Top 100 · Bouquets, gardens and colors
The painters who made art history flourish
From Brueghel, Ruysch and Redouté to Monet, Van Gogh, O'Keeffe, Hockney and Kusama.
The flower runs through the entire history of painting without ever retaining a single meaning. In the workshops of Antwerp and Amsterdam, it concentrates luxury, science, commerce and meditation on time. In Paris, London, Giverny or Worpswede, the bouquet enters intimacy while the garden becomes a laboratory of light. In China and Japan, ink, print and decoration combine species, seasons and poetry. American, European, Australian and Latin American modernities then enlarge the corolla, release color or charge the motif with memory. This classification combines historical importance, pictorial invention, real role of flowers in the work, free color or load the motif with memory. This classification combines historical importance, pictorial invention, real role of flowers in the work, liberates color or charges the motif with memory. This classification combines historical importance, pictorial invention, real role of flowers in the work, liberates color or charges the motif with memory. This classification combines historical importance, pictorial invention, real role of flowers in the work, liberates color or charges the motif with memory. This classification combines historical importance, pictorial invention, real role of flowers in the work, liberates color or charges the motif with memory. This classification combines historical importance, pictorial invention, real role of flowers in the work, liberates color or charges the motif with memory. This classification combines
Botany, symbol, color, light and world cultures.
A symbolic language
The bouquet tells of time, desire and fragility
In European still life, flowers are not just decorative. A rose can evoke love, a lily purity, a tulip rarity, while a fallen petal, an insect or a ripe fruit recalls the brevity of life. The bouquets of Jan Brueghel, Ambrosius Bosschaert, Jan Davidsz. de Heem, Rachel Ruysch or Maria van Oosterwijck often bring together species that do not flower in the same season: the painting becomes an ideal composition, constructed from studies, specimens and a scholarly culture of the gaze. The painting becomes an ideal composition, constructed from studies, specimens and a scholarly culture of the gaze. The painting becomes an ideal composition, constructed from studies, specimens and a scholarly culture of the gaze. The vase, the table, the dark background and the intervals between the stems then regulate a true architecture.
Art, science and circulation
Observing a plant also means drawing the world
Herbaria, botanical gardens, travel and commercial exchanges profoundly transform images of flowers. Pierre-Joseph Redouté, Maria Sibylla Merian, Georg Dionysius Ehret, Nicolas Robert and Pancrace Bessa combine morphological precision and a sense of color. Marianne North paints plants directly in their environments, from India to Brazil. These works are not simple documents: the choice of point of view, the sharpness, the white of the paper and the organization of the board produce an aesthetic. In China and Japan, observation also involves calligraphy, the rhythm of the brush, the seasons and traditions where flowers, birds and landscape form the same living world.
From modern garden to contemporary image
The flower becomes light, framing, memory or popular sign
With impressionism, the garden is no longer a fixed setting: Monet, Renoir, Morisot, Pissarro and Caillebotte follow variations in air, time and seasons. Van Gogh makes sunflowers and irises nervous presences; O'Keeffe enlarges the corolla to the point of abolishing scale; Kahlo, Séraphine Louis or Kiefer charge the plant with memory and symbol. In Hockney, Katz, Kusama, Murakami, Quinn, Hirst or Wiley, it circulates between painting, photography, installation, repetition and visual culture. The motif remains familiar, but its uses tell the story of the technical and political transformations of art.
The Top 10
Ten artists who gave flowers a universal scope
Monet, Van Gogh, O'Keeffe, Redouté, Ruysch, Brueghel, Fantin-Latour, Manet, Renoir and Klimt make the bouquet, the garden or the corolla an immediately recognizable language.
#1
Claude Monet
Claude Monet places series of gardens where flowers, water and light become a continuous experience at the heart of his work. Les Nymphéas gives a direct entrance, while Le Jardin de l'artiste in Giverny reveals another relationship between observation, color and composition.
Discover the works of Claude Monet
#2
Vincent van Gogh
In Vincent van Gogh, the flower is never a simple ornament: it becomes sunflowers, irises and flowering orchards transformed by color and touch. From Les Tournesols to Iris, the pattern changes scale without losing its coherence.
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#3
Georgia O'Keeffe
Jimson Weed shows how Georgia O'Keeffe renews floral painting through corollas enlarged to become landscapes, architecture and sensations. The material, the framing and the season participate as much as the species represented.
