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Poppy field W677 - Claude Monet

Poppy field W677 - Claude Monet

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Poppy field W677 - Claude Monet

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Poppy field W677 - Claude Monet
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Poppy field W677 - Claude Monet

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Claude Monet · Vétheuil · 1881 · W677

Poppy field W677hand painted reproduction

Under an immense sky, almost white with light, a field of poppies extends in green and red bands to a very low horizon. A thin, irregular tree rises on the right, accompanied by a few bushes; on the left, a more compact group of trees balances its silhouette. Dated and signed 1881, this oil on canvas measuring 58 × 79 cm is kept at the Museum Boijmans Van Beuningen under number 2611 (MK) and corresponds to Wildenstein 677.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Poppy field W677 - Claude Monet - full view
Poppy field W677Claude Monet · 1881
1881Dating
58 × 79 cmDimensions of the original
Oil on canvasOriginal technique
2611 (MK) · Wildenstein 677Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

An excessive sky suspends the field between light and wind

The horizon is placed well below the center. The field occupies the first third, then a thin blue plain separates the flowers from the sky; this very open structure gives the tree on the right a disproportionate presence, as if it were bending alone in space.

Poppies become small red commas scattered among greens, blues and yellows. The sky is not a flat: cream, pink and pale blue veils overlap, with a few lighter clouds near the upper edge.

W677 doesn't look for the spectacular abundance of a red carpet: Monet leaves plenty of air between the flowers and gives the sky the main half of the canvas, turning the field into a threshold of light.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A deliberately lowered horizon

The distant line crosses the canvas at low height. It enlarges the sky and brings out the slightest vertical, in particular the isolated tree placed on the right.

02

Asymmetrical vegetation

The dark group on the left and the winding tree on the right don't exactly respond to each other. Their imbalance suggests a landscape seen from life rather than a centered composition.

03

Poppies rendered in small, quick touches

The museum emphasizes these lively and nervous accents. They do not describe each flower, but circulate the red through the greens in the foreground.

Reference image

Read this specific version

The single reference image is kept at its definition of 2,200 × 1,609 px then encoded in real WebP, without artificial enlargement.

Composition01

Keep more sky than terrain

This proportion is the signature of W677. Reducing the sky would make the tree mundane and wrongly bring the scene closer to another field of poppies.

Color02

Preserve the nuanced paleness of the atmosphere

The sky contains blue, cream, sea green and pink. A uniform white would make its depth and changes of light disappear.

Matter03

Keeping flowers as spaced accents

Reds should appear in the grass without forming a continuous band. This breathing maintains the subtlety of the composition.

Documented benchmarks

Three pieces of information specific to this work

The Museum Boijmans Van Beuningen preserves Poppy Field, oil on canvas from 1881, 58 × 79 cm, inventory 2611 (MK) and Wildenstein catalog 677.

Location01

Vétheuil, on the hillsides of the Seine

The instructions place the achievement in Vétheuil. Monet transforms a very simple landscape into a study of proportions between field, horizon, trees and sky.

Date02

Signature and dating "Claude Monet 81"

The inscription at the bottom left confirms the year 1881 and distinguishes this horizontal canvas from the poppy fields of 1873, 1880 or 1890.

Acquisition03

DG van Beuningen collection, entered in 1958

The museum acquires the work with this collection and gives it the number 2611 (MK). It is today kept in reserve.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 677 version
  • The horizon very low
  • The tree isolated and curved to the right
  • Little red touches spaced out in the grass

Work sheet

Title Poppy field W677
Artist Claude Monet (1840 -1926)
Date 1881
Original technique Oil on canvas
Dimensions 58 × 79 cm
Orientation Horizontal
Conservation Museum Boijmans Van Beuningen, Rotterdam, Netherlands
Inventory 2611 (MK) · Wildenstein 677
Your reproduction Handmade oil painting on canvas
Consult the museum notice - Museum Boijmans Van Beuningen · 2611 (MK)

Presentation in your interior

A palette designed with the room

This very airy horizontal landscape is suitable for a living room, bedroom or office. An off-white, sea green or blue-gray wall and a light frame highlight its immense bright sky.

W677 poppy field, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
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Tirage Fine Art

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Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
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Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
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Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

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The same Last Supper artwork presented as an unframed Fine Art paper print
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Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
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Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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