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Poppy field W677 - Claude Monet

Poppy field W677 - Claude Monet

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Poppy field W677 - Claude Monet

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Poppy field W677 - Claude Monet
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Poppy field W677 - Claude Monet

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Claude Monet · Vétheuil · 1881 · W677

Poppy field W677hand painted reproduction

A meadow dotted with poppies rises towards a line of trees under a blue sky covered with clouds. Painted in Vétheuil in 1881, this oil on canvas measuring 58 × 79 cm is kept at the Museum Boijmans Van Beuningen in Rotterdam under number 2611 (MK) and corresponds to Wildenstein 677.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Poppy field W677 - Claude Monet - full view
Poppy field W677Claude Monet · 1881
1881Dating
58 × 79 cmDimensions of the original
Oil on canvasOriginal technique
2611 (MK) · Wildenstein 677Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Poppies transform the field into a colorful rhythm

Monet lowers the horizon so that the meadow occupies almost two thirds of the canvas. The red flowers form neither bouquets nor rows: they appear in spaced touches, wider in the foreground and tighter as the ground rises.

To the right, a large dark tree balances the opening of the sky. The yellow greens of the grass, the blues of the distance and the pure reds of the flowers circulate without closed contours. A few tiny silhouettes give the scale of the landscape without interrupting its continuity.

In W677, the poppy is not described flower by flower: each red accent measures the depth of the field and makes the vibration of summer visible.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A horizon placed very high

The grassy slope invades the visual field and brings the viewer closer to the motif. However, the sky retains enough space to let the trees breathe and illuminate the whole.

02

Red as a depth tool

The scarlet touches in the foreground are more distinct; in the distance, they become small dots. This variation in size constructs distance without drawn perspective.

03

The tree as a counterweight

The vertical mass on the right retains the composition. Its deep greens respond to the groves of the horizon and prevent the clear meadow from appearing uniform.

Reference image

Read this specific version

The sheet uses a single exact image of W677. The file is a real WebP of 3,000 × 2,194 px, reduced from a source of 5,209 × 3,809 px and never artificially enlarged.

Composition01

Respect the dispersion of flowers

Poppies should remain irregular, with visible green intervals. Too regular decorative distribution would remove the sensation of a field observed on the spot.

Color02

Preserve the diversity of greens

The meadow mixes yellow, olive, emerald and blue. A single green would crush the planes and cause the light circulating between the grass to lose.

Matter03

Keep the red touches sharp

The flowers are placed in brief accents, sometimes almost pure. They should neither be surrounded nor melted in the foliage, because their relative sharpness animates the entire surface.

Documented benchmarks

Three pieces of information specific to this work

The Museum Boijmans Van Beuningen documents this Poppy Field from 1881, oil on canvas of 58 × 79 cm, inventory 2611 (MK) and Wildenstein catalog 677.

Location01

A painting made in Vétheuil

The museum's notice places the execution in Vétheuil, a village in the Seine valley where Monet lived from 1878 to 1881. The sloping fields become a laboratory of light and color.

Acquisition02

The DG van Beuningen collection

The work entered the museum in 1958 with the collection of the industrialist and patron Daniël George van Beuningen. Its number 2611 (MK) precisely fixes this version.

Pattern03

Flowers reduced to luminous touches

The museum highlights how poppies are rendered with small, bright accents. Their role is as much spatial as botanical: they chant the meadow to the horizon.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 677 version
  • The clear slope that occupies the foreground
  • Red poppies of decreasing size
  • The large dark tree that balances the right side

Work sheet

Title Poppy field W677
Artist Claude Monet (1840 -1926)
Date 1881
Original technique Oil on canvas
Dimensions 58 × 79 cm
Orientation Horizontal
Conservation Museum Boijmans Van Beuningen, Rotterdam, Netherlands
Inventory 2611 (MK) · Wildenstein 677
Your reproduction Handmade oil painting on canvas
Consult the official notice - Museum Boijmans Van Beuningen · 2611 (MK)

Presentation in your interior

A palette designed with the room

This range of fresh green, light blue and red is suitable for a living room, bedroom or bright entrance. A linen, off-white or sage green wall and natural wood extend its summer atmosphere.

W677 poppy field, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

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The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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