Peonies W1141 - Claude Monet

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Peonies W1141 - Claude Monet

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Peonies W1141 - Claude Monet

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Peonies W1141 - Claude Monet

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Claude Monet · Giverny · 1887 · W1141

Peonies W1141hand painted reproduction

Red, pink and white peonies bloom in dense vegetation, under the horizontal lines of a garden structure. Painted in 1887, this oil on canvas measuring 72.2 × 99.5 cm is kept at the Geneva Museum of Art and History under number 1985-0029 and corresponds to Wildenstein 1141.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Peonies W1141 - Claude Monet - full view
Peonies W1141Claude Monet · 1887
1887Dating
72.2 × 99.5 cmDimensions of the original
Oil on canvasOriginal technique
1985-0029 · Wildenstein 1141Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Peonies emerge like colorful fireplaces in the heart of the garden

The flowers extend in irregular groups in the lower half of the canvas. Their red and pink corollas stand out against deep vegetation, made of bluish greens, yellows and almost blacks. No isolated bouquet dominates: the gaze circulates from one flowering to another.

The vertical uprights and horizontal crosspieces of the garden structure introduce a discreet geometry behind the plants. Monet contrasts this stable frame with the free movement of stems, leaves and flowers, painted in quick touches and superimposed.

The subject is not a still life posed in front of a neutral background: the peonies remain in their living environment, mixed with the shade, the leaves and the construction of the garden.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

Organized flowering without symmetry

The red and pink masses are distributed at different heights. Their apparent imbalance gives the garden natural growth while guiding the view across the entire width.

02

A structure that frames the vegetation

The lines of the horizontal support and the uprights never become an autonomous architectural decor. They give a measure to the abundance of plants and structure depth.

03

Flowers built by contrast

Corollas are not drawn petal by petal. They emerge thanks to warm reds, light pinks and whites placed against dark greens.

Reference image

Read this specific version

Only one exact image of W1141 is used throughout the file. The real WebP measures 3,000 × 2,188 px, produced from the official file of the Geneva Museum of Art and History without artificial enlargement.

Composition01

Maintain the dispersion of peony groups

Flowers do not form a regular border. Their discontinuous placement is essential to the sensation of a garden observed on the spot.

Color02

Preserve bluish greens in shade

Dark areas should not turn black. Shades of green and blue maintain depth and connect leaves to the garden structure.

Matter03

Keep horizontal crosspieces visible

These discreet lines locate the flowers in a cultivated space and distinguish this composition from a simple floral study without context.

Documented benchmarks

Three pieces of information specific to this work

The Geneva Museum of Art and History preserves Peonies, oil on canvas from 1887, 72.2 × 99.5 cm, inventory 1985-0029 and Wildenstein 1141.

Title01

Peonies in museum documentation

The Geneva Museum of Art and History today identifies the work under the title Pivoines and the date 1887, in accordance with the Wildenstein 1141 catalog.

Collection02

Deposit of the Jean-Louis Prevost Foundation in 1985

The painting is kept at the Geneva Museum of Art and History under number 1985-0029. The frame measures 89 × 114.8 × 4 cm.

Subject03

A garden painted before the famous Water Lilies

Monet is already interested in the living organization of flowers, foliage and garden structures. This research announces the growing importance of Giverny in his work.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 1141 version
  • Red, pink and white peonies
  • The horizontal structure of the garden
  • The title documented by the museum

Work sheet

Title Peonies W1141
Artist Claude Monet (1840 -1926)
Date 1887
Original technique Oil on canvas
Dimensions 72.2 × 99.5 cm
Orientation Horizontal
Conservation Geneva Museum of Art and History, Geneva, Switzerland
Inventory 1985-0029 · Wildenstein 1141
Your reproduction Handmade oil painting on canvas
Consult the official notice - Geneva Museum of Art and History · 1985-0029

Presentation in your interior

A palette designed with the room

This dense floral arrangement is suitable for a living room, bedroom or dining room. A deep green, powder pink or cream wall and a discreet frame underline the richness of its reds and foliage.

Peonies W1141, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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