Chrysanthemums W634 - Claude Monet

Chrysanthemums W634 - Claude Monet

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Chrysanthemums W634 - Claude Monet

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Chrysanthemums W634 - Claude Monet
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Chrysanthemums W634 - Claude Monet

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Claude Monet · still life floral · 1882 · W634

Chrysanthemums W634hand painted reproduction

A bouquet of pink, white and red chrysanthemums rises above a dark vase placed on a reflective table. The flowers are not aligned: they overflow, fall and are superimposed in a luminous mass which occupies almost the entire canvas. Signed and dated 1882, this oil on canvas measuring 100.3 × 81.9 cm is kept at the Metropolitan Museum of Art under number 29.100.106 and corresponds to Wildenstein 634.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Chrysanthemums W634 - Claude Monet - full view
Chrysanthemums W634Claude Monet · 1882
1882Dating
100.3 × 81.9 cmDimensions of the original
Oil on canvasOriginal technique
29.100.106 · Wildenstein 634Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A monumental bouquet shaped by color

The black-brown vase is placed in the low center and partially disappears in its own reflection. Above, the stems spread out in a fan shape. The lighter flower heads form a large irregular triangle, with a dark red flower near the center that focuses the gaze.

The blue-gray background is not uniform: clear passages surround the flowers, while the edges become deeper. On the table, the roses, whites and greens of the bouquet are repeated in blurred touches. This continuity transforms the surface into a luminous extension of the floral arrangement.

Monet gives still life the scale of a landscape: flowers become masses of light, foliage builds depth, and the table plays the role of reflective water.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A deliberately asymmetrical floral silhouette

The bouquet widens further to the left and several flowers fall on the sides. This irregularity avoids the frozen decorative effect and suggests an arrangement observed as it begins to unfold.

02

Petals constructed without prior drawing

Chrysanthemums are rendered by short touches of white, pink, coral, carmine and yellow. Their volume arises from the contrast between these marks and the darker foliage, not from a precise outline.

03

The reflection as a second bouquet

The table takes up the colors of the composition in a more fluid form. This reflection widens the base, connects the vase to the bottom edge and adds a brilliant depth without introducing other objects.

Reference image

Read this specific version

A single exact image of W634 is used throughout the file and as the sole media for the product. The real WebP measures 1,638 × 1,986 px, preserved in its useful native definition without artificial enlargement.

Composition01

Keep the red flower as an anchor

This dark and warm note stabilizes the center of the bouquet. It should neither disappear among the roses nor become too clear a circle.

Color02

Preserve white diversity

The light flowers mix cream, blue, yellow and pink. A uniform white would erase their relief and cut the bouquet from the gray blue atmosphere of the background.

Matter03

Keep the vase and its reflection distinct but linked

The container remains dark and compact, while the reflection is more open and colorful. This difference in material is essential to the readability of the bottom of the canvas.

Documented benchmarks

Three pieces of information specific to this work

The Metropolitan Museum of Art preserves Chrysanthemums, oil on canvas signed and dated 1882, 100.3 × 81.9 cm, inventory 29.100.106 and catalog Wildenstein 634.

Flowers01

One of around twenty floral still lifes from 1878 to 1883

The Met places this painting in a set of around twenty bouquets made by Monet during this period. He explores color and touches it on a scale comparable to that of his landscapes.

Exhibitions02

Presented in Paris in 1883 then in Brussels in 1886

The painting appeared at the personal exhibition organized at Durand-Ruel in Paris in 1883 with the Bouquet de sunflowers, then it was shown at the XX exhibition in Brussels in 1886.

Collection03

Legacy of Louisine Havemeyer in 1929

The work belongs to the HO Havemeyer collection. She entered the Metropolitan Museum of Art by bequest from Mrs. HO Havemeyer and is numbered 29.100.106.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 634 version
  • The monumental pink, white and red bouquet
  • The dark vase in the lower center
  • Colorful reflections on the table

Work sheet

Title Chrysanthemums W634
Artist Claude Monet (1840 -1926)
Date 1882
Original technique Oil on canvas
Dimensions 100.3 × 81.9 cm
Orientation Vertical
Conservation Metropolitan Museum of Art, New York, United States
Inventory 29.100.106 · Wildenstein 634
Your reproduction Handmade oil painting on canvas
Consult the official notice - Metropolitan Museum of Art · 29.100.106

Presentation in your interior

A palette designed with the room

This vertical still life is suitable for a dining room, living room or entrance. A slate blue, mineral or cream pink wall and a dark setting reinforce its balance between bright bouquet and deep background.

Chrysanthemums W634, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

Claude Monet Decorative Paintings Decorative Still Lifes

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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