Read Georgia O'Keeffe's biography on Wikipedia
#4
Pierre-Joseph Redouté
Pierre-Joseph Redouté transforms bouquets and gardens thanks to botanical precision combined with watercolor of immediately recognizable softness. Les Roses remains a major landmark because the work combines precision of the motif and pictorial invention.
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#5
Rachel Ruysch
Rachel Ruysch's singularity lies in the clever bouquets where brilliance, movement, insects and fragility respond to each other. In Still Life with Flowers, each stem, color or interval contributes to a presence that goes beyond botanical description alone.
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#6
Jan Brueghel the Elder
With Great Bouquet of Flowers, Jan Brueghel the Elder gives flowers a new function: encyclopedic bouquets bringing together impossible species and seasons. Flowers in a Vase shows how this research can vary depending on the medium and context.
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#7
Henri Fantin-Latour
The floral pattern allows Henri Fantin-Latour to explore the cut flowers observed with sobriety, substance and tonal delicacy. Roses in a cut organize the look through color, rhythms and the relationship between detail and whole.
Discover the works of Henri Fantin-Latour
#8
Édouard Manet
Édouard Manet observes flowers while constructing an autonomous image. Lilacs in a Vase combines small late bouquets where a direct touch renews still life with a composition where nothing is left to chance.
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#9
Auguste Renoir
Between Bouquet of roses and Vase of chrysanthemums, Auguste Renoir varies bouquet, garden or flowering. The common thread remains fleshy bouquets and colorful gardens painted like festivals of light, treated without a repetitive formula.
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#10
Gustav Klimt
Gustav Klimt's painting can be recognized by saturated gardens where each flower becomes a decorative sign in a surface without horizon. Country garden with sunflowers shows that the flower can simultaneously carry light, season, symbol and memory.
Discover the works of Gustav KlimtChapter I · Ranks 11 to 25
From the Dutch bouquet to impressionist and Japanese gardens
The masters of still life interact here with Cézanne, Matisse, Bonnard, Morisot, Pissarro and Caillebotte, then with Hokusai, Hiroshige and Ogata Kôrin, who renew the floral space through prints and decor.
#11
Jan van Huysum
Jan van Huysum places the floral motif in the language of Dutch still life. In Vase of Flowers, the luminous profusion of flowers, fruits, nests and insects on a light background gives the composition its tension and identity.
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#12
Ambrosius Bosschaert
Bouquet of flowers in a niche reveals the essentials of Ambrosius Bosschaert: the symmetrical bouquets which bring together tulips, roses and irises like a cabinet of curiosities. The choice of species, palette and background transforms the observed nature into a pictorial experience.
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#13
Jan Davidsz. by Heem
For Jan Davidsz. by Heem, painting a flower amounts to organizing the sumptuous abundance of flowers and fruits crossed by the passing of time. Fruit and flower festoons offer a specific example, extended differently in Vase of Flowers.
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#14
Paul Cezanne
Paul Cézanne gives the bouquet or the garden a presence based on bouquets constructed by volumes, color tensions and instability of point of view. The Blue Vase thus combines knowledge of the pattern and freedom of painting.
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#15
Henri Matisse
In Les Capucines à La Danse, Henri Matisse shows that floral color can build the entire space. bouquets, interiors and gardens where color becomes an autonomous space avoids the motif becoming only decorative.
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#16
Pierre Bonnard
Pierre Bonnard treats flowers, leaves and stems as a complete vocabulary. Mimosa brings into play domestic flowers and gardens of the South reconstructed by colorful memory, then Bouquet of wild flowers shifts the balance.
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#17
Berthe Morisot
Berthe Morisot's work links attention to the living and formal choices. In the garden in Maurecourt condenses gardens and flowers associated with intimacy, childhood and modern life into an instantly recognizable image.
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#18
Camille Pissarro
Camille Pissarro renews the conventions of the bouquet through the orchards, vegetable gardens and rural gardens observed throughout the seasons. In Le Jardin des Mathurins, the flower becomes a subject capable of carrying a vision of the world.
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#19
Gustave Caillebotte
The strength of Gustave Caillebotte appears in his way of uniting the horticultural precision and modern framing of his gardens at Petit Gennevilliers. The Dahlias, garden at Petit Gennevilliers, not only copies a flowering: the work reconstructs its rhythm and intensity.
