A ALPHAREPRODUCTION

The Rembrandt Journal

Rembrandtfaces, light & matter

207 blog articles published to understand his life, look at his masterpieces, follow his self-portraits, discover his technique and prepare for your visits.

Explore all 207 blog posts See Rembrandt's paintings

Rembrandt's Night Watch, the main work of a presentation on the painter — 207classified blog articles, images without duplicates

1606 - 1669Life of Rembrandt

7Sections on this page

207Blog posts published

7Thematic pages

17 blog posts

Famous masterpieces and paintings

The Night Watch, landscapes, history scenes, animals, still lifes and analyzes of works that do not fall under other major issues.

Rembrandt's Night Watch, the main work of a presentation on the painter

Famous masterpieces and paintingsBlog article

Presentation on Rembrandt: plan, landmarks, works and sources

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Landscape with an arched bridge by Rembrandt, circa 1638, Gemäldegalerie in Berlin

Famous masterpieces and paintingsBlog article

Rembrandt in Berlin, Vienna and Madrid: guide to the main collections

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Aristotle contemplating the bust of Homer by Rembrandt, 1653

Famous masterpieces and paintingsBlog article

Old men, scholars and philosophers at Rembrandt

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Rembrandt, The Shell, second state on a dark background, etching from 1650

Famous masterpieces and paintingsBlog article

Rembrandt's Shell: the unique engraved still life and its states

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The Conspiracy of Claudius Civilis by Rembrandt, fragment preserved at the Nationalmuseum in Stockholm

Famous masterpieces and paintingsBlog article

Rembrandt's Claudius Civilis Conspiracy: Story of a Mutilated Painting

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Pallas Athena formerly called Alexander the Great, attributed to Rembrandt and a student

Famous masterpieces and paintingsBlog article

Alexander the Great attributed to Rembrandt: armor, identity and debates

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Rembrandt, The Rapture of Europe, 1632, Getty Museum

Famous masterpieces and paintingsBlog article

Rembrandt's Rapture from Europe: Ovid's movement, costume and story

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Rembrandt, The Rapture of Proserpina, circa 1631, Gemäldegalerie in Berlin

Famous masterpieces and paintingsBlog article

Rembrandt's The Rapture of Proserpina: movement, violence and myth

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Saskia represented as Flora by Rembrandt in 1634, crowned with flowers

Famous masterpieces and paintingsBlog article

Flora de Rembrandt: versions, flowers and identity of the model

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Rembrandt, A Woman Bathing in a Stream, 1654, National Gallery, London

Famous masterpieces and paintingsBlog article

A woman bathing in a stream of Rembrandt: analysis and model

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Rembrandt, Moses with the Tables of the Law, 1659

Famous masterpieces and paintingsBlog article

Moses breaking the Tables of Rembrandt's Law: gesture, anger and monumentality

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Late self-portrait of Rembrandt in 1669

Famous masterpieces and paintingsBlog article

The Last Rembrandt: How His Late Style Becomes Freer and More Material

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Rembrandt's Night Watch, a masterpiece of Dutch Baroque

Famous masterpieces and paintingsBlog article

Is Rembrandt a Baroque painter? Dutch style and differences with Caravaggio

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Rembrandt's Night Watch, detail of the 1642 masterpiece

Famous masterpieces and paintingsBlog article

25 facts about Rembrandt: verified benchmarks and preconceived ideas

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Autograph letter from Rembrandt to Constantijn Huygens in 1639

Famous masterpieces and paintingsBlog article

Quotes attributed to Rembrandt: which ones are authentic?

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Self-portrait of Rembrandt in 1669, the year of his death

Famous masterpieces and paintingsBlog article

How did Rembrandt die? Date, cause and last years

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The Jewish Bride of Rembrandt, warm painting for a living room decoration

Famous masterpieces and paintingsBlog article

Which Rembrandt painting to choose for your decoration?

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32 blog posts

Portraits and self-portraits

Forty years of exploration of the face, private and collective portraits, models, costumes, views and identity of the painter.

