A field woven with gestures
Short brushstrokes fit together like stitches. Greens never form a flat surface: emerald, celadon, blue and yellow describe each movement.
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3 · Mise en situation
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Comprendre les formats
Vincent van Gogh · 1890 · Auvers-sur-Oise, France
A green field fills almost the entire canvas, crossed by waves of curved touches and punctuated with yellow flowers. To the right, a pale road rises towards the horizon under a turquoise sky laden with clouds.
Look at the work
In the foreground, the plants are described by emerald green, dark blue and yellow commas. Their direction changes in successive bands, as if the wind were rippling the surface of the field.
The clear road appears on the right edge and joins the horizon in the middle of the canvas. Above, white, lilac and blue clouds rotate in a turquoise sky. No character, important tree or building distracts attention from this dialogue between vegetation and air.
Van Gogh reduces the landscape to three elements - field, path and sky - then gives them continuous energy by repeating the key.
Composition, touch and color
The work 2013.122.1 can be recognized by its large mass of green wheat, the pale road which runs along the right and the coiled clouds which occupy the upper half.
Short brushstrokes fit together like stitches. Greens never form a flat surface: emerald, celadon, blue and yellow describe each movement.
The light strip on the right offers a limit to the tumult of plants. Its calm route leads to the point where field and sky meet.
The curves of the sky respond to the waves of wheat. The air therefore seems to cross the entire canvas rather than remaining separated from the ground.
Documented benchmarks
The National Gallery of Art preserves Green Wheat Fields in Auvers under inventory 2013.122.1. The oil on canvas measures 72.39 × 91.44 cm and corresponds to catalogs F807 and JH1980.
The museum notice highlights the absence of a readable narrative motif: neither peasant, nor cart, nor architecture. The flora, the path and the sky alone carry the composition.
In Auvers, Van Gogh found the cooler colors of northern France. Here, yellows do not dominate; they burst in small touches in a green range.
After belonging to Curt Herrmann and then Paul Mellon, the painting entered the National Gallery of Art in 2013 thanks to Rachel Lambert Mellon.
Your reproduction
The painter must preserve the variety of greens, the calligraphic undulations of the wheat and the continuity of movement between the field and the clouds.
| Title | Green wheat fields in Auvers |
|---|---|
| Artist | Vincent van Gogh (1853 -1890) |
| Date | 1890 |
| Place of creation | Auvers-sur-Oise, France |
| Original technique | Oil on canvas |
| Dimensions | 72.39 × 91.44 cm |
| Inventory | 2013.122.1 · F807 · JH1980 |
| Conservation | National Gallery of Art, Washington |
| Your reproduction | Handmade oil painting on canvas |
In your interior
The horizontal format is suitable above a sofa or sideboard. Greens, turquoise and whites accompany light oak, natural linen and cream, pearl gray or very pale blue walls.
Frequently asked questions
No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.
The National Gallery of Art Open Access file measures 4,000 × 3,139 px. It was prepared as a real WebP of 3,000 × 2,354 px.
Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.
Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.
Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.
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A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
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A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
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An artist recreates your chosen artwork by hand in oil paint on canvas. Brushwork and small variations make each reproduction individual; it is not a digital print.
Choose your own local framer to prepare the finished painting for display.
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