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#20
John Singer Sargent
Carnation, Lily, Lily, Rose allows us to measure the contribution of John Singer Sargent to the history of painted flowers. watercolor-painted gardens where figures, foliage and flowers blend into the light transform the pattern into personal language.
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#21
Odilon Redon
Odilon Redon is as interested in growth and season as in completed form. Bouquet of wildflowers gives a convincing translation of the pastel and oil bouquets that make the flower a mental appearance.
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#22
Emil Nolde
At Emil Nolde, the flower organizes a dialogue between nature and culture. Grandes Têtes de sunflowers relies on Seebüll flowers intensified by almost incandescent colors to go beyond simple imitation.
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#23
Katsushika Hokusai
Katsushika Hokusai uses bouquet, garden or plant as a color laboratory. Hydrangeas and swallow shows how flowers and birds captured by energetic line and precise observation produce a lasting image.
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#24
Utagawa Hiroshige
Utagawa Hiroshige's gaze transforms the plant through seasonal blooms which punctuate landscapes, gardens and urban views. From plum garden in Kameido to Hibiscus and sparrow, the flower remains precise while becoming a sign, material or atmosphere.
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#25
Ogata Korin
Ogata Kôrin occupies a unique place in this ranking thanks to irises, plum trees and chrysanthemums reduced to powerful decorative rhythms. Iris summarizes this ambition without exhausting the diversity of the work.
Discover the works of Ogata KôrinChapter II · Ranks 26 to 50
Painting, observing, classifying: flowers, science and circulation of forms
From Sakai Hoitsu, Ito Jakuchû, Qi Baishi and Yun Shouping to European bouquet painters and botanical illustrators, the flower connects workshop, garden, commerce, travel and scientific knowledge.
#26
Sakai Hoitsu
Sakai Hoitsu places the plants of the four seasons arranged lightly on screens and rollers at the heart of his work. Flowers and plants of the four seasons give a direct entrance, while Autumn Herbs reveals another relationship between observation, color and composition.
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#27
Ito Jakuchu
In Ito Jakuchû, the flower is never a simple ornament: it becomes the flowers and birds rendered with exceptional mineral color, precision and strangeness. From The Colorful Kingdom of Living Beings to Peonies and Small Birds, the pattern changes scale without losing its coherence.
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#28
Qi Baishi
Peonies shows how Qi Baishi renews floral painting with peonies, lotuses and wisteria painted in ink with economy and vitality. The material, framing and season contribute as much as the species represented.
Read Qi Baishi's biography on Wikipedia
#29
Wu Changshuo
Wu Changshuo transforms bouquets and gardens thanks to plum blossoms and peonies animated by calligraphic energy. Plum blossoms remain a major landmark because the work combines precision of the motif and pictorial invention.
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#30
Yun Shouping
The uniqueness of Yun Shouping lies in the contourless method which gives the flowers a light and natural presence. In Flower Album, each stem, color or interval contributes to a presence that goes beyond botanical description alone.
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#31
Maria van Oosterwijck
With Vanity of Flowers, Maria van Oosterwijck gives flowers a new function: meticulous flowers loaded with moral symbols and signs of the times. Bouquet in a vase shows how this research can vary depending on the medium and context.
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#32
Clara Peeters
The floral pattern allows Clara Peeters to explore the flowers and precious objects rendered with pioneering attention to reflections. Still life with flowers and cuts organizes the look through color, rhythms and the relationship between detail and whole.
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#33
Louise Moillon
Louise Moillon observes flowers while constructing a self-contained image. Fruit and Flower Basket combines fruit and flower baskets organized with calm, sharpness and cold light with a composition where nothing is left to chance.
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#34
Giovanna Garzoni
Between Plate of Figs and Flowers in a Chinese vase, Giovanna Garzoni varies bouquet, garden or flowering. The common thread remains the flowers, fruits and insects observed on parchment with scientific delicacy, treated without repetitive formula.
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#35
Balthasar van der Ast
Balthasar van der Ast's painting can be recognized by the flowers associated with the fruits, shells and insects of a collected world. Fruit basket shows that the flower can simultaneously carry light, season, symbol and memory.