Self-portrait of Rembrandt in 1660, compared to portraits of Velazquez

Portraits and self-portraitsBlog article

Rembrandt and Velazquez: portraits, court and truth of the face

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Late self-portrait of Rembrandt at the Uffizi in Florence, circa 1668-1669

Portraits and self-portraitsBlog article

Rembrandt at the Uffizi of Florence: self-portrait, collection and tour

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Rembrandt as a standard bearer, dressed in historic military costume

Portraits and self-portraitsBlog article

Men in armor and soldiers at Rembrandt: tronies, portraits and identities

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Bathsheba in the bath holding the letter from King David by Rembrandt, 1654

Portraits and self-portraitsBlog article

Rembrandt's nudes: truth of the body, mythology and gaze

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The Rembrandt Night Watch, a company of militiamen setting out

Portraits and self-portraitsBlog article

Rembrandt's group portraits: militias, doctors and guilds

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Rembrandt depicted as Apostle Paul with manuscript and sword, 1661

Portraits and self-portraitsBlog article

The Apostles of Rembrandt: portraits, self-portrait as Saint Paul and series

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Painted portrait of Ephraim Bueno by Rembrandt, circa 1645-1647

Portraits and self-portraitsBlog article

Jewish figures and rabbis of Rembrandt: portraits, sections and context

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Rembrandt, Portrait of a Woman Probably Maria Trip, 1639

Portraits and self-portraitsBlog article

Women in Rembrandt's work: portraits, nudes and heroines

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Head of Christ by Rembrandt, meditative face lit aside

Portraits and self-portraitsBlog article

Jesus Christ in Rembrandt: portraits, scenes and new humanity

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Rembrandt, Suzanne and the old men, 1647, Gemäldegalerie de Berlin

Portraits and self-portraitsBlog article

Suzanne and the Old Men by Rembrandt: look, fear and versions

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Saint Bartholomew of Rembrandt, 1661, J. Paul Getty Museum

Portraits and self-portraitsBlog article

Saint Bartholomew of Rembrandt: portrait of an apostle, knife and identity

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The Stoning of Saint Stephen by Rembrandt, 1625

Portraits and self-portraitsBlog article

The Stoning of Saint Stephen by Rembrandt: first signed painting and self-portrait

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Rembrandt, Portrait of a Woman Probably Maria Trip, 1639

Portraits and self-portraitsBlog article

Portrait of Maria Trip by Rembrandt: costume, jewelry and identity

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Portrait of Nicolaes Ruts by Rembrandt, 1631

Portraits and self-portraitsBlog article

Portrait of Nicolaes Ruts by Rembrandt: fur, commerce and prestige

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Portrait of Agatha Bas painted by Rembrandt in 1641

Portraits and self-portraitsBlog article

Portrait of Agatha Bas by Rembrandt: trompe l'oeil, fan and presence

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Portrait of Jan Six painted by Rembrandt in 1654

Portraits and self-portraitsBlog article

Portrait of Jan Six by Rembrandt: friendship, status and virtuosity

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Rembrandt's Standard Bearer, 1636, Rijksmuseum

Portraits and self-portraitsBlog article

Rembrandt's Standard Bearer: Analysis, History and Acquisition

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Aristotle contemplating the bust of Homer by Rembrandt, 1653, Metropolitan Museum of Art

Portraits and self-portraitsBlog article

Aristotle contemplating the bust of Homer by Rembrandt: analysis and meaning

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Rembrandt, The Trustees of the Drapers' Guild, 1662

Portraits and self-portraitsBlog article

The Trustees of the Rembrandt Drapers' Guild: analysis of the group portrait

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Rembrandt, Bathsheba in the bath holding the letter from King David, 1654

Portraits and self-portraitsBlog article

Bathsheba in the bath by Rembrandt: analysis of the letter, the gaze and the body

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Rembrandt, The Anatomy Lesson of Doctor Nicolaes Tulp, oil on canvas, 1632

Portraits and self-portraitsBlog article

Doctor Tulp's Anatomy Lesson: Complete Analysis of Rembrandt's Painting

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Rembrandt, Self-portrait supported on a stone parapet, etching and drypoint, 1639

Portraits and self-portraitsBlog article

Rembrandt's engraved self-portraits: experimentation and dissemination

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Rembrandt wearing a black beret in his self-portrait dated 1655 kept in Edinburgh

Portraits and self-portraitsBlog article

Self-portrait of Rembrandt from 1655: beret and maturity

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Rembrandt, Great Self-portrait of 1652, brown blouse and frontal gaze, Kunsthistorisches Museum in Vienna

Portraits and self-portraitsBlog article

Self-portrait of Rembrandt from 1652: sobriety and frontal gaze

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Rembrandt standing in oriental costume with a dog, 1631 self-portrait at the Petit Palais

Portraits and self-portraitsBlog article

Self-portrait of Rembrandt in oriental costume: trony or self-image?

