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Iris, National Gallery NG6383 W1829 - Claude Monet

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Iris, National Gallery NG6383 W1829 - Claude Monet

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Iris, National Gallery NG6383 W1829 - Claude Monet

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Iris, National Gallery NG6383 W1829 - Claude Monet

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Claude Monet · circa 1914 -1917 · National Gallery NG6383 · W1829

Iris, National Gallery NG6383 W1829hand painted reproduction

A pale path winds between large masses of purple and blue irises. The view is so high that it seems adopted from the Japanese bridge of Giverny: the flowers, leaves and ground unfold almost vertically. On this two-meter canvas, Monet works quickly, revealing in places the white preparation under the gestures green, mauve and turquoise.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Iris, National Gallery NG6383 W1829 - Claude Monet - full view
Iris, National Gallery NG6383 W1829Claude Monet · around 1914 -1917
around 1914 -1917Dating
200.7 × 149.9 cmDimensions of the original
Oil on canvasOriginal technique
NG6383 · Wildenstein 1829Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Seen from above, a winding driveway passes through painted purple, blue and green irises with spectacular freedom

The path starts in the lower part, narrows in the center then goes up to the left. Its light color is not uniform: pink, beige, blue and white mingle. This flexible line gives depth to the vertical format and separates the groups of flowers without enclosing them in fixed contours.

Irises form masses rather than bouquets described petal by petal. Blues and purples dominate, crossed by acidic greens and some warm accents. In the lower right corner, the keys become particularly fluid and swirling, as if the soil and vegetation were changing consistency.

The path brings distance, but the large layers of iris constantly bring the gaze back to the surface and to the material of the brush.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

An unusual diving viewpoint

The National Gallery compares this view to a position on the Japanese bridge. The absence of horizon and the strong diving transform the garden into a vertical field where we hesitate between real depth and painted surface.

02

Deliberately fast execution

The path was laid before the flowery borders, which then pass over its edges. The white preparation remains visible in several places: it is part of the light and should not be filled artificially.

03

Thick, direct colors

Purples, blues and greens are applied in frank, sometimes rough gestures. A faithful reproduction must regain this energy without smoothing the passages or transforming each flower into a regular decorative motif.

Reference image

Read this specific version

The single reference image is provided by the National Gallery's official IIIF server. Its maximum public native definition is 601 × 800 px; it was converted into a real WebP without any artificial enlargement.

Composition01

A monumental and vertical canvas

The height of 200.7 cm gives the floral masses an almost bodily scale. The narrow path becomes the only interval where the gaze can circulate between them.

Color02

Irises suggested by color

Monet does not repeat a specific botanical form. A few touches of blue, purple or pink above the greens are enough to make the flowers appear in a moving whole.

Matter03

Preparation white as light

The areas left uncovered lighten the quickest passages. They are neither gaps nor added reflections, but a material element of the construction of the painting.

Documented benchmarks

Three pieces of information specific to this work

These landmarks concern the Iris of the National Gallery, inventory NG6383 and Wildenstein 1829.

Identification01

National Gallery NG6383, W1829

Painted around 1914 -1917, this oil on canvas measures 200.7 × 149.9 cm. It belongs to a group of approximately twenty iris views taken around the Giverny basin.

A work that remained in the workshop02

The painting was still in Monet's house when he died

The National Gallery says the artist may not have considered the painting finished. It remained in his studio, then belonged to his son Michel Monet before moving to Katia Granoff.

Acquisition by the National Gallery03

Purchased in 1967

The museum acquired the work from merchant Katia Granoff in 1967 thanks to Grant-in-Aid. It has since been numbered inventory NG6383.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version from the National Gallery, NG6383 and Wildenstein 1829
  • The original monumental vertical format of 200.7 × 149.9 cm
  • The winding path preserved beneath the iris borders
  • Purples, blues and greens preserved with passages of white preparation

Work sheet

Title Iris, National Gallery NG6383 W1829
Artist Claude Monet (1840 -1926)
Date around 1914 -1917
Original technique Oil on canvas
Dimensions 200.7 × 149.9 cm
Orientation Vertical
Conservation The National Gallery, London, United Kingdom
Inventory NG6383 · Wildenstein 1829
Your reproduction Handmade oil painting on canvas
Consult the official notice - The National Gallery

Presentation in your interior

A palette designed with the room

Deep purple, ultramarine blue, emerald green, turquoise and pinkish beige give this vertical reproduction a very contemporary presence. It is suitable for a high wall, an entrance or a clear living room, with a sober frame and side light.

Iris, National Gallery NG6383 W1829, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
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Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

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The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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