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#36
Abraham Cute
Abraham Mignon inscribes the floral motif in the language of Dutch still life. In Still Life with Flowers, the lush garlands and flowered undergrowth dramatized on a dark background give the composition its tension and identity.
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#37
Daniel Seghers
Garland of flowers around the Virgin reveals the essentials of Daniel Seghers: the floral garlands framing devotional images and sculpted cartridges. The choice of species, palette and background transforms the observed nature into a pictorial experience.
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#38
Willem van Aelst
For Willem van Aelst, painting a flower is like organizing elegant bouquets whose curved stems and refined surfaces enliven the space. Still life with flowers with watch offers a specific example, extended differently in Vase of flowers.
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#39
Osias Beert
Osias Beert gives the bouquet or the garden a presence based on flowers and dishes arranged clearly in the first Antwerp still lifes. Vase of flowers in a niche thus combines knowledge of the pattern and freedom of painting.
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#40
Adriaen Coorte
In Wild Strawberries, Adriaen Coorte shows that floral color can build the entire space. small compositions insulating fruits, shells or flowers in an almost modern silence avoid the motif becoming only decorative.
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#41
Anne Vallayer-Coster
Anne Vallayer-Coster treats flowers, leaves and stems as a complete vocabulary. Sea plume, lithophytes and shells bring into play court bouquets and luxurious objects painted with virtuosity and freshness, then Bouquet of flowers in a glass of water shifts the balance.
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#42
Gerard van Spaendonck
Gérard van Spaendonck's work links attention to the living and formal choices. Flowers in an alabaster vase condenses the synthesis between scientific precision, decorative brilliance and floral teaching in an immediately recognizable image.
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#43
Nicolas Robert
Nicolas Robert renews the conventions of the bouquet with the plants and flowers of the royal gardens recorded precisely on vellum. In Vélins du Roi, the flower becomes a subject capable of carrying a vision of the world.
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#44
Maria Sibylla Merian
The strength of Maria Sibylla Merian appears in her way of uniting host plants and insect metamorphoses united in the same observation of living things. Metamorphosis insectorum Surinamensium does not only copy a flowering: the work reconstructs its rhythm and intensity.
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#45
Georg Dionysius Ehret
Plantae selectae makes it possible to measure the contribution of Georg Dionysius Ehret to the history of painted flowers. botanical plates which articulate morphological accuracy and graphic elegance transform the motif into personal language.
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#46
Pancrace Bessa
Pancrace Bessa is as interested in growth and season as in completed form. General Amateur Herbarium gives a convincing translation of the flowers and fruits described with a clean watercolor in the service of natural sciences.
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#47
Marianne North
At Marianne North, the flower organizes a dialogue between nature and culture. Flowers of Brazil relies on plants painted in their habitats during trips to several continents to go beyond simple imitation.
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#48
Martin Johnson Heade
Martin Johnson Heade uses bouquet, garden or plant as his color laboratory. Magnolias on Gold Velvet Cloth shows how magnolias and orchids where floral precision meets a moist, bright atmosphere produce a lasting image.
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#49
Childe Hassam
Childe Hassam's gaze transforms the plant through American flower gardens translated by a clear and vibrant touch. From The Water Garden to Poppies, Isles of Shoals, the flower remains precise while becoming a sign, material or atmosphere.
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#50
Mary Cassatt
Mary Cassatt occupies a unique place in this ranking thanks to the figures and gardens where the floral motif links intimacy, decor and modernity. Lilacs in a Window summarizes this ambition without exhausting the diversity of the work.
Discover the works of Mary CassattChapter III · Ranks 51 to 75
Floral modernities: free color, intimacy and cultivated landscapes
Rousseau, Gauguin, Signac, Vuillard, Valadon, Séraphine Louis, Modersohn-Becker, Nolde and Kahlo shift the floral motif towards expressive color, domestic space, symbol and autobiography.
#51
Henri Rousseau
Henri Rousseau places imaginary jungles where giant plants and flowers organize a lush theater at the heart of his work. The Dream gives a direct entrance, while Woman Walking in an Exotic Forest reveals another relationship between observation, color and composition.
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#52
Paul Gauguin
In Paul Gauguin, the flower is never a simple ornament: it becomes tropical flowers and bouquets synthesized by flat areas and symbolic colors. From Fleurs de France to Bouquet of flowers at the window, the pattern changes scale without losing its coherence.