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Rembrandt young man in his self-portrait circa 1630 at the Walker Art Gallery

Portraits and self-portraitsBlog article

Self-portrait of Rembrandt around 1630: youth and experimentation

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Rembrandt with the cap, wide eyes and half-open mouth, etching from 1630

Portraits and self-portraitsBlog article

Haggard-eyed Rembrandt: Analysis of an Expressive Self-Portrait

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Rembrandt standing at the easel with his hand support, self-portrait from 1660 kept at the Louvre

Portraits and self-portraitsBlog article

Self-portrait of Rembrandt on the easel: analysis of the artist at work

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Rembrandt, Self-portrait with two circles

Portraits and self-portraitsBlog article

Why did Rembrandt paint so many self-portraits?

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Rembrandt, The Night Watch, complete painting, 1642

Portraits and self-portraitsBlog article

Rembrandt's Night Watch: complete analysis, story and characters

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Costumes and clothing in Rembrandt's portraits

Portraits and self-portraitsBlog article

Costumes and clothing in Rembrandt's portraits

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Rembrandt's Night Watch, a major work of collective portraiture

Portraits and self-portraitsBlog article

Rembrandt's themes: portraits, Bible, mythology and landscapes

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14 blog posts

Bible, religion and mythology

Old and New Testaments, apostles, human passions, biblical stories and mythological subjects transformed by Rembrandt.

Saul and David of Rembrandt, David playing the harp before the king

Bible, religion and mythologyBlog article

David in Rembrandt's work: Saul, Jonathan, Bathsheba and biblical stories

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Andromeda chained by Rembrandt, circa 1630

Bible, religion and mythologyBlog article

Rembrandt's mythological scenes: gods, heroines and non-idealized bodies

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Ganymede in the claws of Rembrandt's eagle, terrified child carried away by Jupiter, 1635

Bible, religion and mythologyBlog article

Ganymede in the Eagle's Greenhouses by Rembrandt: fear, humor and myth

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Bellona of Rembrandt, armored war goddess holding a shield, 1633

Bible, religion and mythologyBlog article

Bellona and Minerva at Rembrandt: women in armor and allegorical figures

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Andromeda chained by Rembrandt, naked against the rock, circa 1630

Bible, religion and mythologyBlog article

Andromeda by Rembrandt: nude, fear and mythological heroine

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Lucretia de Rembrandt in 1664 holding the dagger before the fatal gesture

Bible, religion and mythologyBlog article

Lucretia de Rembrandt: the two versions and the tragedy of the gesture

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Rembrandt, The Visitation, 1640, Detroit Institute of Arts

Bible, religion and mythologyBlog article

The Visitation of Rembrandt: encounter, gestures and biblical landscape

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Simeon holding the Child Jesus in Rembrandt's last unfinished painting, circa 1669

Bible, religion and mythologyBlog article

Simeon at the Temple of Rembrandt: versions and last unfinished painting

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Jesus driving the merchants out of the Temple of Rembrandt, 1626

Bible, religion and mythologyBlog article

Jesus chasing the merchants from the Temple of Rembrandt: youth and movement

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Joseph and the Wife of Putiphar de Rembrandt, 1655

Bible, religion and mythologyBlog article

Joseph and the Wife of Putiphar de Rembrandt: accusation, gesture and versions

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The Denial of Saint Peter by Rembrandt, 1660

Bible, religion and mythologyBlog article

The Denial of Saint Peter by Rembrandt: analysis of the nocturnal scene

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The Sacrifice of Isaac de Rembrandt, 1635, Hermitage Museum

Bible, religion and mythologyBlog article

The Sacrifice of Isaac by Rembrandt: suspended gesture and intervention of the angel

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Rembrandt and the Bible - The Return of the Prodigal Son

Bible, religion and mythologyBlog article

Rembrandt and the Bible: Why Do Bible Stories Dominate His Work?

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The Night Watch illustrating why Rembrandt is famous

Bible, religion and mythologyBlog article

Why is Rembrandt famous? What he changed in art history

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53 blog posts

Technique, light, drawings and engravings

Chiaroscuro, material, pigments, touch, drawing, etching and workshop method explained in blog articles.

Rembrandt's Night Watch, detail of the group of militiamen on the move

Technique, light, drawings and engravingsBlog article

The Milkmaid and Starry Night are not by Rembrandt

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La Raie de Chardin, still life with fish, oysters and utensils

Technique, light, drawings and engravingsBlog article

Chardin and Rembrandt: material, silence and critical admiration

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Rembrandt, The Storm on the Sea of Galilee, ship tilted in a raging sea

Technique, light, drawings and engravingsBlog article

Rembrandt's boats and seascapes: paintings, drawings and storms

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Rembrandt's French Bed, couple lying in a curtain bed

Technique, light, drawings and engravingsBlog article

Rembrandt's French Bed: analysis of an intimate etching

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Rembrandt, The Last Supper after Leonardo da Vinci, red chalk drawing from 1634 -1635

Technique, light, drawings and engravingsBlog article

Rembrandt's sketches: how to read a quick drawing?

