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Self-portrait with gray felt hat, F344 - Van Gogh

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Self-portrait with gray felt hat, F344 - Van Gogh

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Self-portrait with gray felt hat, F344 - Van Gogh

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Self-portrait with gray felt hat, F344 - Van Gogh

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Vincent van Gogh · September -October 1887 · Paris

Self-portrait with gray felt hat, F344Reproduction of oil painting on canvas

Wearing a gray marker, Van Gogh appears three-quarters in front of a blue background covered with radiant touches. The frontal gaze, the red beard and the blue collar concentrate oppositions of colors of exceptional intensity.

Hand paintedOil on canvasA verified WebP imagePhoto validation
Self-portrait with gray felt hat, F344 - red face surrounded by radiant touches painted by Vincent van Gogh
Self-portrait with gray felt hat, F344Vincent van Gogh · September -October 1887 · Van Gogh Museum, Amsterdam
September - October 1887Dating
44.5 × 37.2 cmDimensions of the original
Oil on cottonOriginal technique
Van Gogh Museum, AmsterdamConservation
A real paintingThe canvas is hand painted, never printed.
Made to orderEach copy is created individually.
Controlled in photoYou review the completed table before sending.
Possible alterationsAdjustments may precede shipping.

Look at the work

The face becomes the center of a whirlwind of small colorful touches

The dark bust occupies the bottom of the format, while the light hat greatly widens the head. The eyes stare at the viewer and the closed mouth maintains an attentive, almost tense expression.

Around the felt and shoulders, the blue, orange, turquoise and brown lines change direction. They follow the outline of the head, creating a sort of halo that detaches the portrait from the background.

Self-portrait with gray felt hat is an oil on cotton measuring 44.5 × 37.2 cm painted in Paris in September - October 1887. The work F344/JH1353 is kept at the Van Gogh Museum under the number s0016V1962.

Composition, touch and color

Three observations specific to this painting

The Van Gogh Museum presents this painting as one of the most daring chromatic experiments of the Parisian period. Van Gogh adapts the divided touch of the pointillists in a personal, longer and directed way.

01

The background keys follow the silhouette instead of remaining neutral

They curve around the hat and radiate near the face. The background therefore acts as a visual force which amplifies the presence of the head.

02

The complements strengthen the look and the beard

Blue and orange interact in the background; red and green meet in the beard, eyes and skin. The colors appear brighter because they are placed side by side.

03

The garment prepares a stable base under the mobile face

The dark lapels, blue collar and light shirt form converging bands. This calm construction allows the small touches of the face to retain all their energy.

Documented benchmarks

Precisely identify the original work

F344/JH1353, inventory s0016V1962 and 44.5 × 37.2 cm cotton backing identify this precise version among Van Gogh's many Parisian self-portraits.

Pointillism

A technique studied then freely reorganized

Van Gogh took up the idea of separate keys, but he lengthened them and oriented them according to the volume of the face, hat and background.

Color

Some reds have faded since 1887

The museum explains that initially purple features now appear blue. The expected contrast with the yellows was therefore even more powerful originally.

Model

The self-portrait allows him to work without paying for a pose

In Paris, Van Gogh frequently used his reflection to study the skin tones, expressions and new colorful oppositions discovered among the avant-garde.

Consult the official notice of the Van Gogh Museum →

Your reproduction

What the painter must preserve

The copy must respect the direct look, the gray felt, the mixtures of green and pink in the skin, the red beard, the blue collar and the radiant touches of the background.

  • The gray felt hat with crossed touches
  • Green and blue eyes staring at the viewer
  • The red beard mixed with red and green
  • The blue collar and dark lapels
  • The halo of blue and orange lines around the head

Work sheet

Title Self-portrait with gray felt hat, F344
Artist Vincent van Gogh (1853 -1890)
Date September - October 1887
Place of creation Paris
Original technique Oil on cotton
Dimensions 44.5 × 37.2 cm
Inventory F344· JH1353· s0016V1962
Conservation Van Gogh Museum, Amsterdam
Your reproduction Handmade oil painting on canvas

From order to shipping

1
PreparationStudy of framing, proportions and colors.
2
Oil paintingManual production, layer after layer.
3
Photo validationChecking the table and requesting possible alterations.
4
Protected shippingCareful packaging and shipping with tracking.

In your interior

A magnetic self-portrait where color constructs each volume

Petrol blue, turquoise, red orange, olive green and pearl gray give a strong presence to an office, a library or a wall dedicated to great artists.

Frequently asked questions

Before ordering

Is this a canvas print?

No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.

How is the visual reference chosen?

The official high definition image from the Van Gogh Museum was prepared as a real WebP of 2,471 × 3,000 px.

Can I check the result before shipping?

Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.

Are custom formats possible?

Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.

Self-portrait with gray felt hat, F344, painted for your interior

An oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.

Hand painted · Oil on canvas · Photo validation
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Présentation
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Fabrication indicative
1 à 4 jours ouvrés
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Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
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Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

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The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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