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#53
Paul Signac
Femmes au pois shows how Paul Signac renews floral painting through flowers and gardens constructed in small separate touches and chromatic relationships. The material, the framing and the season participate as much as the species represented.
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#54
Édouard Vuillard
Édouard Vuillard transforms bouquets and gardens thanks to gardens and bouquets absorbed in decorative and intimate surfaces. The Jardin des Collettes remains a major landmark because the work combines precision of the motif and pictorial invention.
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#55
Suzanne Valadon
Suzanne Valadon's singularity lies in the solidly drawn and colored bouquets with the same frankness as her figures. In Bouquet of Flowers, each stem, color or interval contributes to a presence that goes beyond botanical description alone.
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#56
Séraphine Louis
With The Tree of Life, Séraphine Louis gives flowers a new function: imaginary trees and flowers proliferating in luminous and almost mystical rhythms. Bouquet of leaves shows how this research can vary depending on the medium and context.
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#57
Paula Modersohn-Becker
The floral pattern allows Paula Modersohn-Becker to explore the simplified flowers in dense masses associated with Worpswede's portraits and life. Still life with flowers organizes the gaze through color, rhythms and the relationship between detail and whole.
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#58
Lovis Corinth
Lovis Corinth observes flowers while constructing an autonomous image. Roses combines late bouquets painted with free, fast and carnal material with a composition where nothing is left to chance.
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#59
Alexej von Jawlensky
Between Flowers in a Vase and Red Roses, Alexej von Jawlensky varies bouquet, garden or flowering. The common thread remains floral still lifes condensed into powerful flat areas and dark contours, treated without repetitive formula.
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#60
Gabriele Muenter
Gabriele Münter's painting can be recognized by the bouquets with clear contours and bold colors inherited from the Blaue Reiter. Still life with a bouquet shows that the flower can simultaneously carry light, season, symbol and memory.
Read Gabriele Münter's biography on Wikipedia
#61
Karl Schmidt-Rottluff
Karl Schmidt-Rottluff inscribes the floral motif in the language of expressionism. In Amaryllis, the angular and strongly colored flowers transformed into expressive architectures give the composition its tension and identity.
Read Karl Schmidt-Rottluff's biography on Wikipedia
#62
Charles Demuth
Zinnias reveals the essentials of Charles Demuth: watercolor flowers where botanical transparency and modern geometry come together. The choice of species, palette and background transforms the observed nature into a pictorial experience.
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#63
Marsden Hartley
For Marsden Hartley, painting a flower is like organizing flowers and still lifes charged with dense color and personal memory. Flowers in a Goblet offers a specific example, extended differently in Still Life No. 1.
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#64
Frida Kahlo
Frida Kahlo gives the bouquet or garden a presence based on the flowers worn, offered or painted as signs of identity, desire and Mexican culture. Self-portrait dedicated to Dr. Eloesser thus combines knowledge of the motif and freedom of painting.
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#65
Tamara de Lempicka
In Arums, Tamara de Lempicka shows that floral color can build the entire space. arums and bouquets sculpted by smooth volumes and theatrical light prevent the motif from becoming only decorative.
Read Tamara de Lempicka's biography on Wikipedia
#66
Margaret Preston
Margaret Preston treats flowers, leaves and stems as a complete vocabulary. Native Flowers brings into play Australian flowers simplified by flat areas, engraving and decorative research, then Implement Blue shifts the balances.
Read Margaret Preston's biography on Wikipedia
#67
Grace Cossington Smith
Grace Cossington Smith's work links attention to the living and formal choices. Waratah condenses the flowers and interiors constructed in small, bright and colorful touches into an instantly recognizable image.
Read Grace Cossington Smith's biography on Wikipedia
#68
Anna Boch
Anna Boch renews the conventions of the bouquet through gardens and flowerbeds painted in a light color open to divisionism. In Woman reading in a rhododendron bed, the flower becomes a subject capable of carrying a vision of the world.
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#69
Juliet Wytsman
Juliette Wytsman's strength appears in her way of uniting flower gardens built with a colorful touch attentive to the seasons. Spirées does not only copy a flowering: the work reconstructs its rhythm and intensity.
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#70
Jenny Montigny
Kindergarten allows you to measure Jenny Montigny's contribution to the history of painted flowers. gardens, children and flowering orchards bathed in clear light transform the pattern into personal language.