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Christ preaching says The Little Tomb of Rembrandt, crowd gathered around Christ

Technique, light, drawings and engravingsBlog article

Christ preaching, known as The Little Tomb, by Rembrandt: analysis of etching

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Rembrandt, The Three Crosses, fourth state circa 1660, Metropolitan Museum of Art

Technique, light, drawings and engravingsBlog article

Rembrandt's Three Crosses: analysis of states and light

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Faust de Rembrandt, scholar in his office facing a bright window

Technique, light, drawings and engravingsBlog article

Faust de Rembrandt: analysis of etching and the luminous window

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Rembrandt, The Coin of a Hundred Florins, large etching circa 1648

Technique, light, drawings and engravingsBlog article

Christ Healing the Sick by Rembrandt: Why is it called the Hundred Florin Coin?

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Rembrandt, The Three Trees, landscape etching, 1643

Technique, light, drawings and engravingsBlog article

Rembrandt's Three Trees: Landscape Etching Analysis

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The Rembrandt Stone Bridge, Dutch landscape under a stormy sky

Technique, light, drawings and engravingsBlog article

The Rembrandt Stone Bridge: storm, light and Dutch landscape

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Rembrandt, Le Moulin, 1645 -1648, National Gallery of Art

Technique, light, drawings and engravingsBlog article

The Rembrandt Mill: analysis of landscape and light

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The Adoration of the Shepherds by Rembrandt, night scene painted in 1646

Technique, light, drawings and engravingsBlog article

The Nativity in Rembrandt: paintings, drawings and engravings of the sacred night

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Saint Matthew and the Angel by Rembrandt, 1661

Technique, light, drawings and engravingsBlog article

Saint Matthew and the Angel by Rembrandt: intimacy, inspiration and touch

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Rembrandt, Jeremiah mourning the destruction of Jerusalem, 1630

Technique, light, drawings and engravingsBlog article

Jeremiah mourning the destruction of Jerusalem by Rembrandt: analysis of the prophet and the light

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Adam and Eve by Rembrandt, etching from 1638

Technique, light, drawings and engravingsBlog article

Adam and Eve by Rembrandt: analysis of etching and the non-idealized couple

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Rembrandt, Esther, Ahasuerus and Haman, 1660

Technique, light, drawings and engravingsBlog article

Esther, Ahasuerus and Haman by Rembrandt: banquet, tension and light

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The Ascension of Christ by Rembrandt, 1636

Technique, light, drawings and engravingsBlog article

The Ascension of Christ by Rembrandt: commission, light and series of the Passion

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Rembrandt, The Good Samaritan, 1630, Wallace Collection

Technique, light, drawings and engravingsBlog article

Rembrandt's The Good Samaritan: painting, landscape and etching

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Christ on the Cross by Rembrandt, 1631

Technique, light, drawings and engravingsBlog article

Christ on the Cross by Rembrandt: paintings, drawings and engravings

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Rembrandt, Christ and the Adulterous Woman, 1644, National Gallery, London

Technique, light, drawings and engravingsBlog article

Christ and the Adulterous Woman by Rembrandt: analysis of light and the crowd

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The Flight into Egypt, Rembrandt, 1627, Museum of Fine Arts in Tours

Technique, light, drawings and engravingsBlog article

The Flight into Egypt at Rembrandt's: paintings, drawings and engravings

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Rembrandt, The Adoration of the Shepherds, 1646, Alte Pinakothek

Technique, light, drawings and engravingsBlog article

The Adoration of the Shepherds of Rembrandt: night, light and devotion

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Rembrandt, Simeon at the Temple, circa 1669, Nationalmuseum Stockholm

Technique, light, drawings and engravingsBlog article

The Presentation at the Temple of Rembrandt: versions, old age and light

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Rembrandt, The Resurrection of Lazarus, circa 1630-1632

Technique, light, drawings and engravingsBlog article

Rembrandt's Resurrection of Lazarus: analysis of light and miracle

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Rembrandt, The Descent from the Cross, 1632-1633, Alte Pinakothek of Munich

Technique, light, drawings and engravingsBlog article

Rembrandt's Descent from the Cross: versions, command and chiaroscuro

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Rembrandt, The Feast of Balthazar, luminous inscription and banquet, circa 1636-1638

