authorityMona Lisa04
Merge with the landscape
The sfumato circulates air between figure and world.
For maturityGinevra makes the plant a name05
Portrait of Ginevra de' Benci
Juniper and emblems connect resemblance, identity and virtue.
Landmark work of Portraits of Women by Leonardo da VinciThe Lady with the Ermine shares her movement06
The Lady with the Ermine
The bust, the gaze and the animal react together to a presence located outside the frame.
Landmark work of Portraits of Women by Leonardo da Vinci
Works to discover
Four female portraits of Leonardo
The selection brings together Ginevra de' Benci, the Lady with the Ermine, the Beautiful Ironworker and Mona Lisa.
Each painting is made in oil on canvas by a specialized artist, then checked with you before shipping.
From the work to your interior
1
Choice of workSubject, orientation and dimensions adapted to your wall.
2
Oil paintingManual production, layer after layer.
3
Photo validationYou examine the finished table.
4
RetouchingAdjustments remain possible before sending.
Each reproduction is unique. Slight variations of touch and material testify to the painter's manual work.
Choose wisely
Choose a reproduction of a female portrait
Vertical format faithful to proportions, brown, black or dark wood frame. Place eyes at eye level and avoid bright frontal light.
Frequently asked questions
Before choosing your Portraits of Women by Leonardo da Vinci
Are reproductions painted with oil paint?
Yes. Each reproduction is hand painted in oil on canvas, without printing.
How to restore the figures in a reproduction of Portraits of Women by Leonardo da Vinci?
The painter uses the composition, values, colors and materials visible in the chosen work from Leonardo da Vinci's Portraits of Women collection, with particular attention paid to the figures.
Can I order a work of Portraits of Women by Leonardo da Vinci in a personalized format?
Yes. The dimensions are adapted respecting the proportions and balance of the selected work.
How do I validate my reproduction of Portraits of Women by Leonardo da Vinci?
Detailed photographs are sent before shipping; you can request edits before sending.
hand-painted
Photo before shipment
Possible alterations
FedEx tracked delivery
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01Une œuvre préciseNom, artiste ou référence de musée02Votre propre imagePhoto, portrait ou composition personnelle03Un format spécialDimensions adaptées à votre intérieur
Buying guide
Your reproduction, step by step
From your choice to delivery, you stay in control thanks to photo validation and included retouching.
1
Choose the work and format
Select the painting and the dimensions suitable for your interior.
2
The artist paints your canvas
Your reproduction is made by hand, in painting at oil on canvas.
3
You validate the result
You receive a photo and can request up to 7 sets of edits.
4
The canvas is shipped with tracking
After validation, it is protected, rolled and sent with FedEx tracking.
Simple answers on the painting by hand, formats, alterations and delivery of your reproduction.
Frequently asked questions
The essential points before choosing your reproduction.
Are the reproductions hand painted?
Yes. Every reproduction is made by hand in painting at theoil on canvas by an experienced artist. This is neither a print nor a printed canvas.
Can I request touch-ups?
Yes. Before shipping, we send you a detailed photo of the canvas. Up to 7 sets of edits are included to adjust the rendering before your validation.
How long does it take to receive the canvas?
The estimated date is displayed near the buy button. It includes the time of painting, your photo validation then FedEx tracked delivery.
Can I order a custom size?
Yes, you can choose a standard format or ask us for a custom size to suit your space.
Are the tables delivered framed?
Depending on the options available, the canvas can be delivered alone, mounted on a frame or prepared for framing. Details are shown on the product page.
Can I send my own image?
Yes. You can send us an image, museum reference, name of a work or photo to request one reproduction personalized.
Collection guide Portraits of women by Leonardo da Vinci
Some useful guidelines for choosing a work, its format and the location that will best highlight it.
Why choose a reproduction from this collection?
This selection brings together works designed for art lovers who want to rediscover the spirit of one painting famous in a hand painted canvas. Each reproduction can be adapted to the desired format and validated in photos before shipment.
A canvas prepared for your interior
The available formats allow the work to be adapted to a more specific living room, bedroom, office or decorative project. There painting is carried out at theoil on canvas with particular attention to colors, textures and general balance.
Custom edits and requests
If you are looking for a similar work, a similar artist or a specific format, you can ask for advice. Reproductions can be adjusted before sending using photo validation.
