La Pointe du Petit Ailly, Nahmad W1445 collection - Claude Monet

La Pointe du Petit Ailly, Nahmad W1445 collection - Claude Monet

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La Pointe du Petit Ailly, Nahmad W1445 collection - Claude Monet

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La Pointe du Petit Ailly, Nahmad W1445 collection - Claude Monet
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La Pointe du Petit Ailly, Nahmad W1445 collection - Claude Monet

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Claude Monet · 1897 · Nahmad collection · W1445

La Pointe du Petit Ailly, Nahmad W1445 collectionhand painted reproduction

A meadow descends towards the sea under a clear sky crossed by clouds. On the left, the small customs post clings to the top of the cliff; on the right, the Petit Ailly promontory advances in blue-purple water. Monet contrasts the dense material of the grass and the terrain with the wider breathing of the sky and the English Channel.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
La Pointe du Petit Ailly, Nahmad W1445 collection - Claude Monet - full view
La Pointe du Petit Ailly, Nahmad W1445 collectionClaude Monet · 1897
1897Dating
73.5 × 92.7 cmDimensions of the original
Oil on canvasOriginal technique
Wildenstein 1445Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The customs officer's house overlooks a bright meadow which descends towards the sea and the promontory of Petit Ailly

The foreground is a mosaic of greens, yellows, pinks and purples. The keys follow several directions and suggest uneven terrain rather than a flat lawn. The house, placed near the left edge, is dark enough to stand out, but its walls and roof remain integrated into the colors of the coast.

The sea occupies an oblique band which widens to the right. Horizontal blue, turquoise and mauve lines indicate its surface. Above, clear clouds alternate with pale blue passages. This atmospheric opening balances the weight of the cliff without reducing its presence.

The landscape progresses from the tactile detail of the grasses towards the fluid distance of the sea and the sky, without break between these two regimes of touch.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A foreground worked like a tapestry

The herbs bring together yellow, green, pink and purple marks. Their diversity must remain visible so that the terrain retains its relief and light.

02

A house placed on the edge of the field

The customs post does not form the geometric center, but it gives the starting point of the gaze. Its scale connects the nearby meadow to the distant promontory.

03

A coast that organizes depth

The diagonal of the shore separates the land from the sea and leads towards the point. Changes in blue and mauve make this distance without the need for rigid contours.

Reference image

Read this specific version

The single reference image measures 2,200 × 1,720 px. It corresponds to version W1445 documented by Christie's and has been converted into a real WebP without artificial enlargement.

Composition01

Three clearly hierarchical plans

Meadow, sea and sky occupy different surfaces and use different touches. This hierarchy must survive even when the contours remain flexible.

Color02

Greens warmed by the land

Yellow, ocher, pink and red-brown cross the foreground. They give green a richness that would disappear in too cold reproduction.

Matter03

Clear but unbleached light

The sky and clouds contain blue, cream, pink and gray-purple. Preserving these shades maintains the atmosphere without losing contrast with the cliff.

Documented benchmarks

Three pieces of information specific to this work

These benchmarks concern the Wildenstein 1445 version, documented by Christie's and today associated with the Nahmad collection.

Identification01

Wildenstein 1445

This oil on canvas from 1897 measures 73.5 × 92.7 cm. It is signed and dated "Claude Monet 97" lower left.

First sale by Monet02

Durand-Ruel acquired the painting in November 1898

The provenance published by Christie's begins with Monet, then Paul Durand-Ruel, who purchased the work directly from the artist on November 28, 1898. It then passed through the merchant's New York gallery.

A work exhibited since 189803

Presented at the Georges Petit gallery

The painting appears in Monet's personal exhibition organized in June 1898 at Georges Petit. It will then be shown in several major retrospectives devoted to the painter in the 20th century.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact Wildenstein 1445 version, distinct from the gray time W1447
  • The original horizontal ratio of 73.5 × 92.7 cm
  • The preserved meadow rich in yellow, pink, green and purple
  • Customs house kept small in front of maritime opening

Work sheet

Title La Pointe du Petit Ailly, Nahmad W1445 collection
Artist Claude Monet (1840 -1926)
Date 1897
Original technique Oil on canvas
Dimensions 73.5 × 92.7 cm
Orientation Horizontal
Conservation Nahmad Collection, Private Collection
Inventory Wildenstein 1445
Your reproduction Handmade oil painting on canvas
Consult the reference notice - Christie's

Presentation in your interior

A palette designed with the room

Prairie green, ocher yellow, Channel blue, purple and cream give this reproduction an open Norman light. It is suitable above a sofa, sideboard or desk, with natural oak, linen and off-white walls.

La Pointe du Petit Ailly, Nahmad W1445 collection, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

Claude Monet French painting – French artists Impressionist

Compare the finishes

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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