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Self-portrait with palette, F626 - Van Gogh

Self-portrait with palette, F626 - Van Gogh

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Self-portrait with palette, F626 - Van Gogh

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Self-portrait with palette, F626 - Van Gogh
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Self-portrait with palette, F626 - Van Gogh

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Vincent van Gogh · August-September 1889 · Saint-Rémy-de-Provence

Self-portrait with palette, F626Reproduction of oil painting on canvas

Van Gogh represents himself in a painter's blouse, palette and brushes clenched in his hand. His pale green face, his red beard and his oblique gaze stand out against a blue background crossed by long radiant touches.

Hand paintedOil on canvasA verified WebP imagePhoto validation
Self-portrait with palette F626 by Vincent van Gogh, Saint-Rémy
Self-portrait with palette, F626Vincent van Gogh · August-September 1889 · National Gallery of Art, Washington
August-september 1889Dating
57.8 × 44.5 cmDimensions of the original
Oil on canvasOriginal technique
National Gallery of Art, WashingtonConservation
A real paintingThe canvas is hand painted, never printed.
Made to orderEach copy is created individually.
Controlled in photoYou review the completed table before sending.
Possible alterationsAdjustments may precede shipping.

Look at the work

The painter at work in front of a moving background

The bust faces to the left, but the eyes return directly to the viewer. The palette appears in the lower corner with a few small masses of color and several brush handles.

Around the head, the blue touches follow the contours of the skull, ear and shoulders. The background does not describe any place: it acts as an energy that isolates and intensifies the figure.

Painted in Saint-Rémy in 1889, this self-portrait in oil on canvas measuring 57.8 × 44.5 cm is F626/JH1770. It belongs to the National Gallery of Art under number 1998.74.5.

Composition, touch and color

Three observations specific to this painting

The picture is based on two oppositions: the orange of the hair against the bruises, then the tension of the gaze against the continuous movement of the brush. The blouse and the background seem to belong to the same material.

01

The gaze resists movement

Frowning and sideways eyes remain the most stable point in the middle of long curved touches.

02

The red beard activates bruises

Orange, red and yellow around the face contrastively reinforce the cobalt of the blouse and the background.

03

Palette and brushes affirm the profession

Van Gogh does not only show himself as a model: the visible tools make the image a portrait of the painter returning to his work.

Documented benchmarks

Precisely identify the original work

The National Gallery of Art ranks F626 among Van Gogh's last self-portraits, taken at the Saint-Paul-de-Mausole asylum after a serious crisis which kept him away from painting.

Series

One of the last three self-portraits

Van Gogh painted three known effigies in August and September 1889, including the Oslo version and that of the Musée d'Orsay.

Color

A purple turned blue

Van Gogh described a dark purple-blue background. National Gallery research indicates that the gradual disappearance of the red pigment made it much bluer.

Collection

The 1998 Don Whitney

Mr. and Mrs. John Hay Whitney acquired the painting in 1947 before donating it to the National Gallery of Art.

Consult the official notice of the National Gallery of Art →

Your reproduction

What the painter must preserve

The copy must preserve the tension of the gaze, the opposition between the red beard and the bruises, the rhythm of the background and the small details of the palette.

  • The oblique gaze
  • The orange and red beard
  • The radiant touches of the background
  • The blue blouse tied around the neck
  • The palette and brushes

Work sheet

Title Self-portrait with palette, F626
Artist Vincent van Gogh (1853 -1890)
Date August-september 1889
Place of creation Saint-Rémy-de-Provence
Original technique Oil on canvas
Dimensions 57.8 × 44.5 cm
Inventory F626 · JH1770 · 1998.74.5
Conservation National Gallery of Art, Washington
Your reproduction Handmade oil painting on canvas

From order to shipping

1
PreparationStudy of framing, proportions and colors.
2
Oil paintingManual production, layer after layer.
3
Photo validationChecking the table and requesting possible alterations.
4
Protected shippingCareful packaging and shipping with tracking.

In your interior

An electric self-portrait in blue and orange

The vertical format creates a powerful focal point in an office or bookcase. Cobalt blue, turquoise, orange and pale green give the portrait immediate intensity.

Frequently asked questions

Before ordering

Is this a canvas print?

No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.

How is the visual reference chosen?

The official open access image was prepared at 2,301 × 3,000 px, then encoded into a real WebP without artificial enlargement.

Can I check the result before shipping?

Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.

Are custom formats possible?

Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.

Self-portrait with palette, F626, painted for your interior

An oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.

Hand painted · Oil on canvas · Photo validation
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Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
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Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
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Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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