A deliberately off-center composition
The vase does not occupy the axis and the bouquet extends mainly to the left. This apparent imbalance gives the pattern a more immediate presence.
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Fine Art paper · magnetic wooden hangers
EMA 200 gsm paper, two pairs of magnetic wooden slats and a hanging cord.
Lifestyle illustration · indicative appearance
Magnetic wooden hangers with hanging cord.
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Rigid aluminium composite · 3 mm
Your artwork on a 3 mm aluminium composite panel. No frame, glazing or metallic border.
Lifestyle illustration · indicative appearance
3 mm aluminium composite panel with a concealed rear hanging system.
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High-gloss acrylic · 10 mm
Your artwork mounted behind 10 mm crystal-clear acrylic. Polished edges, a high-gloss surface and concealed rear mounting.
Lifestyle illustration · indicative appearance
High-gloss finish · clear polished edges · no frame or white border.
10 mm clear acrylic, polished edges and concealed rear hanging hardware.
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Budget poster · borderless
Your artwork printed on smooth 170 gsm Silk paper with water-based inks. Unframed.
Lifestyle illustration · indicative appearance
Smooth Silk paper · 170 gsm · edge-to-edge printing · unframed.
Delivered flat or rolled depending on size. Frame and fixings not included.
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Framed poster · self-assembly
Smooth Silk 150 gsm paper · high-density plastic wood-effect frame · acrylic glazing.
Lifestyle illustration · indicative appearance
Poster and frame supplied together for self-assembly.
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Imprimez l’œuvre chez vous ou auprès de l’imprimeur de votre choix, ou utilisez la version écran sur ordinateur, tablette et téléphone.
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Toile roulée
Livrée sans châssis ni cadre · prête à être tendue ou encadrée
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Claude Monet · 1881 - around 1920 · W626
A bouquet of pink and white mauves overflows from a green vase placed at the edge of a light table. The flowers disperse in front of an indeterminate background, blue, yellow and cream, where the shapes seem to dissolve. Monet began this great still life in 1881, kept it for around forty years in his workshop then took it back before signing and selling it around 1920. The oil on canvas measures 100.4 × 81.8 cm; it is kept at the Courtauld Gallery under the number P.1932.SC.275 and corresponds to Wildenstein 626.

Look at the work
The vase is offset to the right and seen from a slightly elevated point. The longest stem goes to the left, while the flowers in the center fan-shaped. This asymmetry avoids the frontal presentation of a traditional still life.
Purples are not defined by continuous contours. White, pink, lilac, green and blue are placed in thick touches and superimposed. The table and background receive the same light colors, so that bouquet, container and space respond to each other.
The difficulty of the painting becomes its strength: the flowers, the vase and the table seem both solidly painted and on the verge of blending into the light.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
The vase does not occupy the axis and the bouquet extends mainly to the left. This apparent imbalance gives the pattern a more immediate presence.
Courtauld reports that Monet returned to the web after several decades. Some leaves and petals show late material placed on an already old layer.
The irregular stems, open flowers and small green touches retain the abundant appearance of freshly picked plants.
Reference image
A single exact image of W626 is used throughout the listing and as the sole Shopify media. The real WebP measures 1,695 × 2,200 px and retains the native definition available.
Its dark mass anchors the bouquet without turning black or losing its blue-green reflections.
Side branches and clear intervals prevent flowers from forming a compact block.
The denser impasto of certain petals must remain visible, because they testify to the long genesis of W626.
Documented benchmarks
The Courtauld Gallery documents Vase of flowers, started in 1881 and taken up around 1920, oil on canvas of 100.4 × 81.8 cm, inventory P.1932.SC.275 and Wildenstein catalog 626.
Monet considers the bouquet difficult, leaves the painting unfinished then returns to it at the end of his life. Differences in material make this story perceptible.
The wild flower allows a free organization, made of branches, voids and petals which merge with the bottom.
Samuel Courtauld purchased the work in 1923. He then gave it to the collection which today bears the number P.1932.SC.275.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | W626 flower vase |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | Started in 1881, completed around 1920 |
| Original technique | Oil on canvas |
| Dimensions | 100.4 × 81.8 cm |
| Orientation | Vertical |
| Conservation | Courtauld Gallery, London, United Kingdom |
| Inventory | P.1932.SC.275 · Wildenstein 626 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
This vertical still life is suitable for a living room, dining room or bedroom. A sage green, cream or gray blue wall and a matte gold frame accompany its palette without weighing it down.
Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.
Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.
Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.
Explorez les sujets et styles associés à cette reproduction.
Compare the finishes
Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.
A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
Choose this option if you want to arrange your own framing.
A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
A slim, traditional frame that keeps attention on the artwork.
A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
Choose a Box frame for a deeper profile and a more pronounced presence on the wall.
Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
A framed canvas with visible depth. Choose the frame colour and canvas edge in the configurator.
Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
Not ready to hang: have it stretched or framed locally before displaying it.
Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
A clean, frameless canvas presentation. Choose the canvas edge finish in the configurator.
An artist recreates your chosen artwork by hand in oil paint on canvas. Brushwork and small variations make each reproduction individual; it is not a digital print.
Your painting is delivered rolled. Arrange stretching or framing locally after receipt.
An artist recreates your chosen artwork by hand in oil paint on canvas. Brushwork and small variations make each reproduction individual; it is not a digital print.
Choose your own local framer to prepare the finished painting for display.
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Printed canvas
Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
A framed canvas with visible depth. Choose the frame colour and canvas edge in the configurator.
Même artiste
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