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Poppy field W677 - Claude Monet

Poppy field W677 - Claude Monet

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Poppy field W677 - Claude Monet

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Poppy field W677 - Claude Monet
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Poppy field W677 - Claude Monet

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Claude Monet · 1881 · Poppy field · W677

Poppy field W677hand painted reproduction

A field of poppies crosses the entire width of the canvas under a vast pale sky, interrupted by a narrow poplar tree and a few trees lower on the horizon. This oil on canvas measuring 58 × 79 cm, painted in 1881, is kept at the Museum Boijmans Van Beuningen under number 2611 (MK).

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Poppy field W677 - Claude Monet - full view
Poppy field W677Claude Monet · 1881
1881Dating
58 × 79 cmDimensions of the original
Oil on canvasOriginal technique
2611 (MK) · Wildenstein 677Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Red keys are enough to make the whole field appear

The horizon is low and leaves an unusual place for the sky. The poplar tree placed to the right of the center rises alone in this opening, while the line of trees and buildings remains reduced to a blue and green frieze.

Poppies are just small red, orange and pink marks placed on a network of greens and blues. Their density varies from foreground to distance and creates depth without paths or figures.

In W677, Monet demonstrates that a field can arise from colored ratios: a few red touches, cold greens and a vertical silhouette are enough to organize the space.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A sky that occupies almost half of the canvas

The large, clear space gives the field a feeling of expanse and makes the poplar particularly visible. The composition is based on this contrast between low horizon and isolated vertical.

02

Flowers reduced to their optical effect

The museum emphasizes that poppies are simple touches of light. Monet describes neither petals nor stems: the irregular repetition of red makes one perceive flowering from a distance.

03

The Rotterdam version, W677

The format of 58 × 79 cm, inventory 2611 (MK) and the reference Wildenstein 677 precisely identify this canvas painted in 1881 and entered the museum with the Van Beuningen collection.

Reference image

Read this specific version

Only one reference image is used. Exact high definition scanning of W677 is converted to true 3000 × 2194 px WebP, without artificial enlargement.

Composition01

A unique vertical in a horizontal landscape

Thin poplar gives scale to the sky and prevents landscape bands from becoming static. Its slight irregularity and off-center position must remain accurate.

Color02

Reds that breathe between the greens

Poppy touches are separated by blue-green intervals. If they become a continuous red band, the field loses its vibration and depth.

Matter03

A finer touch towards the horizon

In the foreground, the marks are long and distinct; in the distance, they tighten and blend together. This decrease replaces the traditional perspective.

Documented benchmarks

Three pieces of information specific to this work

The Museum Boijmans Van Beuningen preserves Poppy Field, oil on canvas from 1881, 58 × 79 cm, inventory 2611 (MK) and Wildenstein 677.

Period01

The landscapes of Vétheuil

In 1881, Monet still lived in Vétheuil and worked the surrounding fields, banks and plateaus. Ordinary patterns become laboratories of light and color.

Collection02

DG van Beuningen

The museum acquired the work in 1958 with the collection of the industrialist and collector Daniël George van Beuningen. Today it belongs to the modern art department.

Conservation03

Work currently in reserve

The notice from the Museum Boijmans Van Beuningen indicates that the painting is not permanently presented. Its 2611 (MK) inventory remains the exact reference for this version.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version 2611 (MK), Wildenstein 677
  • The original format of 58 × 79 cm
  • The isolated poplar tree that crosses the vast sky
  • The small red touches spaced in the blue-green field

Work sheet

Title Poppy field W677
Artist Claude Monet (1840 -1926)
Date 1881
Original technique Oil on canvas
Dimensions 58 × 79 cm
Orientation Horizontal
Conservation Museum Boijmans Van Beuningen, Rotterdam, Netherlands
Inventory 2611 (MK) · Wildenstein 677
Your reproduction Handmade oil painting on canvas
Consult the official notice - Museum Boijmans Van Beuningen · 2611 (MK)

Presentation in your interior

A palette designed with the room

This horizontal landscape brings a luminous breath to a living room, bedroom or office. An off-white wall, light wood and some earth red or gray blue accents accompany the palette without saturating it.

W677 poppy field, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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