Technique, light, drawings and engravingsBlog article

Rembrandt's Feast of Balthazar: analysis of inscription and light

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Rembrandt, The Blindness of Samson, 1636, Städel Museum

Technique, light, drawings and engravingsBlog article

Rembrandt's The Blindness of Samson: violence, diagonals and chiaroscuro

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Elsje Christiaens on the gallows, drawing by Rembrandt, 1664

Technique, light, drawings and engravingsBlog article

Portrait of Elsje Christiaens by Rembrandt: drawing, justice and social perspective

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The Pilgrims of Emmaus by Rembrandt, 1648, Louvre Museum

Technique, light, drawings and engravingsBlog article

The Pilgrims of Emmaus by Rembrandt: versions, light and revelation

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The Philosopher in Contemplation by Rembrandt, oil on wood dated 1632

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Rembrandt's Philosopher in Meditation: Analysis, Staircase and Light

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Rembrandt's The Flayed Ox, painted in 1655 and kept at the Louvre Museum

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Rembrandt's The Flayed Ox: analysis, material and meaning

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Young Rembrandt with disheveled hair, self-portrait around 1628 at the Rijksmuseum

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Young Rembrandt in his self-portraits: expressions, light and ambition

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Rembrandt, Monumental Self-Portrait, 1658, Frick Collection, New York

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Rembrandt's last self-portraits: old age, matter and gaze

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Rembrandt, youth self-portrait with disheveled hair, circa 1628, Rijksmuseum

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Young Rembrandt in his self-portraits: expressions, light and ambition

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Self-portrait in Rembrandt's two circles

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How many self-portraits did Rembrandt take?

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Rembrandt, The Three Trees, etching from 1643

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Rembrandt's drawn and engraved landscapes

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Hansken, Asian elephant drawn by Rembrandt

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Rembrandt's animal drawings: elephant, lion and other studies

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The Mill, large landscape painted by Rembrandt around 1645-1648

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Rembrandt's landscapes: paintings, drawings and etchings

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The Hundred Florin Piece, Rembrandt's engraved masterpiece

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Rembrandt's engravings and etchings: complete guide

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Rembrandt drawing at the window in his etching from 1648

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How did Rembrandt make etching? Plate, bite and drypoint

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The Three Scribes, Rembrandt's ink and wash drawing

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Rembrandt's ink drawings: line, washes and corrections

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The Three Scribes, drawing by Rembrandt in pen and wash

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Rembrandt designer: pen, wash, chalk and spontaneity

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The Man Who Laughs, a major example of a Rembrandt throne

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Rembrandt's tronies: faces, costumes and studies of expression

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The Rembrandt Night Watch, network of gestures and hands

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Hands at Rembrandt: gesture, touch and narration

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Rembrandt's portraits: psychology, light and social status

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Rembrandt's portraits: psychology, light and social status

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Rembrandt's Night Watch, composition in motion

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Composition in Rembrandt: diagonals, groups and narration

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Rembrandt in his workshop: supports, layers, glazes and impasto

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How did Rembrandt paint? Supports, preparation, layers and glazes

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The Jewish Bride, a major example of Rembrandt's impasto

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Rembrandt's impasto: relief, material and brushstrokes

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The Jewish Bride of Rembrandt, red and gold palette

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Rembrandt's palette: colors, pigments and warm tones

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The Night Watch, a major example of Rembrandt's chiaroscuro

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Rembrandt's chiaroscuro: essential technique, effects and paintings

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Rembrandt's Night Watch, study of light

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Light in Rembrandt: direction, depth and emotion

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Self-portrait of Rembrandt for the count of his works

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How many works did Rembrandt create? Paintings, drawings and etchings

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33 blog posts

Life, family, workshop and students

Leiden, Amsterdam, Saskia, Hendrickje, Titus, bankruptcy, house, collaborators and students placed in the archives.

