British painting
Top 100 Famous British Painters: Turner, Constable, Bacon and Hockney
A clear guide to traversing three centuries of painting in the UK, from romantic landscape to Pop Art, from satire to the London School.
This ranking brings together the artists who gave British painting its strongest faces: Turner's skies, Constable's countryside, Blake's imagination, Victorian portraits, the Pre-Raphaelites, Scottish colorists, then Bacon, Freud, Hockney, Riley and the great figures of the post-war period.

Before the grid
Why these painters matter in British art history
British painting has often been constructed in dialogue with Europe, but it retains a recognizable accent: love of landscape, strength of portraiture, satirical humor, taste for storytelling, then a modern figuration of very particular intensity. Turner and Constable change the light of the 19th century; the Pre-Raphaelites reinvent detail; Bacon, Freud and Hockney move the figure in the contemporary world.
The classification favors influence, the quality of the works, presence in museums, posterity and usefulness for a reader who wants to discover or choose a reproduction. Artists who died after 1956, or who are still alive, refer to Wikipedia in accordance with editorial rules.
Top 1 to 20
The visual founders
The ranking begins with the artists who have lastingly shaped the image of British painting: light, landscape, portrait, satire and visionary imagination.
JMW Turner
Turner transforms light, steam and the sea into pictorial material. Its storms, fires and ports already announce abstraction through their atmospheric energy.
See the JMW Turner collectionJohn Constable
Constable gives the English landscape a sensitive truth: clouds, rivers, fields and skies become intimate events, observed with almost meteorological precision.
See the John Constable collectionFrancis Bacon
Bacon imposes a painting of flesh, cry and mental space. His figures isolated in transparent cages remain among the most powerful images of the 20th century.
Read Francis Bacon's biography on WikipediaDavid Hockney
Hockney moves from Pop Art to California swimming pools, from portrait to digital drawing. His painting celebrates vision as pleasure, invention and construction.
Read David Hockney's biography on WikipediaWilliam blake
Visionary poet, engraver and painter, Blake invents a universe of prophets, angels, cosmic bodies and personal mythologies, outside academies.
See the William Blake collectionThomas Gainsborough
Gainsborough combines worldly elegance and a sense of landscape. His portraits breathe as much through psychology as through the flexibility of the touch.
See the Thomas Gainsborough collectionJoshua Reynolds
First president of the Royal Academy, Reynolds constructs an ambitious British portrait, nourished by antiquity, rhetoric and grand manners.
See the Joshua Reynolds collectionJohn Everett Millais
Millais gives Pre-Raphaelism its crystalline precision. Ophelia remains a manifesto of botanical detail, tragic poetry and intense color.
See the John Everett Millais collectionDante Gabriel Rossetti
Rossetti mixes poetry, medieval sensuality and hieratic female figures. His images create an instantly recognizable language of desire and symbol.
See the Dante Gabriel Rossetti collectionEdward Burne-Jones
Burne-Jones stretches bodies, slows down the narrative and transforms myths into decorative, melancholic and almost musical visions.
See the Edward Burne-Jones collectionWilliam hogarth
Hogarth founded a biting British narrative painting. His moral series view London as a funny, cruel and meticulous social theater.
See the William Hogarth collectionGeorge Stubbs
Stubbs gives the horse unparalleled anatomical and pictorial dignity. His art unites science, sporting elegance and monumental silence.
See the George Stubbs collectionRichard Wilson
Wilson imported a classic grandeur learned in Italy into the British landscape, paving the way for Constable and Turner.
See the Richard Wilson collectionJoseph Wright of Derby
Wright paints the scientific experiment as a luminous drama. Candles, machines and fascinated faces embody the spirit of the Industrial Enlightenment.
See the Joseph Wright of Derby collectionHenry Fuseli
Fuseli populates British painting with nightmares, theatrical silhouettes and Shakespearean visions. It opens up a dark, nervous and fantastic romanticism.
See the Henry Fuseli collectionThomas Lawrence
Lawrence gives the European aristocracy a brilliant, nervous elegance, crossed by lively glances and rapid fabrics.
See the Thomas Lawrence collectionDavid Wilkie
Wilkie excels in the genre scene: lively interiors, popular stories, discreet humor and highly readable social observation.
See the David Wilkie collectionEdwin Landseer
Landseer transforms dogs, deer and wild animals into sentimental or heroic figures, emblematic of the Victorian imagination.
See the Edwin Landseer collectionFrederic Leighton
Leighton embodies the great Victorian style: ancient beauty, firm design, refined surfaces and monumental decorative ambition.
See the Frederic Leighton collectionWalter Sickert
Sickert introduces an urban modernity, dry and ambiguous. Theaters, rooms and streets become psychological scenes of modern life.
See the Walter Sickert collectionRanks 21 to 40
Modernisms, Bloomsbury and London School
This section expands the reading towards the workshops, movements and sensibilities that took British painting in new directions.
Stanley Spencer
Spencer transforms Cookham into a sacred theater. His painting mixes everyday English, powerful bodies and religious visions of disconcerting intensity.
Read Stanley Spencer's biography on WikipediaGwen John
Gwen John paints silent interiors, seated women, restrained tones. His strength comes from concentration and an almost still presence.
See the Gwen John collectionAugustus John
A flamboyant portraitist, Augustus John imposes free drawing, bohemian figures and an energy of character which mark British art at the beginning of the century.
Read the biography of Augustus John on WikipediaVanessa Bell
Bell brings post-impressionism into Bloomsbury's group: interiors, portraits and settings become balances of color.
Read Vanessa Bell's biography on WikipediaDuncan Grant
Grant connects Bloomsbury, decor and modernism. His painting favors color, domestic life and a very French visual freedom.
