A deliberately flattened perspective
The gaze dominates the houses, but the planes overlap more than they recede. Roofs become interlocking colored surfaces.
2 · Exemple de la sélection
La photo principale correspond à la couleur de cadre choisie. Chaque couleur est illustrée par une œuvre d’exemple différente.
Préparation de la sélection…
Ces médias montrent uniquement la réalisation, le support, la texture et les finitions. L’œuvre commandée reste celle affichée dans les blocs bleus.
3 · Mise en situation
Reproduction d’art premium
Choisissez le tirage Fine Art, le canvas imprimé, la peinture à l’huile ou la version numérique.
Trois fichiers JPG haute résolution : le fichier original, une version optimisée pour l’impression et une version optimisée pour les écrans. Jusqu’à 7 680 px sur le côté long, 300 DPI et sans filigrane.
Imprimez l’œuvre chez vous ou auprès de l’imprimeur de votre choix, ou utilisez la version écran sur ordinateur, tablette et téléphone.
Produit numérique uniquement : aucun tableau ni cadre physique n’est expédié.
Après votre commande, les trois fichiers sont contrôlés puis envoyés manuellement par e-mail.
Comprendre les formats
Vincent van Gogh · May 1890 · Auvers-sur-Oise, France
From a high viewpoint, thatched, tiled and slate roofs pile up above a yellow path. Van Gogh reduces the depth to construct a dense mosaic of red, blue, green and brown shapes.
Look at the work
A large dark thatched roof fills the entire left edge. In the center, a white house with a red roof and a blue facade stand out between the gardens. Higher up, other roofs overlap under two plumes of clear smoke.
A yellow path descends towards the foreground, bordered by a blue-gray wall and a small red figure. The trees and fields of the distance are compressed against a turquoise sky covered with long curved touches.
The plunging view transforms the houses of Auvers into colorful patchwork, almost without separation between architecture and vegetation.
Composition, touch and color
Version 48.549 of the Museum of Fine Arts can be recognized by its vertical orientation, the large dark cottage on the left, the yellow path and the small red figure.
The gaze dominates the houses, but the planes overlap more than they recede. Roofs become interlocking colored surfaces.
Heat, tile, wall, vegetation and smoke each receive a particular touch direction. Texture replaces meticulous architectural detail.
The little red character placed on the path gives the measure of the buildings and constitutes a warm accent among the blues and greens.
Documented benchmarks
The Museum of Fine Arts in Boston preserves Maisons à Auvers under number 48.549. This oil on canvas of 75.6 × 61.9 cm, painted in May 1890, is cataloged F805 and JH1989.
The painting entered the museum in 1948 through the bequest of Boston collector John Taylor Spaulding.
MFA restorers removed varnish and dirt that modified the surface, making the palette readable.
In 2014, the public put her at the top of the vote for the Boston Loves Impressionism exhibition.
Your reproduction
The painter must preserve the unusual verticality of this version, the juxtaposition of the roofs and the little red character who animates the path.
| Title | Houses in Auvers |
|---|---|
| Artist | Vincent van Gogh (1853 -1890) |
| Date | May 1890 |
| Place of creation | Auvers-sur-Oise, France |
| Original technique | Oil on canvas |
| Dimensions | 75.6 × 61.9 cm |
| Inventory | 48.549 · F805 · JH1989 |
| Conservation | Museum of Fine Arts, Boston |
| Your reproduction | Handmade oil painting on canvas |
In your interior
This vertical format is suitable for a narrow wall, an entrance or a space between two windows. Reds, turquoise blues and yellows bring relief to light woods and sober walls.
Frequently asked questions
No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.
The public reference of 4,182 × 5,076 px was reduced to 2,472 × 3,000 px and then converted to a true WebP.
Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.
Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.
Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.
Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.
Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.
Explore the topics and styles associated with this reproduction.
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A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
Choose this option if you want to arrange your own framing.
A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
A slim, traditional frame that keeps attention on the artwork.
A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
Choose a Box frame for a deeper profile and a more pronounced presence on the wall.
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Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
Not ready to hang: have it stretched or framed locally before displaying it.
Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
A clean, frameless canvas presentation. Choose the canvas edge finish in the configurator.
An artist recreates your chosen artwork by hand in oil paint on canvas. Brushwork and small variations make each reproduction individual; it is not a digital print.
Your painting is delivered rolled. Arrange stretching or framing locally after receipt.
An artist recreates your chosen artwork by hand in oil paint on canvas. Brushwork and small variations make each reproduction individual; it is not a digital print.
Choose your own local framer to prepare the finished painting for display.
Your selected artwork
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Receive your selected artwork as three high-resolution JPG files, prepared to suit its orientation. Use them for printing or displaying the artwork on a screen.
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Same artist
Continuez avec des œuvres connues du même artiste, sélectionnées pour comparer les sujets, les formats et les ambiances sans mélanger avec les styles génériques.