Rembrandt's Night Watch explained to children

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Rembrandt explained to children: life, paintings and techniques

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Rembrandt, Self-portrait with two circles, circa 1665-1669

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Rembrandt and Picasso: engraving, self-portrait and dialogue with the masters

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Caravaggio, The Vocation of Saint Matthew, beam of light crossing a dark room

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Rembrandt and Caravaggio: two masters of chiaroscuro compared

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Self-portrait with shady eyes by Rembrandt, 1634, The Leiden Collection

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The Leiden Collection and Rembrandt: masterpieces from a private collection

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The Artist in his studio in Rembrandt, a young painter facing a monumental easel

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The Artist in his Rembrandt studio: space, easel and ambition

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Head of Christ by Rembrandt, circa 1648 -1656, Philadelphia Museum of Art

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The Heads of Christ by Rembrandt: models, workshop and new image of Jesus

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The Holy Family in the evening, Rembrandt's workshop, circa 1642-1648, Rijksmuseum

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The Holy Family in the evening by Rembrandt: intimacy, light and daily life

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Portrait of an old woman known as Rembrandt's mother, Warsaw

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Rembrandt's Mother: portraits, identifications and studio works

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Rembrandt, Girl at the Window, 1645, Dulwich Picture Gallery

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Young girl at Rembrandt's window: analysis of the gaze and trompe l'oeil

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Danaé de Rembrandt, full view of the painting kept at the Hermitage Museum

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Danaé de Rembrandt: analysis, transformations and attack on the painting

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Rembrandt, The Return of the Prodigal Son, father welcoming his kneeling son

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The Return of Rembrandt's Prodigal Son: Analysis, Symbols and History

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Isaac and Rebecca, known as The Jewish Bride, painted by Rembrandt around 1665-1669

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The Jewish Bride of Rembrandt: analysis, identity of the couple and symbols

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Rembrandt richly dressed and leaning on a parapet in his Self-Portrait at the age of 34 in 1640

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Self-portrait of Rembrandt from 1640: ambition and reference to the masters

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Rembrandt, Self-portrait as an apostle Paul, 1661, Rijksmuseum

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Self-portrait of Rembrandt as the apostle Paul: identity, costume and symbol

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Self-portrait in both circles by Rembrandt, a baroque painter of the Dutch Golden Age

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Was Rembrandt an impressionist or a Renaissance painter?

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Rembrandt and Spinoza in the Jewish quarter of Amsterdam in the 17th century

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Rembrandt and Spinoza: neighborhood in Amsterdam, Jewish environment and reality of links

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Jeremiah mourning the destruction of Jerusalem by Rembrandt

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Was Rembrandt Protestant? Personal religion, Bible and confessional Amsterdam

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When was Rembrandt born? Young self-portrait of Rembrandt

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When was Rembrandt born? Date and place of birth

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Rembrandt's house in Amsterdam's old Jewish quarter

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Rembrandt and the Jewish Quarter of Amsterdam: Models, Neighbors and Debates

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Traditionally close domestic scene of Hendrickje Stoffels and Cornelia van Rijn

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Cornelia van Rijn: the daughter of Rembrandt and Hendrickje Stoffels

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Facade of the Rembrandt House in Amsterdam, at the heart of its bankruptcy of 1656

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Why did Rembrandt go bankrupt? House, debts and sale of collections

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A Woman in Bed by Rembrandt, a work often associated with Geertje Dircx, identification discussed

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Geertje Dircx and Rembrandt: relationship, trial and controversy

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Alleged portrait of Hendrickje Stoffels painted by Rembrandt around 1654-1656

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Hendrickje Stoffels: companion and model of Rembrandt

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Titus at his office, portrait of Rembrandt's son

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Titus, son of Rembrandt: life and portraits

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Saskia in Flora by Rembrandt, mythological portrait painted in 1634

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Saskia en Flora by Rembrandt: analysis of the mythological portrait

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Saskia van Uylenburgh in Arcadian costume painted by Rembrandt in 1635

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Saskia van Uylenburgh and Rembrandt: love, marriage and portraits

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Rembrandt's large reconstructed workshop in his Amsterdam home

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Rembrandt's workshop: operation, students and production

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Rembrandt's house at 4 Jodenbreestraat in Amsterdam

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Rembrandt in Amsterdam: workshop, clientele and social advancement

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Ferdinand Bol, one of Rembrandt's main students

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Rembrandt's students: Ferdinand Bol, Govert Flinck, Carel Fabritius and the others

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The Glasses Seller, Rembrandt's first known painting in Leiden

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Rembrandt in Leiden: birth, family and first apprenticeships

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Rembrandt and Saskia for the history of the painter's family

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Rembrandt's family and parents

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Self-portrait of Rembrandt, Dutch painter born in Leiden

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What was Rembrandt's nationality?

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Young self-portrait of Rembrandt, whose first name becomes his artistic signature

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What is Rembrandt's real name and how to pronounce it?

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20 blog posts

Museums, collections and itineraries

Rijksmuseum, Mauritshuis, Louvre, Met, National Gallery and essential places to see Rembrandt around the world.

