View of the viaduct in Arles, F398 - Vincent van Gogh

View of the viaduct in Arles, F398 - Vincent van Gogh

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View of the viaduct in Arles, F398 - Vincent van Gogh

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View of the viaduct in Arles, F398 - Vincent van Gogh
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View of the viaduct in Arles, F398 - Vincent van Gogh

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Vincent van Gogh · March 1888 · Arles

View of the viaduct in Arles, F398Reproduction of oil painting on canvas

An avenue of plane trees crosses the foreground, while a blue train passes almost furtively behind the trunks. Van Gogh paints the viaduct not as an isolated monument, but as a modern presence integrated into the spring of Arles.

Hand paintedOil on canvasA verified WebP imagePhoto validation
View of the viaduct in Arles or Le Train bleu, F398 - avenue de plane trees and train painted by Vincent van Gogh
View of the viaduct in Arles, F398Vincent van Gogh · March 1888 · Rodin Museum, Paris
March 1888Dating
46.2 × 49.8 cmDimensions of the original
Oil on canvasOriginal technique
Rodin Museum, ParisConservation
A real paintingThe canvas is hand painted, never printed.
Made to orderEach copy is created individually.
Controlled in photoYou review the completed table before sending.
Possible alterationsAdjustments may precede shipping.

Look at the work

The plane trees hide and reveal the passage of the Blue Train

The yellow and green trunks form an irregular colonnade over the entire height. Between them, the viaduct appears in fragments: a dark strip, a few blue wagons and small openings that interrupt the light wall.

The beige path sweeps across the bottom of the painting diagonally, bordered by green grass and white flowers. The blue sky slips between the still sparsely leafy branches; their network transforms depth into an almost decorative surface.

View of the viaduct in Arles, also called Le Train bleu or Les Moyettes, is an oil on canvas measuring 46.2 × 49.8 cm painted in March 1888. The work F398/JH1366 is kept at the Rodin museum under the number P. 07303.

Composition, touch and color

Three observations specific to this painting

Painted shortly after Van Gogh's arrival in Arles, this study brings together a daily motif, a railway infrastructure and the awakening of vegetation. The train remains secondary: the real subject is the luminous succession of trunks.

01

Trees set up a screen in front of architecture

Instead of opening a clear perspective towards the viaduct, Van Gogh multiplies the trunks in the foreground. The gaze must circulate between them to reconstruct the wall and the wagons.

02

The yellow of plane trees transforms light into color

The trunks are not brown: lime, pale green, orange and purple are next to them. This very light range detaches them from the sky and gives the avenue a spring intensity.

03

The blue train introduces an almost hidden movement

Its long horizontal strip cuts the verticals of the trees and the wall. The wagons are tiny, but their regular pace is enough to suggest rapid passage behind the park.

Documented benchmarks

Precisely identify the original work

References F398/JH1366 and inventory P.07303 identify the Avenue de plane trees of the Rodin Museum, known under several titles linked to the viaduct and the train.

Titles

Three names designate the same composition

The Rodin museum uses View of the viaduct in Arles and also mentions Le Train bleu or Les Moyettes. These titles in turn emphasize architecture, convoy or location.

Letter

Van Gogh cites Avenue de Planeanes on March 16, 1888

The Literature documentation associates F398/JH1366 with one of the first study groups carried out in Arles, alongside bridges with washerwomen and landscapes under the snow.

Rodin

Auguste Rodin acquired the painting in 1904

The museum indicates that the sculptor probably bought it at the Soullié gallery. Given to the museum in 1916, the painting testifies to his admiration for Van Gogh, a landscaper.

Consult the Rodin museum notice on Van Gogh →

Your reproduction

What the painter must preserve

The copy must respect the yellow-green trunks, dark branches, blue train strip, viaduct wall, white flowers in the grass and diagonal brushstrokes of the path.

  • The irregular colonnade of plane trees
  • The blue train visible between the trunks
  • The blue sky cut by the branches
  • The light wall punctuated with dark openings
  • The path streaked with blue, ocher and purple

Work sheet

Title View of the viaduct in Arles, F398
Artist Vincent van Gogh (1853 -1890)
Date March 1888
Place of creation Arles
Original technique Oil on canvas
Dimensions 46.2 × 49.8 cm
Inventory F398 · JH1366 · P.07303
Conservation Rodin Museum, Paris
Your reproduction Handmade oil painting on canvas

From order to shipping

1
PreparationStudy of framing, proportions and colors.
2
Oil paintingManual production, layer after layer.
3
Photo validationChecking the table and requesting possible alterations.
4
Protected shippingCareful packaging and shipping with tracking.

In your interior

A luminous Arles landscape where nature frames modernity

Lime yellow, meadow green, sky blue, railway blue and light ocher bring bright light to a living room, entrance or contemporary interior with natural materials.

Frequently asked questions

Before ordering

Is this a canvas print?

No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.

How is the visual reference chosen?

The complete documentary photograph was prepared in real WebP of 3,000 × 2,637 px, without artificial enlargement.

Can I check the result before shipping?

Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.

Are custom formats possible?

Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.

View of the viaduct in Arles, F398, painted for your interior

An oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.

Hand painted · Oil on canvas · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

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A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
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Printed to order, usually in 1 to 4 business days. Delivery time is additional.
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Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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