Poppy field W593 - Claude Monet

Poppy field W593 - Claude Monet

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Poppy field W593 - Claude Monet

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Poppy field W593 - Claude Monet
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Poppy field W593 - Claude Monet

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Comprendre les formats

Trois rendus pour une même œuvre

Claude Monet · Vétheuil · 1880 · W593

Poppy field W593hand painted reproduction

A carpet of red poppies rises from the lower edge towards a village partially hidden by trees. A thin poplar stands on the left, while a softer group occupies the center under a vast blue sky covered with white and gray clouds. Signed and dated 1880, this vertical format of 73 × 60 cm belongs to the Emil Bührle collection, on deposit at the Kunsthaus Zürich under number BU 0180, and corresponds to Wildenstein 593.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Poppy field W593 - Claude Monet - full view
Poppy field W593Claude Monet · 1880
1880Dating
73 × 60 cmDimensions of the original
Oil on canvasOriginal technique
BU 0180 · Wildenstein 593Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The red field leads from the foreground to the houses of Vétheuil

The vertical format gives the flowers an unusual depth. The poppies are larger and more scattered in the lower part, then tighten as the land joins the buildings; this reduction builds space without a marked path.

The trees stand between the field and the village. Their emerald greens, blues and grays reveal some walls and roofs, while the sky receives wider and lighter touches which give moving light to the entire scene.

Poppies are never described petal by petal: their bright reds become rhythm units that bring the field closer together, distribute light and lead to the village.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A foreground filled with red signs

Touches of vermilion vary in size and orientation. Their irregularity prevents the repetitive decorative effect and gives the field the appearance of vegetation crossed by the air.

02

Trees that mask rather than frame

The large central bouquet hides part of the architecture. This superposition makes the scene inhabited without transforming the houses into the main subject.

03

A sky built by colored plates

Blues, pearl gray, roses and creams juxtapose in diffuse clouds. Their movement responds to the touches of the field while keeping the upper half bright.

Reference image

Read this specific version

The single reference image is kept at its native definition of 982 × 1,200 px then encoded in real WebP, without artificial enlargement.

Composition01

Preserve the vertical format and depth of field

The large expanse of flowers is essential at W593. Horizontal cropping would reduce movement from nearby poppies to homes.

Color02

Keep the red bright but discontinuous

Accents should remain separated by greens and blues. A uniform red stripe would remove the feeling of light and depth.

Matter03

Keep the village partially hidden

Buildings appear between trunks and foliage. Making them too clear would shift the interest of the field towards an architectural view.

Documented benchmarks

Three pieces of information specific to this work

The Kunsthaus Zürich documents Poppy Field, also linked to the title Poppy Field near Vétheuil, oil on canvas from 1880, 73 × 60 cm, BU 0180 and Wildenstein 593.

Location01

The surroundings of Vétheuil

Monet lived in the village from 1878 to 1881. Fields, hillsides and houses visible through the trees became regular motifs of this period.

Identification02

Wildenstein 593, signed and dated lower left

The signature "Claude Monet 1880", the vertical format and the layout of the village behind the poplars make it possible to identify this precise version.

Collection03

Emil Bührle Collection, long-term loan

The work is numbered BU 0180 and has been presented as a long-term deposit at the Kunsthaus Zürich since 2021.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 593 version
  • The large vertical field of poppies
  • The thin poplar on the left
  • The houses of Vétheuil behind the trees

Work sheet

Title Poppy field W593
Artist Claude Monet (1840 -1926)
Date 1880
Original technique Oil on canvas
Dimensions 73 × 60 cm
Orientation Vertical
Conservation Emil Bührle collection, deposit at the Kunsthaus Zürich, Zurich, Switzerland
Inventory BU 0180 · Wildenstein 593
Your reproduction Handmade oil painting on canvas
Consult the collection sheet - Kunsthaus Zürich · BU 0180

Presentation in your interior

A palette designed with the room

This vertical landscape is suitable for an entrance, a bedroom or a narrow section of wall. A sky blue, deep green or earth pink background and a matte gold frame accompany the liveliness of the field.

W593 poppy field, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

Claude Monet Decorative Paintings Flower paintings and bouquets

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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