Rembrandt, Self-portrait in the two circles, circa 1665, Kenwood House

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Rembrandt at Kenwood House and the Wallace Collection: Self-Portraits and Dutch Masters in London

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Visitors in the immersive room of Rembrandts Amsterdam Experience

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Rembrandt Experience Amsterdam: visit and comparison with the House of Rembrandt

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Rembrandt, The Trustees of the Drapers' Guild, work announced in the exhibition Hals - Rembrandt

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Rembrandt exhibitions: agenda and major retrospectives

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Rembrandt, The Polish Horseman, circa 1655, Frick Collection

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Rembrandt at the Frick Collection: The Polish Horseman and the Portraits

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Rembrandt, The Hundred Florin Room, first state around 1648, British Museum

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Rembrandt's drawings and engravings at the British Museum

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Rembrandt, The Pilgrims of Emmaus, circa 1628, Jacquemart-André museum

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Rembrandt at the Jacquemart-André museum: The Pilgrims of Emmaus and the collection

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Rembrandt, The Anatomy Lesson of Doctor Nicolaes Tulp, 1632, Mauritshuis

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Rembrandt at Mauritshuis: Lesson in anatomy and other masterpieces

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Weddesteeg in Leiden, birthplace of Rembrandt

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In the footsteps of Rembrandt in Leiden: locations, De Lakenhal museum and itinerary

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Rembrandt, Self-portrait at the age of 34, 1640, National Gallery, London

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Rembrandt at the National Gallery in London: works and self-portraits

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Rembrandt's Return of the Prodigal Son at the Hermitage Museum

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Rembrandt at the Hermitage Museum: masterpieces and journey

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Imaginary museum gallery dedicated to Rembrandt in New York

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Rembrandt at the Metropolitan Museum of Art: paintings, portraits and self-portrait

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Rembrandt, Bathsheba in the bath holding the letter from King David, 1654, Louvre Museum

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Rembrandt at the Louvre: paintings, drawings and tours in the museum

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Rembrandt, The Night Watch, 1642, Rijksmuseum

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Rembrandt at the Rijksmuseum: paintings, rooms and recommended route

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Amsterdam seen from the Kadijk, Rembrandt's etching around 1641

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Rembrandt in Amsterdam: itinerary between his house, the Rijksmuseum and the city

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Historic entrance hall to Rembrandt's House in Amsterdam

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Tickets, times, prices and duration of visit to the House of Rembrandt

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Historic facade of the House of Rembrandt at 4 Jodenbreestraat in Amsterdam

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Rembrandt's House in Amsterdam: museum, workshop, collections and visit

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Rembrandt's Storm on the Sea of Galilee, full view of the painting stolen in 1990

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Rembrandt's Storm on the Sea of Galilee: analysis and flight at the Gardner Museum

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Rembrandt on the easel in his 1660 self-portrait kept at the Louvre Museum

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Rembrandt's self-portraits at the Louvre: works and journey

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Self-portrait of Rembrandt in 1660 with beret and brown coat at the Metropolitan Museum

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Self-portrait of Rembrandt from 1660: analysis of the Metropolitan Museum painting

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Current facade of the House of Rembrandt at 4 Jodenbreestraat in Amsterdam

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Rembrandt's house before the museum: workshop, collection and bankruptcy

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38 blog posts

Attribution, market and inheritance

Rembrandt Research Project, fake, deattributions, restorations, auctions, artificial intelligence and modern posterity.

Self-portrait of Rembrandt in 1660, Metropolitan Museum of Art

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Rembrandt paintings reallocated or deallocated

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The Next Rembrandt, portrait generated from data and printed in relief in 2016

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Artificial Intelligence and Rembrandt: Reconstruction, Attribution and Risks

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The Next Rembrandt, portrait created by data analysis and relief printing

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The Next Rembrandt: how artificial intelligence created a "new Rembrandt"

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Portrait of a man with his hands on his hips by Rembrandt, auction record

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The most expensive Rembrandts: paintings, drawings and prints at auction

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The Man in the Golden Helmet, today attributed to Rembrandt's circle, circa 1650 -1660

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Copy, reproduction or original by Rembrandt: how to distinguish them?

