A deliberately overflowing floral mass
The bouquet goes well beyond the vase and approaches the upper edges. This magnitude transforms still life into an almost monumental presence.
Canvas reproduction
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Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · Vétheuil · 1880 · W627
A bouquet of white, purple and yellow asters overflows from a blue and white vase placed on a dark red round table. The flowers occupy more than half of the canvas and stand out against a golden brown background covered with free touches. Painted in 1880, this 83.2 × 68 cm oil on canvas is kept at the Los Angeles County Museum of Art under the number M.2025.64.19 and corresponds to Wildenstein 627.

Look at the work
The radiant flower heads accumulate into an almost spherical mass, wider than the vase. A few stems escape towards the edges, while the vertical reflection of the container appears on the dark surface of the table.
The white petals receive blue, pink, yellow and gray. The deep foliage serves as shade between the flowers. The cold vase and the red table create two colorful supports under the bouquet.
Each aster is a small explosion of touches, but the whole thing is held together by the dark mass of leaves, the narrow vase and the red circle of the table.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
The bouquet goes well beyond the vase and approaches the upper edges. This magnitude transforms still life into an almost monumental presence.
Its blue and white decor brings the stems together and offers a cold counterpoint to the browns at the bottom and the red of the table.
Monet does not enclose flowers in contours. Light touches radiate around yellow or brown centers and mingle with the foliage.
Reference image
The only reference image of LACMA is a real WebP of 2,100 × 2,560 px preserved at its native definition, without artificial enlargement.
Flowers should vary in size, orientation and color, with warm, cool whites rather than a repeated pattern.
This light vertical passage connects the object to the dark red surface and gives depth to the bottom of the composition.
It mixes ocher, gray, green and red and should not be replaced by a uniform dark solid.
Documented benchmarks
LACMA documents Asters, oil on canvas from 1880, 83.19 × 67.95 cm, donation from the A. Jerrold Perenchio collection, inventory M.2025.64.19 and Wildenstein 627 catalog.
Monet then painted several large canvases, each devoted to a floral species, including sunflowers, chrysanthemums and these autumn asters.
LACMA brings its shape and decor closer to the creations of Makuzu Kôzan, noticed at the Paris Universal Exhibition of 1878.
The work joined the Los Angeles County Museum of Art with this important impressionist and modern collection and bears inventory M.2025.64.19.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | Asters W627 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1880 |
| Original technique | Oil on canvas |
| Dimensions | 83.2 × 68 cm |
| Orientation | Vertical |
| Conservation | Los Angeles County Museum of Art, Los Angeles, United States |
| Inventory | M.2025.64.19 · Wildenstein 627 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
This vertical still life is suitable for a dining room, living room or entrance. An ocher, olive green or cream wall and a matte gold frame extend its warmth.
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