A bouquet larger than the vase
The floral mass overflows in all directions. The small round volume of the vase serves as an anchor for a deliberately profuse composition.
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Fine Art paper · magnetic wooden hangers
EMA 200 gsm paper, two pairs of magnetic wooden slats and a hanging cord.
Lifestyle illustration · indicative appearance
Magnetic wooden hangers with hanging cord.
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Standard delivery included. Charged in EUR. Local import charges may apply.
Rigid aluminium composite · 3 mm
Your artwork on a 3 mm aluminium composite panel. No frame, glazing or metallic border.
Lifestyle illustration · indicative appearance
3 mm aluminium composite panel with a concealed rear hanging system.
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High-gloss acrylic · 10 mm
Your artwork mounted behind 10 mm crystal-clear acrylic. Polished edges, a high-gloss surface and concealed rear mounting.
Lifestyle illustration · indicative appearance
High-gloss finish · clear polished edges · no frame or white border.
10 mm clear acrylic, polished edges and concealed rear hanging hardware.
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Budget poster · borderless
Your artwork printed on smooth 170 gsm Silk paper with water-based inks. Unframed.
Lifestyle illustration · indicative appearance
Smooth Silk paper · 170 gsm · edge-to-edge printing · unframed.
Delivered flat or rolled depending on size. Frame and fixings not included.
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Economy delivery included. Charged in EUR. Local import charges may apply.
Framed poster · self-assembly
Smooth Silk 150 gsm paper · high-density plastic wood-effect frame · acrylic glazing.
Lifestyle illustration · indicative appearance
Poster and frame supplied together for self-assembly.
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Claude Monet · Poissy · November 1882 · W812
An abundant bouquet of red, pink, yellow and white chrysanthemums springs from a green glass vase placed on an oblique table. This 95.3 × 70 cm oil on canvas was painted in Poissy in November 1882; it is identified as Wildenstein 812 and belongs to a private collection.

Look at the work
The round vase occupies the lower part, slightly offset. Above, the flowers extend to the edges without forming a regular outline; a few tall stems detach their heads against the blue-green background.
The purplish-red table, the green vase and the cold background create three complementary zones. The petals are constructed by rapid impasto where white, yellow, pink and vermilion remain visible.
W812 abandons the calm order of traditional still life: the flowers seem perceived in the moment, but their colorful expansion is carefully balanced.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
The floral mass overflows in all directions. The small round volume of the vase serves as an anchor for a deliberately profuse composition.
The purplish-red oblique edge creates depth and opposes the verticality of the stems. This inclination prevents still life from becoming frontal.
Christie's dates the painting to November 1882 and links it to letters sent by Monet to Durand-Ruel about a flower painting.
Reference image
Only one reference image is used. The best public file available is provided in real WebP of 516 × 721 px, without artificial enlargement.
Chrysanthemums are not drawn petal by petal. Their orientation, size and colored centers are enough to differentiate each head.
The green vase responds to the red table and orange flowers. These complements must remain intense without losing blue and purple nuances.
The petals bear the most charged impasto; the bottom and table are more widely brushed, which moves the bouquet forward.
Documented benchmarks
Christie's documents Vase of chrysanthemums, oil on canvas painted in Poissy in November 1882, 95.3 × 70 cm and Wildenstein 812.
The instructions indicate Monet on the frame and a Claude Monet signature stamp on the reverse, material elements specific to this canvas.
Between Vétheuil and Poissy, bouquets became a colorful testing ground and an important commercial source for Monet.
Acquired by the Booths in 1939, the painting remained in the family for approximately seventy years before the Christie's sale in 2010.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | W812 chrysanthemum vase |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | november 1882 |
| Original technique | Oil on canvas |
| Dimensions | 95.3 × 70 cm |
| Orientation | Vertical |
| Conservation | Private collection, work documented by Christie's |
| Inventory | Wildenstein 812 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
The vertical format and floral palette are suitable for a dining room, entrance or bedroom. A gray blue wall, dark wood and some olive green or terracotta details make the bouquet stand out.
Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.
Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.
Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.
Explorez les sujets et styles associés à cette reproduction.
Compare the finishes
Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.
A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
Choose this option if you want to arrange your own framing.
A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
A slim, traditional frame that keeps attention on the artwork.
A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
Choose a Box frame for a deeper profile and a more pronounced presence on the wall.
Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
A framed canvas with visible depth. Choose the frame colour and canvas edge in the configurator.
Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
Not ready to hang: have it stretched or framed locally before displaying it.
Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
A clean, frameless canvas presentation. Choose the canvas edge finish in the configurator.
An artist recreates your chosen artwork by hand in oil paint on canvas. Brushwork and small variations make each reproduction individual; it is not a digital print.
Your painting is delivered rolled. Arrange stretching or framing locally after receipt.
An artist recreates your chosen artwork by hand in oil paint on canvas. Brushwork and small variations make each reproduction individual; it is not a digital print.
Choose your own local framer to prepare the finished painting for display.
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