Distinguish work, workshop and legend

Rembrandt's Legacyattribution, market & posterity

Attributions, forgeries, restorations, auctions, artificial intelligence and modern reception in blog posts.

Explore the 38 blog articles See Rembrandt's paintings

Self-portrait of Rembrandt in 1660, Metropolitan Museum of Art — 38classified blog articles, images without duplicates

1606 - 1669Life of Rembrandt

1Section on this page

38Blog posts published

7Thematic pages

38 blog posts

Attribution, market and inheritance

Rembrandt Research Project, fake, deattributions, restorations, auctions, artificial intelligence and modern posterity.

Self-portrait of Rembrandt in 1660, Metropolitan Museum of Art

Attribution, market and inheritanceBlog article

Rembrandt paintings reallocated or deallocated

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The Next Rembrandt, portrait generated from data and printed in relief in 2016

Attribution, market and inheritanceBlog article

Artificial Intelligence and Rembrandt: Reconstruction, Attribution and Risks

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The Next Rembrandt, portrait created by data analysis and relief printing

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The Next Rembrandt: how artificial intelligence created a "new Rembrandt"

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Portrait of a man with his hands on his hips by Rembrandt, auction record

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The most expensive Rembrandts: paintings, drawings and prints at auction

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The Man in the Golden Helmet, today attributed to Rembrandt's circle, circa 1650 -1660

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Copy, reproduction or original by Rembrandt: how to distinguish them?

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Self-portrait of Rembrandt in a wide-brimmed hat, used for the study of attributions

Attribution, market and inheritanceBlog article

The Rembrandt Research Project: how the painter's catalog was revised

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Self-portrait of Rembrandt in beret and straight collar, 1659, National Gallery of Art

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The Rembrandt Research Project: how the painter's catalog was revised

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Rembrandt, Self-portrait with two circles, circa 1665-1669

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How Rembrandt influenced modern art, from Goya to Francis Bacon

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Vincent van Gogh, Self-portrait with gray felt hat, 1887

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Van Gogh and Rembrandt: admiration, copies and influence

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La Laitière by Vermeer, natural light in a Dutch interior

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Rembrandt and Vermeer: light, interiors and the Dutch market

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Rembrandt, Christ on the cross, 1631, preserved at Mas-d'Agenais

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The Rembrandt of Mas-d'Agenais: history, attribution and visit of Christ on the cross

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Dutch Room at the Gardner Museum after the 1990 flight, with empty frames

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Rembrandt's stolen or missing works

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Old woman reading, probably the prophetess Anne, Rembrandt, 1631

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Old women reading at Rembrandt: models, light and attributions

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Still life with peacocks by Rembrandt, circa 1639

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Rembrandt's still lifes: objects, books, carcasses and symbols

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Rembrandt, The Woman Who Pisses, second state of etching from 1631

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The Rembrandt Pisser: daily subject, etching and reception

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Press, copper plate and etching reprints after Rembrandt

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Amand-Durand and Rembrandt: what are etching reprints worth?

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Rembrandt, The Three Crosses, first state, example for the Bartsch, Hind and New Hollstein catalogs

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The catalog raisonné of Rembrandt's engravings: Bartsch, Hind and New Hollstein

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Juno of Rembrandt, crowned goddess holding a scepter next to a peacock

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Juno of Rembrandt: attributes of the goddess, costume and attribution

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Rembrandt, Jupiter and Antiope, large plate, 1659

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Jupiter and Antiope by Rembrandt: attribution, eroticism and myth

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Pallas Athena, composition by Rembrandt and a student circa 1657, Calouste Gulbenkian museum

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Pallas Athena of Rembrandt: identity, armor and attribution

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Judith at Rembrandt's Holofernes Banquet, 1634

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Judith at Rembrandt's Holofernes Banquet: Subject, Ancient Identification and Restoration

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Jacob wrestling with the angel, Rembrandt, circa 1659, Gemäldegalerie Berlin

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Jacob's Struggle with Rembrandt's Angel: Attribution and Interpretation

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Jacob blessing Ephraim and Manasseh by Rembrandt, 1656

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Jacob blessing the sons of Joseph de Rembrandt: family, gestures and inheritance

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Rembrandt, Saul and David, restored painting preserved in Mauritshuis

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David playing the harp in front of Saul by Rembrandt: analysis and restoration

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Portrait of Princess Amalia van Solms painted by Rembrandt in 1632

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Amalia van Solms in Rembrandt's studio: portrait, costume and attribution

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Rembrandt, Titus van Rijn probably, absorbed in reading a book, circa 1656-1657

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Portrait of Titus reading by Rembrandt: analysis of the son absorbed by his book

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Portrait of a standing man, perhaps Andries de Graeff, painted by Rembrandt in 1639

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Portrait of Andries de Graeff by Rembrandt: model, pose and attribution

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The Man in the Golden Helmet, anonymous painter from Rembrandt's circle, circa 1650 -1660, Gemäldegalerie in Berlin

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The Man in the Golden Helmet: Why This painting no longer attributed to Rembrandt?

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Rembrandt, The Polish Horseman, circa 1655, Frick Collection

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Rembrandt's Polish Horseman: Identity, Attribution and Enigma

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Elderly Rembrandt, mouth half open, in the so-called Zeuxis self-portrait kept in Cologne

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Self-portrait of Rembrandt as Zeuxis: laughter, old age and attribution

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Rembrandt, Self-portrait, 1658, Frick Collection

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Rembrandt's self-portraits: chronology, analysis and evolution of the face

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Rembrandt engraving at the window in his 1648 self-portrait

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States, prints and signatures: how to recognize a Rembrandt engraving?

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Photographic portrait illuminated according to the Rembrandt diagram

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Rembrandt lighting in photography: triangle, placement and examples

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Photographic portrait in Rembrandt lighting with light triangle under the eye

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Rembrandt's triangle: definition in photography

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Charles Laughton, Rembrandt in cinema and the painter's interpretations

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Rembrandt at the cinema: films, documentaries and representations of the painter

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Self-portrait of Rembrandt for a guide to the best books

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The best books on Rembrandt: biographies, catalogs and studies

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Signature RHL van Rijn and date 1632 on a work by Rembrandt

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Rembrandt's signature: monograms, variants and dating

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The Trustees of the Rembrandt Drapers' Guild, in the heart of the 17th century Dutch market

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Rembrandt's contemporaries: Vermeer, Frans Hals, Rubens and the Dutch market

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