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Asters W627 - Claude Monet

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Asters W627 - Claude Monet

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Asters W627 - Claude Monet

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Asters W627 - Claude Monet

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Claude Monet · Vétheuil · 1880 · W627

Asters W627hand painted reproduction

A bouquet of white, purple and yellow asters overflows from a blue and white vase placed on a dark red round table. The flowers occupy more than half of the canvas and stand out against a golden brown background covered with free touches. Painted in 1880, this 83.2 × 68 cm oil on canvas is kept at the Los Angeles County Museum of Art under the number M.2025.64.19 and corresponds to Wildenstein 627.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Asters W627 - Claude Monet - full view
Asters W627Claude Monet · 1880
1880Dating
83.2 × 68 cmDimensions of the original
Oil on canvasOriginal technique
M.2025.64.19 · Wildenstein 627Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Autumn bouquet bursts over Japanese vase

The radiant flower heads accumulate into an almost spherical mass, wider than the vase. A few stems escape towards the edges, while the vertical reflection of the container appears on the dark surface of the table.

The white petals receive blue, pink, yellow and gray. The deep foliage serves as shade between the flowers. The cold vase and the red table create two colorful supports under the bouquet.

Each aster is a small explosion of touches, but the whole thing is held together by the dark mass of leaves, the narrow vase and the red circle of the table.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A deliberately overflowing floral mass

The bouquet goes well beyond the vase and approaches the upper edges. This magnitude transforms still life into an almost monumental presence.

02

The Japanese vase as a vertical axis

Its blue and white decor brings the stems together and offers a cold counterpoint to the browns at the bottom and the red of the table.

03

Petals painted in fragments

Monet does not enclose flowers in contours. Light touches radiate around yellow or brown centers and mingle with the foliage.

Reference image

Read this specific version

The only reference image of LACMA is a real WebP of 2,100 × 2,560 px preserved at its native definition, without artificial enlargement.

Composition01

Maintain the diversity of asters

Flowers should vary in size, orientation and color, with warm, cool whites rather than a repeated pattern.

Color02

Preserve the reflection of the vase on the table

This light vertical passage connects the object to the dark red surface and gives depth to the bottom of the composition.

Matter03

Keep the brown background nuanced

It mixes ocher, gray, green and red and should not be replaced by a uniform dark solid.

Documented benchmarks

Three pieces of information specific to this work

LACMA documents Asters, oil on canvas from 1880, 83.19 × 67.95 cm, donation from the A. Jerrold Perenchio collection, inventory M.2025.64.19 and Wildenstein 627 catalog.

Period01

The large set of still lifes from 1880-1882

Monet then painted several large canvases, each devoted to a floral species, including sunflowers, chrysanthemums and these autumn asters.

Japonism02

A vase linked to Monet's taste for Japanese ceramics

LACMA brings its shape and decor closer to the creations of Makuzu Kôzan, noticed at the Paris Universal Exhibition of 1878.

Collection03

The Don A. Jerrold Perenchio

The work joined the Los Angeles County Museum of Art with this important impressionist and modern collection and bears inventory M.2025.64.19.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 627 version
  • White and purple asters
  • The blue and white Japanese vase
  • The dark red round table

Work sheet

Title Asters W627
Artist Claude Monet (1840 -1926)
Date 1880
Original technique Oil on canvas
Dimensions 83.2 × 68 cm
Orientation Vertical
Conservation Los Angeles County Museum of Art, Los Angeles, United States
Inventory M.2025.64.19 · Wildenstein 627
Your reproduction Handmade oil painting on canvas
Consult the official notice - LACMA · M.2025.64.19

Presentation in your interior

A palette designed with the room

This vertical still life is suitable for a dining room, living room or entrance. An ocher, olive green or cream wall and a matte gold frame extend its warmth.

Asters W627, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

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The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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