Transparency without illusionism
A few turquoise lines are enough to describe the glass. Van Gogh does not seek a smooth finish: reflections are colored signs which remain perfectly visible.
2 · Exemple de la sélection
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Préparation de la sélection…
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3 · Mise en situation
Reproduction d’art premium
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Imprimez l’œuvre chez vous ou auprès de l’imprimeur de votre choix, ou utilisez la version écran sur ordinateur, tablette et téléphone.
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Comprendre les formats
Vincent van Gogh · June 1890 · Auvers-sur-Oise, France
In a transparent stemmed glass, Van Gogh brings together a few stems of blue bellflowers, white flowers and small red touches. The bouquet appears fragile and almost improvised in the face of a largely brushed gray-blue background.
Look at the work
The narrow glass is placed slightly to the right of center. Its base and cut are drawn by turquoise contours, white reflections and a few brown touches which reveal the bottom through the container.
The stems fan out towards the upper edge. The blue bells group together on the right, a red flower punctuates the top and the green leaves fall around the glass. A curved line separates the very light table from the gray-blue wall.
The almost transparent glass and the space left empty give this still life an unusual breath, despite the visible vigor of each brushstroke.
Composition, touch and color
The F589 work can be recognized by its stemmed glass, its blue bellflowers, the large white table and the gray background constructed by vertical and horizontal hatching.
A few turquoise lines are enough to describe the glass. Van Gogh does not seek a smooth finish: reflections are colored signs which remain perfectly visible.
The flowers mainly occupy the right part while a long stem goes to the left. This asymmetry makes the arrangement spontaneous and opens up large areas of background.
The cream whites reveal the texture of the canvas and the repetitions of the brush. This calm surface accentuates the finesse of the glass base.
Documented benchmarks
Flowers in a Glass is a 41.3 × 33.3 cm oil on canvas painted in Auvers in June 1890. Listed under F589 and JH2033, it is currently kept in a private collection.
At the 2020 Sotheby's sale, the house indicated that the authenticity of the work had been confirmed by the Van Gogh Museum in Amsterdam.
Old catalogs sometimes dated it from 1888. More recent research now links it to the small group of floral still lifes painted in Auvers in 1890.
Seized from Alfred Lindon during the Occupation, the work was recovered after the war then returned to his heir Jacques Lindon before joining several American collections.
Your reproduction
Reproduction must retain the graphic transparency of the glass, the cold blues of the flowers and the large clear reserves, without artificially thickening the stems.
| Title | Flowers in a glass |
|---|---|
| Artist | Vincent van Gogh (1853 -1890) |
| Date | June 1890 |
| Place of creation | Auvers-sur-Oise, France |
| Original technique | Oil on canvas |
| Dimensions | 41.3 × 33.3 cm |
| Inventory | F589 · JH2033 |
| Conservation | Private collection |
| Your reproduction | Handmade oil painting on canvas |
In your interior
The small vertical format is suitable for a bedroom, entrance or frame composition. Blue gray, sea green and off-white match bright interiors and pale woods.
Frequently asked questions
No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.
The high definition sales photograph measures 1,621 × 2,000 px. It has been converted into a real WebP without artificial enlargement.
Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.
Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.
Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.
Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.
Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.
Explore the topics and styles associated with this reproduction.
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A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
A slim, traditional frame that keeps attention on the artwork.
A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
Choose a Box frame for a deeper profile and a more pronounced presence on the wall.
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Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
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An artist recreates your chosen artwork by hand in oil paint on canvas. Brushwork and small variations make each reproduction individual; it is not a digital print.
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An artist recreates your chosen artwork by hand in oil paint on canvas. Brushwork and small variations make each reproduction individual; it is not a digital print.
Choose your own local framer to prepare the finished painting for display.
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