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The Night Café, F463 - Vincent van Gogh

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The Night Café, F463 - Vincent van Gogh

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The Night Café, F463 - Vincent van Gogh

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The Night Café, F463 - Vincent van Gogh

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Vincent van Gogh · September 1888 · Arles

The Night Café, F463Reproduction of oil painting on canvas

Under four gas lamps, the green billiards table splits an almost empty red room: Van Gogh transforms the Café de la Gare into an experience of color and worry.

Hand paintedOil on canvasA verified WebP imagePhoto validation
Le Café de nuit F463 de Vincent van Gogh, Yale University Art Gallery
The Night Café, F463Vincent van Gogh · September 1888 · Yale University Art Gallery, New Haven
September 1888Dating
72.4 × 92.1 cmDimensions of the original
Oil on canvasOriginal technique
Yale University Art Gallery, New HavenConservation
A real paintingThe canvas is hand painted, never printed.
Made to orderEach copy is created individually.
Controlled in photoYou review the completed table before sending.
Possible alterationsAdjustments may precede shipping.

Look at the work

A café open all night, painted like a furnace

Van Gogh represents the room of the Café de la Gare, Place Lamartine in Arles, where he was then staying. Owner Joseph-Michel Ginoux stands in white near the billiards table; five dozing customers occupy the tables along the walls and a couple appears in the embrasure at the back.

The perspective of the floor rushes towards the door with willful brutality. The billiards table, placed at an angle in the center, seems to slide towards the viewer. The blood red of the walls confronts the greens of the furniture, ceiling and counter, while the yellow halos of the lamps give the air an almost physical vibration.

Van Gogh does not seek the picturesque atmosphere of an Arlesian establishment: he uses color and perspective to express a place where one can, in his words, "break the bank, go crazy or commit a crime".

Composition, touch and color

Three observations specific to this painting

In letter 676 to Theo, Van Gogh explains that he worked three nights and wanted to express "the terrible human passions" through red and green.

01

An unstable diagonal

The floorboards and the edges of the billiards table converge towards the back, but their exaggerated angles make the room slippery and difficult to live in.

02

Red versus green

The complements do not balance peacefully: they collide in the walls, the billiards table, the counter and the shadows of the characters.

03

Four artificial suns

Each lamp is surrounded by yellow and orange rings. These halos punctuate the ceiling and accentuate the oppressive heat of the room.

Documented benchmarks

Precisely identify the original work

Number 1961.18.34 and references F463/JH1575 identify Yale's large canvas, distinct from the watercolor drawing F1463 made immediately afterwards.

Location

The Station Café

The establishment of Joseph and Marie Ginoux was located at 30, place Lamartine, not far from the Maison jaune.

Letter 676

Three nights of work

Van Gogh claims to have painted at night and then slept during the day in order to directly observe the lighting and late visitors.

Provenance

From Morozov to Yale

The painting belonged to collector Ivan Morozov before being acquired by Stephen Carlton Clark, who bequeathed it to Yale in 1961.

Consult the official notice of the Yale University Art Gallery →

Your reproduction

What the painter must preserve

Reproduction must maintain the tension between the large areas, the plunging perspective and the nervous halos without neutralizing the reds or excessively lightening the room.

  • The green billiards table tilted in the center
  • The four lamps and their concentric halos
  • The contrast of the red walls and the green ceiling
  • Small isolated figures around the edge
  • The signature "Vincent" and the inscription at the bottom of the canvas

Work sheet

Title The Night Café, F463
Artist Vincent van Gogh (1853 -1890)
Date September 1888
Place of creation Arles
Original technique Oil on canvas
Dimensions 72.4 × 92.1 cm
Inventory Yale University Art Gallery 1961.18.34 · F463 · JH1575
Conservation Yale University Art Gallery, New Haven
Your reproduction Handmade oil painting on canvas

From order to shipping

1
PreparationStudy of framing, proportions and colors.
2
Oil paintingManual production, layer after layer.
3
Photo validationChecking the table and requesting possible alterations.
4
Protected shippingCareful packaging and shipping with tracking.

In your interior

A radical composition for a wall of character

The large horizontal format gives depth to a living room, dining room or reception area. Reds, greens and yellows interact with walnut, cognac leather, matte black and cream walls.

Frequently asked questions

Before ordering

Is this a canvas print?

No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.

How is the visual reference chosen?

The official Yale image was reduced to 3,000 × 2,368 px and then converted to a real WebP, without artificial enlargement.

Can I check the result before shipping?

Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.

Are custom formats possible?

Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.

Le Café de nuit, F463, painted for your interior

An oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.

Hand painted · Oil on canvas · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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