Flower vase W626 - Claude Monet

Flower vase W626 - Claude Monet

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Flower vase W626 - Claude Monet

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Flower vase W626 - Claude Monet
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Flower vase W626 - Claude Monet

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Claude Monet · 1881 - around 1920 · W626

W626 flower vasehand painted reproduction

A bouquet of pink and white mauves overflows from a green vase placed at the edge of a light table. The flowers disperse in front of an indeterminate background, blue, yellow and cream, where the shapes seem to dissolve. Monet began this great still life in 1881, kept it for around forty years in his workshop then took it back before signing and selling it around 1920. The oil on canvas measures 100.4 × 81.8 cm; it is kept at the Courtauld Gallery under the number P.1932.SC.275 and corresponds to Wildenstein 626.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Flower vase W626 - Claude Monet - full view
W626 flower vaseClaude Monet · Started in 1881, completed around 1920
Started in 1881, completed around 1920Dating
100.4 × 81.8 cmDimensions of the original
Oil on canvasOriginal technique
P.1932.SC.275 · Wildenstein 626Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

An unstable bouquet that seems to advance towards the viewer

The vase is offset to the right and seen from a slightly elevated point. The longest stem goes to the left, while the flowers in the center fan-shaped. This asymmetry avoids the frontal presentation of a traditional still life.

Purples are not defined by continuous contours. White, pink, lilac, green and blue are placed in thick touches and superimposed. The table and background receive the same light colors, so that bouquet, container and space respond to each other.

The difficulty of the painting becomes its strength: the flowers, the vase and the table seem both solidly painted and on the verge of blending into the light.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A deliberately off-center composition

The vase does not occupy the axis and the bouquet extends mainly to the left. This apparent imbalance gives the pattern a more immediate presence.

02

Two visible painting campaigns

Courtauld reports that Monet returned to the web after several decades. Some leaves and petals show late material placed on an already old layer.

03

Wild mallows rather than a living room bouquet

The irregular stems, open flowers and small green touches retain the abundant appearance of freshly picked plants.

Reference image

Read this specific version

A single exact image of W626 is used throughout the listing and as the sole Shopify media. The real WebP measures 1,695 × 2,200 px and retains the native definition available.

Composition01

Keep the green vase at the bottom of the composition

Its dark mass anchors the bouquet without turning black or losing its blue-green reflections.

Color02

Preserve stem fan

Side branches and clear intervals prevent flowers from forming a compact block.

Matter03

Keep material recovery

The denser impasto of certain petals must remain visible, because they testify to the long genesis of W626.

Documented benchmarks

Three pieces of information specific to this work

The Courtauld Gallery documents Vase of flowers, started in 1881 and taken up around 1920, oil on canvas of 100.4 × 81.8 cm, inventory P.1932.SC.275 and Wildenstein catalog 626.

Genesis01

A painting kept for almost forty years in the workshop

Monet considers the bouquet difficult, leaves the painting unfinished then returns to it at the end of his life. Differences in material make this story perceptible.

Subject02

A large bouquet of pink and white mauves

The wild flower allows a free organization, made of branches, voids and petals which merge with the bottom.

Collection03

Gift of Samuel Courtauld in 1932

Samuel Courtauld purchased the work in 1923. He then gave it to the collection which today bears the number P.1932.SC.275.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 626 version
  • The off-center green vase
  • Pink and white mauves
  • Late repeats visible in the material

Work sheet

Title W626 flower vase
Artist Claude Monet (1840 -1926)
Date Started in 1881, completed around 1920
Original technique Oil on canvas
Dimensions 100.4 × 81.8 cm
Orientation Vertical
Conservation Courtauld Gallery, London, United Kingdom
Inventory P.1932.SC.275 · Wildenstein 626
Your reproduction Handmade oil painting on canvas
Consult the official notice - Courtauld Gallery · P.1932.SC.275

Presentation in your interior

A palette designed with the room

This vertical still life is suitable for a living room, dining room or bedroom. A sage green, cream or gray blue wall and a matte gold frame accompany its palette without weighing it down.

W626 flower vase, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

Claude Monet Courtauld Gallery Decorative Paintings

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Fine Art print

A precise pigment print on finely textured Hahnemühle German Etching 310 gsm paper.

Surface
Matte, softly textured archival art paper
Presentation
Unframed, classic frame or Box frame
Creation
Printed to order in 1 to 4 business days.
Delivery
Tracked standard delivery; timing is calculated for the destination selected in the configurator.

Ideal for nuanced detail, subtle tones and an elegant paper finish.

These visuals compare presentation and material. Colour can vary slightly with screen settings and photographic lighting.

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