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Peupliers sur les bords de l’Epte de Claude Monet, 1891 – National Galleries of Scotland NG 1651, Wildenstein 1310

Poplars on the banks of the Epte W1310 - Claude Monet

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Livraison suivie Toile roulée, protégée et suivie.
Retouches incluses Jusqu'à 4 séries avant validation.

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Artwork description

Reproduction details

Claude Monet · 1891 · Scottish National Gallery NG 1651 · W1310

Poplars on the banks of the Epte W1310hand painted reproduction

A curve of poplars starts from the right edge and moves away along the Epte under a blue sky strewn with white clouds. Trees and their reflection occupy almost the entire square format. The Scottish National Gallery preserves this painting under the inventory NG 1651, Wildenstein 1310.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Poplars on the banks of the Epte W1310 - Claude Monet - full view
Poplars on the banks of the Epte W1310Claude Monet · 1891
1891Dating
82 × 81.4 cmDimensions of the original
Oil on canvasOriginal technique
NG 1651 · Wildenstein 1310Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A curve of trees and reflections in summer light

The nearest poplars are cut by the upper edge, which accentuates their height. The row then bends towards the center and disappears behind the bank. This curve at depth is doubled in the water, where it becomes darker and more moving.

The clear sky and white clouds are reflected in the foreground in touches of blue, cream and pale pink. The foliage mixes green, yellow and purple; the trunks receive pinkish flashes which prevent the row from forming a uniform barrier.

W1310 holds a deep landscape in a square: the curve of the trees opens up the space, then the mirror of the Epte folds it towards the viewer.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

The NG 1651 version

The National Galleries of Scotland documents an 1891 oil on canvas measuring 82 × 81.4 cm, purchased in 1925 and now on display at the Scottish National Gallery.

02

A painting made from a boat

Monet observes the row from the Epte with a boat suitable for working on several canvases. It can thus find a precise lighting effect when conditions repeat themselves.

03

Trees saved during the series

When the municipality of Limetz decided to sell the poplars for their wood, Monet made an arrangement with the buyer so that they would remain standing long enough to complete their studies.

Reference image

Read this specific version

Only one image is used: the exact Google Art Project scan of W1310, prepared as a true high definition WebP of 3000 × 3000 px from the source of 4001 × 4001 px.

Composition01

A depth carried by the curve

The row should not be straightened. Its progressive inflection towards the center produces distance and distinguishes W1310 from more frontal compositions.

Color02

A summer made of blue, green and pink

The sky remains frankly blue, but the trees introduce purple and the trunks pink. These shades prevent the palette from simply turning green.

Matter03

Reflection is not a copy

In the water, shapes fragment and darken. The horizontal touches of the current must interrupt the verticals of the trunks and foliage.

Documented benchmarks

Three pieces of information specific to this work

The notice from the National Galleries of Scotland identifies the work under number NG 1651: oil on canvas from 1891, 82 × 81.4 cm, Wildenstein 1310.

Collection01

Scottish National Gallery, NG 1651

Purchased in 1925, the painting belongs to the Scottish National Collections and is presented in Edinburgh.

Identification02

Poplars on the banks of the Epte, W1310

The almost perfectly square format, the blue sky and the curve of the trees towards the center allow this version to be identified unambiguously.

Reference image03

Google Art Project, source 4,001 px

The sheet uses exact scanning of the original, the resolution of which allows you to observe the touches of the sky, trunks and reflections.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version NG 1651 and Wildenstein 1310
  • The original square format of 82 × 81.4 cm
  • The curve of the trees moving away towards the center
  • Fragmented reflections without mechanical symmetry

Work sheet

Title Poplars on the banks of the Epte W1310
Artist Claude Monet (1840 -1926)
Date 1891
Original technique Oil on canvas
Dimensions 82 × 81.4 cm
Orientation Square
Conservation Scottish National Gallery, Edinburgh, United Kingdom
Inventory NG 1651 · Wildenstein 1310
Your reproduction Handmade oil painting on canvas
Consult the official notice - National Galleries of Scotland

Presentation in your interior

A palette designed with the room

Blue skies, bright greens and cream highlights give air to a living room, entryway or reading space. Blonde oak, warm white and gray blue fabrics extend its natural light.

Poplars on the banks of the Epte W1310, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Poplars on the banks of the Epte W1310 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

Custom order

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1

You choose the size

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2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

3

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4

Tracked delivery

You receive your canvas rolled, protected, and shipped with tracking.

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