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Self-portrait of Rembrandt in a wide-brimmed hat, used for the study of attributions

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The Rembrandt Research Project: how the painter's catalog was revised

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Self-portrait of Rembrandt in beret and straight collar, 1659, National Gallery of Art

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The Rembrandt Research Project: how the painter's catalog was revised

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Rembrandt, Self-portrait with two circles, circa 1665-1669

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How Rembrandt influenced modern art, from Goya to Francis Bacon

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Vincent van Gogh, Self-portrait with gray felt hat, 1887

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Van Gogh and Rembrandt: admiration, copies and influence

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La Laitière by Vermeer, natural light in a Dutch interior

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Rembrandt and Vermeer: light, interiors and the Dutch market

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Rembrandt, Christ on the cross, 1631, preserved at Mas-d'Agenais

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The Rembrandt of Mas-d'Agenais: history, attribution and visit of Christ on the cross

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Dutch Room at the Gardner Museum after the 1990 flight, with empty frames

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Rembrandt's stolen or missing works

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Old woman reading, probably the prophetess Anne, Rembrandt, 1631

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Old women reading at Rembrandt: models, light and attributions

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Still life with peacocks by Rembrandt, circa 1639

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Rembrandt's still lifes: objects, books, carcasses and symbols

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Rembrandt, The Woman Who Pisses, second state of etching from 1631

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The Rembrandt Pisser: daily subject, etching and reception

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Press, copper plate and etching reprints after Rembrandt

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Amand-Durand and Rembrandt: what are etching reprints worth?

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Rembrandt, The Three Crosses, first state, example for the Bartsch, Hind and New Hollstein catalogs

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The catalog raisonné of Rembrandt's engravings: Bartsch, Hind and New Hollstein

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Juno of Rembrandt, crowned goddess holding a scepter next to a peacock

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Juno of Rembrandt: attributes of the goddess, costume and attribution

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Rembrandt, Jupiter and Antiope, large plate, 1659

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Jupiter and Antiope by Rembrandt: attribution, eroticism and myth

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Pallas Athena, composition by Rembrandt and a student circa 1657, Calouste Gulbenkian museum

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Pallas Athena of Rembrandt: identity, armor and attribution

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Judith at Rembrandt's Holofernes Banquet, 1634

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Judith at Rembrandt's Holofernes Banquet: Subject, Ancient Identification and Restoration

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Jacob wrestling with the angel, Rembrandt, circa 1659, Gemäldegalerie Berlin

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Jacob's Struggle with Rembrandt's Angel: Attribution and Interpretation

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Jacob blessing Ephraim and Manasseh by Rembrandt, 1656

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Jacob blessing the sons of Joseph de Rembrandt: family, gestures and inheritance

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Rembrandt, Saul and David, restored painting preserved in Mauritshuis

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David playing the harp in front of Saul by Rembrandt: analysis and restoration

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Portrait of Princess Amalia van Solms painted by Rembrandt in 1632

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Amalia van Solms in Rembrandt's studio: portrait, costume and attribution

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Rembrandt, Titus van Rijn probably, absorbed in reading a book, circa 1656-1657

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Portrait of Titus reading by Rembrandt: analysis of the son absorbed by his book

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Portrait of a standing man, perhaps Andries de Graeff, painted by Rembrandt in 1639

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Portrait of Andries de Graeff by Rembrandt: model, pose and attribution

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The Man in the Golden Helmet, anonymous painter from Rembrandt's circle, circa 1650 -1660, Gemäldegalerie in Berlin

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The Man in the Golden Helmet: Why is this painting no longer attributed to Rembrandt?

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Rembrandt, The Polish Horseman, circa 1655, Frick Collection

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Rembrandt's Polish Horseman: Identity, Attribution and Enigma

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Elderly Rembrandt, mouth half open, in the so-called Zeuxis self-portrait kept in Cologne

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Self-portrait of Rembrandt as Zeuxis: laughter, old age and attribution

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Rembrandt, Self-portrait, 1658, Frick Collection

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Rembrandt's self-portraits: chronology, analysis and evolution of the face

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Rembrandt engraving at the window in his 1648 self-portrait

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States, prints and signatures: how to recognize a Rembrandt engraving?

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Photographic portrait illuminated according to the Rembrandt diagram

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Rembrandt lighting in photography: triangle, placement and examples

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Photographic portrait in Rembrandt lighting with light triangle under the eye

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Rembrandt's triangle: definition in photography

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Charles Laughton, Rembrandt in cinema and the painter's interpretations

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Rembrandt at the cinema: films, documentaries and representations of the painter

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Self-portrait of Rembrandt for a guide to the best books

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The best books on Rembrandt: biographies, catalogs and studies

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Signature RHL van Rijn and date 1632 on a work by Rembrandt

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Rembrandt's signature: monograms, variants and dating

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The Trustees of the Rembrandt Drapers' Guild, in the heart of the 17th century Dutch market

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Rembrandt's contemporaries: Vermeer, Frans Hals, Rubens and the Dutch market

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