À propos de l’œuvre
Vase blanc avec roses et autres fleurs, par Vincent van Gogh
Vincent van Gogh · Summer 1886 · Paris
White vase with roses and other flowers, F258Reproduction of oil painting on canvas
A slender white vase bears a bouquet of roses, dark leaves and small light flowers. On the blue background, the two orange-yellow roses on the right concentrate the light and prevent the composition from becoming symmetrical.
Look at the work
The luminous vase supports a bouquet that opens freely onto the blue
The narrow neck brings the stems together before they fan out. The green mass is denser on the left, while the warm flowers project to the right and create lateral movement.
The vase receives neither decorative design nor uniform outline. Passages of cream, gray, blue and white build its volume; its foot rests on a table whose ocher responds to roses.
White vase with roses and other flowers F258/JH1141 is an oil on canvas of 37 × 25.5 cm painted in Paris during the summer of 1886. The work belongs to Yoshino Gypsum Co. and is deposited in the Yamagata Museum of Art.
Composition, touch and color
Three observations specific to this painting
In Paris, Van Gogh used bouquets to accelerate his learning of color. Here, he contrasts the blue of the background with the orange-yellow flowers, while maintaining a wide range of greens and whites between these two poles.
Two warm flowers off-center the bouquet
The roses on the right advance in front of the foliage with their light orange. Their position at the edge of the plant mass gives the bouquet an unexpected opening.
The blue background remains visible between the leaves
The intervals are not filled. They cut out the branches, lighten the upper part and make it possible to follow the irregular growth of the stems.
The white vase brings together several temperatures
The left side tends towards blue-gray, the center towards cream and the right edge towards ocher. These variations give a solid volume without academic modeling.
Documented benchmarks
Precisely identify the original work
F258/JH1141 and the format of 37 × 25.5 cm distinguish this white vase from other bouquets of roses painted by Van Gogh in Paris.
Blue and orange form the main contrast
Van Gogh experiments with complementary colors: warm roses gain intensity when they directly meet the cold background.
The work is preserved in Japan
It belongs to the collection of Yoshino Gypsum Co. and is deposited in the Yamagata Museum of Art, where it can be presented to the public.
The small vertical support tightens the pattern
At only 37 cm high, the bouquet occupies almost the entire surface. The vase, the table and the leaves touch each other visually without appearing compressed.
Your reproduction
What the painter must preserve
The copy must preserve the bluish-white vase, the asymmetrical bouquet, the two orange roses, the small light flowers, the blue background and the ocher band of the table.
- The two warm roses projected to the right
- The dark green leaves of the left part
- The small white flowers scattered
- The blue-gray reflections on the vase
- The clear separation between the blue background and the ocher table
Work sheet
| Title | White vase with roses and other flowers, F258 |
|---|---|
| Artist | Vincent van Gogh (1853 -1890) |
| Date | Summer 1886 |
| Place of creation | Paris |
| Original technique | Oil on canvas |
| Dimensions | 37 × 25.5 cm |
| Inventory | F258 · JH1141 |
| Conservation | Yamagata Museum of Art, depository of Yoshino Gypsum Co. |
| Your reproduction | Handmade oil painting on canvas |
From order to shipping
In your interior
A compact bouquet of blue, white, green and orange
Muted blue, creamy white, deep green, orange and ocher make up a lively still life for a kitchen, entrance or narrow wall.
Frequently asked questions
Before ordering
Is this a canvas print?
No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.
How is the visual reference chosen?
The color reference in the public domain has been converted into a real WebP of 1,137 × 1,600 px, without artificial enlargement.
Can I check the result before shipping?
Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.
Are custom formats possible?
Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.
