The sheaves mark the entire depth
Their conical shapes gradually diminish towards the village, providing a measure of distance across the field.
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Vincent van Gogh · July 1890 · Auvers-sur-Oise
Under a wide open turquoise sky, the wheat of Auvers forms a vast yellow sea. A harvester cuts the grain again, while the already bound sheaves retreat towards the village and the blue hills of the horizon.
Look at the work
The canvas is organized in wide strips: the wheat in the foreground, the ocher and green plots in the middle, then the village and the hills under the sky. The workers and sheaves break this horizontality with a series of erect shapes.
The harvester located towards the center is distinguished by his light shirt. Around him, the sheaves and silhouettes are shaped by thick, curved and directional touches which give the field continuous movement.
Painted in Auvers-sur-Oise in July 1890, the Wheat Fields with Harvester are an oil on canvas measuring 73.7 × 93 cm, F559/JH1479. The work is kept at the Toledo Museum of Art under number 1935.4.
Composition, touch and color
The Toledo museum emphasizes the sculptural material of the touch and the expressive use of color. Van Gogh starts from the observed landscape, but intensifies the yellows and blues in order to give more strength to the harvest.
Their conical shapes gradually diminish towards the village, providing a measure of distance across the field.
Its large turquoise tablecloth, interrupted by a few white clouds, lightens the density of the wheat and opens the landscape towards the hills.
They curve around the sheaves, become shorter in the stubble, and calm into horizontal bands in the distance.
Documented benchmarks
The official title of the museum, the dating from 1890 and the number 1935.4 correct the old, overly general presentation. This scene belongs to Van Gogh's last weeks in Auvers, and not to the Arles harvest of 1888.
Van Gogh is fascinated by the vast fields above the village, which he recovers in multiple states during the last two months of his life.
In his letters, the painter sometimes associates the figure of the harvester with the end of the cycle of life, without removing its dazzling light from the scene.
The Toledo Museum of Art acquired the painting thanks to the Libbey Endowment, a gift from Edward Drummond Libbey. It bears the number 1935.4.
Your reproduction
The copy must preserve the immense turquoise sky, the succession of sheaves, the small central harvester, the lines of the village and the thick material which makes the wheat wave.
| Title | Wheat fields with harvester in Auvers, F559 |
|---|---|
| Artist | Vincent van Gogh (1853 -1890) |
| Date | July 1890 |
| Place of creation | Auvers-sur-Oise |
| Original technique | Oil on canvas |
| Dimensions | 73.7 × 93 cm |
| Inventory | F559 · JH1479 · 1935.4 |
| Conservation | Toledo Museum of Art |
| Your reproduction | Handmade oil painting on canvas |
In your interior
Straw yellow, ocher, turquoise, lavender blue and deep green bring light to a living room, dining room or large panoramic wall.
Frequently asked questions
No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.
The official IIIF image of 2000 × 1577 px was encoded as a true WebP at its native definition, without frame and without artificial enlargement.
Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.
Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.
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