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The Iris, F601 - Vincent van Gogh

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The Iris, F601 - Vincent van Gogh

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The Iris, F601 - Vincent van Gogh

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The Iris, F601 - Vincent van Gogh

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Vincent van Gogh · May 1889 · Saint-Rémy-de-Provence

The Iris, F601Reproduction of oil painting on canvas

A vertical and very close study in which a purple flower dominates the long leaves, the buds still closed and the ground crossed by radiant touches.

Hand paintedOil on canvasA verified WebP imagePhoto validation
Iris F601 by Vincent van Gogh, National Gallery of Canada
The Iris, F601Vincent van Gogh · May 1889 · National Gallery of Canada, Ottawa
May 1889Dating
62.2 × 48.3 cmDimensions of the original
Oil on thinned cardboard, mounted on canvasOriginal technique
National Gallery of Canada, OttawaConservation
A real paintingThe canvas is hand painted, never printed.
Made to orderEach copy is created individually.
Controlled in photoYou review the completed table before sending.
Possible alterationsAdjustments may precede shipping.

Look at the work

An isolated plant becomes an entire landscape

Van Gogh lowers his gaze to the level of the massif and removes all horizon. The open iris, placed in the upper left half, is accompanied by several blue-purple buttons; the leaf blades occupy almost the entire width and anchor the plant in soil covered with greens, ochres and bluish grays.

Painted shortly after the artist's arrival in Saint-Paul-de-Mausole, this study should not be confused with the vast Iris F608 flowerbed kept at the Getty. Here, the vertical framing and concentration on a single foot give botanical observation an almost monumental intensity.

The subject seems modest, but the tight framing, blue contours and circular movement of the herbs transform a garden iris into an autonomous presence.

Composition, touch and color

Three observations specific to this painting

Loyalty is based on the scale of the plant, the circulation of touches and the contrast between the purple of the flower and the greens of the foliage.

01

A living axis

The flowering stem rises slightly to the left of the center while the leaves spread out in a fan shape. This asymmetrical balance must remain flexible: the plant stands up without becoming rigid.

02

Radiant touches

In grass and dirt, brushstrokes change direction around the foot. They create a centrifugal vibration that connects the flower to the entire field of the painting.

03

Purple versus green

The dark blue-purple of the iris stands out against the yellow and emerald greens. The small yellow accents of the soil reinforce this complementary contrast without competing with the flower.

Documented benchmarks

Precisely identify the original work

The support, format and catalog numbers make it possible to distinguish this study from the other irises painted by Van Gogh in Saint-Rémy.

Catalog

F601 · JH1699

These references refer to the vertical study of a single iris, not the large horizontal flowerbed F608 of the J. Paul Getty Museum.

Support

Cardboard on canvas

The original is painted in oil on thinned cardboard then mounted on canvas, a material detail preserved in the Ottawa notice.

Collection

Ottawa since 1954

The National Gallery of Canada purchased the work in 1954; its inventory number is 6294.

Consult the notice from the National Gallery of Canada →

Your reproduction

What the painter must preserve

This composition requires precise painting without drying the touch: the leaves structure the format, but the ground must maintain its rapid movement.

  • The exact position of the open flower and purple buds
  • The range of long leaves and their overlaps
  • The dark blue outlines that separate the greens without hardening them
  • The radiant movement of the little touches in the grass
  • The scattered yellow accents that awaken the palette

Work sheet

Title The Iris, F601
Artist Vincent van Gogh (1853 -1890)
Date May 1889
Place of creation Saint-Rémy-de-Provence
Original technique Oil on thinned cardboard, mounted on canvas
Dimensions 62.2 × 48.3 cm
Inventory National Gallery of Canada 6294 · F601 · JH1699
Conservation National Gallery of Canada, Ottawa
Your reproduction Handmade oil painting on canvas

From order to shipping

1
PreparationStudy of framing, proportions and colors.
2
Oil paintingManual production, layer after layer.
3
Photo validationChecking the table and requesting possible alterations.
4
Protected shippingCareful packaging and shipping with tracking.

In your interior

Bright greens enhanced with deep purple

The vertical format is suitable for a narrow wall, between two openings or above a compact piece of furniture. The plant palette provides depth without dominating a light room.

Frequently asked questions

Before ordering

Is this a canvas print?

No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.

How is the visual reference chosen?

Public domain digital reproduction was converted to WebP at 2,332 × 3,000 px, without artificial enlargement and retaining the proportions of the original.

Can I check the result before shipping?

Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.

Are custom formats possible?

Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.

The Iris, F601, painted for your interior

An oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.

Hand painted · Oil on canvas · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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