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#71
Joaquin Sorolla
Joaquin Sorolla is as interested in growth and season as in completed form. Casa Sorolla Garden gives a compelling translation of Spanish patios, rose bushes and gardens captured in moving light.
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#72
Max Liebermann
At Max Liebermann, the flower organizes a dialogue between nature and culture. Flower garden at Wannsee relies on the flowerbeds, terraces and vegetable gardens of its Wannsee villa structured by light to go beyond simple imitation.
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#73
Emile Claus
Émile Claus uses bouquet, garden or plant as a color laboratory. Orchard in Flowers shows how orchards and gardens crossed by very clear divisionist light produce a lasting image.
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#74
Santiago Rusiñol
Santiago Rusiñol's gaze transforms plants through the silent gardens of Spain painted like architecture of memory. From Aranjuez Gardens to Blue Garden, the flower remains precise while becoming a sign, material or atmosphere.
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#75
Henri Le Sidaner
Henri Le Sidaner occupies a unique place in this ranking thanks to the twilight gardens and flower tables where human presence remains suggested. The Table in the Garden summarizes this ambition without exhausting the diversity of the work.
Discover the works of Henri Le SidanerChapter IV · Ranks 76 to 100
From modern gardens to contemporary flowers
The final chapter follows the flower in Dufy, Fedden, Hockney, Katz, Kusama, Murakami, Kiefer, Quinn, Hirst and Wiley: decorative motif, memory, repetition, popular culture or critical image.
#76
Joaquim Mir
Joaquim Mir places the dissolved Mediterranean gardens in a free and almost abstract color at the heart of his work. The Garden of the House gives a direct entrance, while Gardens of Majorca reveals another relationship between observation, color and composition.
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#77
Marie Bracquemond
At Marie Bracquemond, the flower is never a simple ornament: it becomes figures in luminous gardens where fabrics, flowers and foliage share the same vibration. From On the terrace in Sèvres to Trois Femmes with parasols, the pattern changes scale without losing its coherence.
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#78
Eva Gonzales
Vase of flowers shows how Eva Gonzalès renews floral painting through bouquets and figures treated with a frankness inherited from Manet. The material, the framing and the season participate as much as the species represented.
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#79
Marie Egner
Marie Egner transforms bouquets and gardens thanks to the gardens and flowery landscapes painted on the motif with a luminous touch. Flower garden remains a major landmark because the work combines precision of the motif and pictorial invention.
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#80
Olga Wisinger-Florian
The singularity of Olga Wisinger-Florian lies in the wild flowers and Austrian gardens observed with a dense and precise color. In Peonies, each stem, color or interval contributes to a presence that goes beyond botanical description alone.
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#81
Helene Schjerfbeck
With Red Roses, Helene Schjerfbeck gives flowers a new function: flowers simplified until they become silent and concentrated signs. Anemones shows how this research can vary depending on the medium and context.
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#82
Helene Funke
The floral pattern allows Helene Funke to explore bouquets and gardens structured by tawny color and powerful contrasts. Bouquet of flowers organizes the eye through color, rhythms and the relationship between detail and whole.
Read Helene Funke's biography on Wikipedia
#83
Vanessa Bell
Vanessa Bell observes flowers while constructing a self-contained image. Still Life on Corner of a Mantelpiece combines bouquets and gardens mixed with a decorative search for domestic space with a composition where nothing is left to chance.
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#84
Duncan Grant
Between Still Life with Flowers and Charleston Garden, Duncan Grant varies bouquet, garden or flowering. The common thread remains flowers and interiors painted with decorative freedom resulting from post-impressionism, treated without repetitive formula.
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#85
Samuel john peploe
Samuel John Peploe's painting can be recognized by roses and tulips constructed by dense color and rigorous relationships of shapes. Pink Roses shows that the flower can simultaneously carry light, season, symbol and memory.
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#86
Raoul Dufy
Raoul Dufy places the floral motif in the language of Fauvism. In Bouquet de fleurs, the bouquets and gardens transformed into colorful, light and decorative signs give the composition its tension and identity.
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#87
Jean Baptiste Monnoyer
Bouquet of flowers in a golden vase reveals the essentials of Jean-Baptiste Monnoyer: the monumental garlands and bouquets designed for royal decorations and tapestries. The choice of species, palette and background transforms the observed nature into a pictorial experience.
