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Iris - Claude Monet

Iris - Claude Monet

Atelier spécialisé Peint à la main Photo avant envoi Retouches incluses
Iris - Claude Monet

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Iris - Claude Monet
Dimensions et finition sélectionnées Simulation d’échelle · décor indicatif

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Iris - Claude Monet

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Comprendre les formats

Trois rendus pour une même œuvre

Claude Monet · 1924 -1925 · a vertical iris from the last Giverny

Irishand painted reproduction

Two small purple flowers appear at the end of very thin stems, surrounded by leaves which describe large green arches on a lilac background: the sobriety of the pattern makes each direction of touch decisive.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Iris - Claude Monet - full view
IrisClaude Monet · 1924 -1925
1924 - 1925Dating
105 × 73 cmDimensions of the original
Oil on canvasOriginal technique
5076Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Two purple flowers punctuate a large vertical movement

Preserved at the Marmottan Monet Museum under number 5076, Iris adopts a narrow vertical format. Monet cuts the plants by the edges, as if the composition were a fragment taken from a much larger floral ensemble.

The main flower descends slightly below the center. A second, smaller purple note appears near the upper edge. Around them, the leaves not only describe the plant: their curves organize a slow movement, from the dark mass of the lower left to the light area of the right.

The rarity of flowers gives all its importance to the lilac void: it is in this open space that the long leaves can deploy their movement.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

Analysis of Iris - Claude Monet
01

An unusual vertical format

The height of the canvas amplifies the slenderness of the leaves. The plant does not rest in the center: it enters through the edges and crosses space.

02

Two flowers for the whole composition

The purple notes are small but very far apart. This distance forces the eye to travel the large green curves.

03

An active lilac background

The background mixes white, pink, blue and purple. It is not a flat surface: its touches respond to the foliage and give an atmospheric depth.

Details and visual documents

Observe the material and the exact version

The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.

The two purple apparitions - detail by Iris - Claude Monet
The two purple apparitionsThis cropping brings the flowers together and shows how their pinks, purples and whites stand out without a clear outline against the light background.
The large curls of the foliage - detail by Iris - Claude Monet
The large curls of the foliageIn the lower part, greens, blues and browns form powerful arches. They give weight to the plant without closing the composition.

The official source reaches 1500 × 2242 px. Details of 1000 × 1100 px and 1050 × 1000 px are native cropping. All three files are true WebPs, with no oversampling.

Documented benchmarks

Three pieces of information specific to this work

These facts concern this precise version and are verified from the notice of the institution which keeps it.

Subject01

A fragment of the Giverny garden

Painted between 1924 and 1925, Iris transforms a few flowers and long leaves into an autonomous composition, almost detached from any landscape landmarks.

Format02

A canvas of 105 × 73 cm

The vertical format distinguishes this work from the large horizontal floral panels of the same period. It corresponds to Wildenstein number 1841.

Collection03

Inventory 5076 at the Marmottan Museum

The work entered the museum through the bequest of Michel Monet in 1966. The notice indicates on the back of the chassis the mark of the Claude Monet workshop.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact position of the two small purple flowers
  • The long sheets that cross the vertical format
  • The turquoise greens, browns and blues of the foreground
  • The transparency of the lilac background without making it uniform

Work sheet

Title Iris
Artist Claude Monet (1840 -1926)
Date 1924 - 1925
Original technique Oil on canvas
Dimensions 105 × 73 cm
Orientation Vertical
Conservation Marmottan Monet Museum, Paris, France
Inventory 5076
Your reproduction Handmade oil painting on canvas
Consult the official notice - Marmottan Monet Museum

Presentation in your interior

A palette designed with the room

The vertical format easily finds its place between two openings, on a narrow section of wall or in a composition of paintings. Its lilacs and greens combine with off-white, light wood and bluish gray.

Iris, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

Claude Monet Claude Monet's Garden Flower paintings and bouquets

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Choose how your artwork comes to life

Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

Même artiste

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