Chechia as a signal
The red-brown headdress occupies a large, simple shape above the face and catches the eye before the details of the uniform.
Fine Art paper · magnetic wooden hangers
EMA 200 gsm paper, two pairs of magnetic wooden slats and a hanging cord.
Lifestyle illustration · indicative appearance
Magnetic wooden hangers with hanging cord.
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Standard delivery included. Charged in EUR. Local import charges may apply.
Rigid aluminium composite · 3 mm
Your artwork on a 3 mm aluminium composite panel. No frame, glazing or metallic border.
Lifestyle illustration · indicative appearance
3 mm aluminium composite panel with a concealed rear hanging system.
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High-gloss acrylic · 10 mm
Your artwork mounted behind 10 mm crystal-clear acrylic. Polished edges, a high-gloss surface and concealed rear mounting.
Lifestyle illustration · indicative appearance
High-gloss finish · clear polished edges · no frame or white border.
10 mm clear acrylic, polished edges and concealed rear hanging hardware.
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Budget poster · borderless
Your artwork printed on smooth 170 gsm Silk paper with water-based inks. Unframed.
Lifestyle illustration · indicative appearance
Smooth Silk paper · 170 gsm · edge-to-edge printing · unframed.
Delivered flat or rolled depending on size. Frame and fixings not included.
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Economy delivery included. Charged in EUR. Local import charges may apply.
Framed poster · self-assembly
Smooth Silk 150 gsm paper · high-density plastic wood-effect frame · acrylic glazing.
Lifestyle illustration · indicative appearance
Poster and frame supplied together for self-assembly.
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Standard delivery included. Charged in EUR. Local import charges may apply.
Art goes with you

Illustrative view: cutouts and phone colour may vary.
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Comprendre les formats
Vincent van Gogh · Around June 21, 1888 · Arles
Red Chechia, embroidered black jacket and frontal gaze: Van Gogh confronts the Zouave soldier with a green background and an orange wall, in a deliberately harsh combination of discordant colors.
Look at the work
The soldier sits halfway, almost facing forward. The large red chechia falls on the left side of his head. His black jacket is lined with orange, blue and white trimmings; blue pants appear at the bottom of the frame.
The background is shared vertically: a green panel on the left, an orange brick wall on the right. The blue-black contours strongly cut out the face, headdress and clothing. The greenish and ocher skin does not seek a natural pattern: it responds directly to the colors of the uniform.
Van Gogh painted this Zouave during a few rainy days in June 1888, when he worked on the figure in the Yellow House. The half-body portrait F423 must be distinguished from the seated Zouave F424, larger in format and today in a private collection.
Composition, touch and color
Inventory s0067V1962 and references F423/JH1486 identify the portrait in the Van Gogh Museum, taken around June 21, 1888.
The red-brown headdress occupies a large, simple shape above the face and catches the eye before the details of the uniform.
Uniform green and orange bricks divide the canvas. Their contrast places the head exactly on a border of colors.
The braids follow the lapels and the chest in thick curves. They make the uniform recognizable without careful military description.
Documented benchmarks
F423 belongs to a small group including paintings and drawings made with the same soldier; Van Gogh then experimented with portraits with deliberately strong colors.
The Zouaves are infantry units of the French army recognizable by their North African-inspired uniform.
Van Gogh took up the model in several studies, including a watercolor and a drawing intended for his artist friends.
This canvas from the Amsterdam collection differs from the Zouave seated F424, where the model appears in a wider framing.
Your reproduction
The copy must preserve the heavy shape of the chechia, the frontality of the face and the abrupt contrasts of the uniform against the two-tone background.
| Title | The Zouave, F423 |
|---|---|
| Artist | Vincent van Gogh (1853 -1890) |
| Date | Around June 21, 1888 |
| Place of creation | Arles |
| Original technique | Oil on canvas |
| Dimensions | 65.8 × 55.7 cm |
| Inventory | Van Gogh Museum s0067V1962 · F423 · JH1486 |
| Conservation | Van Gogh Museum, Amsterdam |
| Your reproduction | Handmade oil painting on canvas |
In your interior
The vertical format is suitable for an entrance, bookcase or office. Red brown, green, bluish black and orange match dark wood, leather and light walls.
Frequently asked questions
No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.
The official image of the Van Gogh Museum measured 5,598 × 6,687 px; it was reduced to 2,511 × 3,000 px and converted into a real WebP.
Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.
Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.
Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.
Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.
Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.
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A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
Choose this option if you want to arrange your own framing.
A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
A slim, traditional frame that keeps attention on the artwork.
A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
Choose a Box frame for a deeper profile and a more pronounced presence on the wall.
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Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
Not ready to hang: have it stretched or framed locally before displaying it.
Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
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An artist recreates your chosen artwork by hand in oil paint on canvas. Brushwork and small variations make each reproduction individual; it is not a digital print.
Your painting is delivered rolled. Arrange stretching or framing locally after receipt.
An artist recreates your chosen artwork by hand in oil paint on canvas. Brushwork and small variations make each reproduction individual; it is not a digital print.
Choose your own local framer to prepare the finished painting for display.
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Printed canvas
Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
A framed canvas with visible depth. Choose the frame colour and canvas edge in the configurator.
Même artiste
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