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#88
Mary Fedden
For Mary Fedden, painting a flower is like organizing flowers and familiar objects organized into clear, poetic still lifes. Flowers by the Window offers a specific example, extended differently in Red Flowers.
Read Mary Fedden's biography on Wikipedia
#89
David Hockney
David Hockney gives the bouquet or garden a presence based on flowers, gardens and spring reinvented by painting, drawing and digital tools. The Arrival of Spring thus combines knowledge of the motif and freedom of painting.
Read David Hockney's biography on Wikipedia
#90
Alex Katz
In Roses, Alex Katz shows that floral color can build up the entire space. flowers enlarged and simplified into clean flat areas close to the landscape and portrait avoids the motif becoming only decorative.
Read Alex Katz's biography on Wikipedia
#91
Yayoi Kusama
Yayoi Kusama treats flowers, leaves and stems as a complete vocabulary. Flowers That Bloom at Midnight brings monumental and repeated flowers into play as psychic motifs and immersive environments, then A Bouquet of Love I Saw in the Universe shifts the balances.
Read Yayoi Kusama's biography on Wikipedia
#92
Takashi Murakami
Takashi Murakami's work links attention to the living and formal choices. Flowers condenses the smiling flowers that have become a pop vocabulary between painting, commercial culture and Japanese tradition into an immediately recognizable image.
Read Takashi Murakami's biography on Wikipedia
#93
Nathalie Goncharova
Nathalie Goncharova renews the conventions of the bouquet with popular flowers and still lifes crossed by neoprimitivism, cubism and rayonism. In Fleurs, the flower becomes a subject capable of carrying a vision of the world.
Read Nathalie Goncharova's biography on Wikipedia
#94
Anselm Kiefer
Anselm Kiefer's strength appears in his way of uniting sunflowers and fields used as figures of memory, destruction and rebirth. The Orders of the Night does not only copy a flowering: the work reconstructs its rhythm and intensity.
Read Anselm Kiefer's biography on Wikipedia
#95
Mark Quinn
Garden allows us to measure Marc Quinn's contribution to the history of painted flowers. impossible flowers and icy compositions questioning beauty, time and manipulation of living things transform the motif into personal language.
Read Marc Quinn's biography on Wikipedia
#96
Damien Hirst
Damien Hirst is as interested in growth and season as in completed form. Cherry Blossoms gives a convincing translation of cherry blossoms transformed into gestural, dense and decorative surfaces.
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#97
Kehinde Wiley
At Kehinde Wiley, the flower organizes a dialogue between nature and culture. Barack Obama relies on floral motifs which invade portraits and shift the codes of power to go beyond simple imitation.
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#98
Elisabeth Sonrel
Élisabeth Sonrel uses bouquet, garden or plant as a color laboratory. Les Fleurs des montagne shows how female figures and seasonal flowers united by a decorative line inherited from Art Nouveau produce a lasting image.
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#99
Madeleine Lemaire
Madeleine Lemaire's gaze transforms plants with virtuoso roses and bouquets which have given her a central place in the salons of the Belle Époque. From Roses to Bouquet of Flowers, the flower remains precise while becoming a sign, material or atmosphere.
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#100
Antoine Monnoyer
Antoine Monnoyer occupies a unique place in this ranking thanks to the decorative bouquets which spread the family floral style in European courts. Vase of flowers sums up this ambition without exhausting the diversity of the work.
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Flowers are constantly changing, and painting learns to remember their passage
A Dutch bouquet brings together impossible seasons; a botanical plate isolates a species to get to know it better; an impressionist garden captures a few minutes of light. From Redouté to Monet, from Ruysch to O'Keeffe, flower painters therefore do not pursue the same goal. Some order, others observe, symbolize, decorate or destabilize the scale. All show that an everyday motif can become a summary of period, technique and vision.
To reread this ranking, compare the relationship between the plant and its space. Does the dark background give the bouquet the brilliance of an apparition? Does the white of the paper transform the flower into an object of science? Does the garden absorb the viewer in color? Does contemporary repetition make the corolla a logo, a memory or a critique? Is it in these choices of framing, material, rhythm and light that the hundred artists gathered here make visible much more than a flower.
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