Read Duncan Grant's biography on WikipediaRoger Fry
Critic, painter and smuggler, Fry introduced Cézanne, Matisse and post-impressionism to the British public, lastingly changing the local outlook.
See the Roger Fry collectionPaul Nash
Nash paints warscapes and English sites as haunted places. Its surrealism remains mineral, melancholic and deeply British.
See the Paul Nash collectionBen Nicholson
Nicholson develops a clear abstraction made of white reliefs, geometric planes and still life memories.
Read Ben Nicholson's biography on WikipediaLucian Freud
Freud paints the body without flattery: skin, pose, fatigue and psychic presence become a slow and implacable topography.
Read the biography of Lucian Freud on WikipediaFrank Auerbach
Auerbach reconstructs London and its models using impasto, repetitions and scratches. Each canvas seems won against the material.
Read Frank Auerbach's biography on WikipediaLeon Kossoff
Kossoff paints the city, friends and old masters with dense, nervous material, where the motif reappears after struggle.
Read Leon Kossoff's biography on WikipediaPaula Rego
A Portuguese based in London, Rego deploys a raw theater of storytelling, power and the female body, with rare narrative power.
Read Paula Rego's biography on WikipediaBridget Riley
Riley makes perception vibrate. Its bands, curves and colors transform the surface into an active optical experience.
Read Bridget Riley's biography on WikipediaPeter Blake
Blake gives British Pop Art its taste for popular images, badges, music, circus and collected souvenirs.
Read Peter Blake's biography on WikipediaRichard Hamilton
Hamilton theorizes and practices Pop Art as a reading of consumption, media, design and industrial image.
Read Richard Hamilton's biography on WikipediaPatrick Caulfield
Caulfield reduces interiors and objects to sharp flat areas, graphic contours and controlled colors, between Pop Art and metaphysical painting.
Read Patrick Caulfield's biography on WikipediaHoward Hodgkin
Hodgkin paints memory more than pattern: thick touches, painted frames and intense colors condense emotional memories.
Read Howard Hodgkin's biography on WikipediaCecil Collins
Collins defends a visionary painting of madmen, angels and spiritual figures, going against the tide of dominant realism.
Read Cecil Collins' biography on WikipediaJohn Piper
Piper paints churches, ruins and landscapes with decorative modernity. His war images give heritage a new gravity.
Read John Piper's biography on WikipediaGraham Sutherland
Sutherland transforms nature, thorns, rocks and portraits into tense, almost organic, sometimes disturbing shapes.
Read Graham Sutherland's biography on WikipediaRanks 41 to 60
Landscape, war, abstraction and Pop Art
This section expands the reading towards the workshops, movements and sensibilities that took British painting in new directions.
Patrick Heron
Heron defends a colorful and luminous abstraction, linked to St Ives, where color structures space without leaving sensation.
Read Patrick Heron's biography on WikipediaPeter Lanyon
Lanyon invents an abstraction of the Cornish landscape, seen from the ground, the cliff or gliding, full of air and tension.
Read Peter Lanyon's biography on WikipediaTerry Frost
Frost simplifies sails, circles, ports and colors into joyful, clean compositions, anchored in the St Ives experience.
Read Terry Frost's biography on WikipediaIvon Hitchens
Hitchens stretches the landscape into colorful friezes. Wood, water and light become horizontal rhythm and breathing.
Read Ivon Hitchens' biography on WikipediaDavid Bomberg
Bomberg moves from angular vorticism to painting of landscape and fiery material, the influence of which will be immense.
Read David Bomberg's biography on WikipediaWyndham Lewis
Lewis founded Vorticism: angles, machines, sharp portraits and polemical energy gave British modernism a hard point.
Read Wyndham Lewis' biography on WikipediaChristopher Nevinson
Nevinson translated modern warfare into oblique lines, mechanized crowds, and futuristic visions, then became a sharp urban painter.
See the Christopher Nevinson collectionWilliam Roberts
Roberts retains from Vorticism a sense of compact, angular figure, adapted to street scenes, cafes, dance and popular life.
Read William Roberts' biography on WikipediaMark Gertler
Gertler mixes modernism, psychological tension and harsh color. Merry-Go-Round remains an icon of modern anxiety.
See the Mark Gertler collectionHarold Gilman
Gilman transposes Van Gogh and post-impressionism into British interiors with bold colors and solitary figures.
See the Harold Gilman collectionSpencer Gore
Gore paints London, its theaters and its parks with a bright, structured color, decisive for Camden Town.
See the Spencer Gore collectionCharles Ginner
Ginner defends a meticulous neorealism: streets, train stations, houses and modern motifs are treated with clarity and patience.
See the Charles Ginner collectionRobert Bevan
Bevan brought post-impressionist vigor to the Camden Town Group, visible in his horses, markets and simplified landscapes.
See the Robert Bevan collectionMatthew Smith
Smith paints nudes, flowers and landscapes with a generous, tawny, sensual color, which affirms painting as a material.
Read Matthew Smith's biography on WikipediaLaura Knight
Knight painted circuses, ballets, war scenes and the Nuremberg trials. Her career imposed a major female presence in British art.
Read Laura Knight's biography on WikipediaHarold Knight
Knight is a painter of calm figures, interiors and portraits, attentive to silence and domestic light.
Read Harold Knight's biography on WikipediaAlfred Munnings
Munnings remains the great British equestrian painter of the 20th century, between sport, countryside, society and impressionist brilliance.
Read Alfred Munnings' biography on WikipediaEric Ravilious
Ravilious gives English watercolor a strange clarity: hills, machines, interiors and hills seem both familiar and suspended.
See the Eric Ravilious collectionEdward Bawden
Bawden connects painting, illustration, engraving and design. Its linear and decorative style captures everyday England with spirit.
Read Edward Bawden's biography on WikipediaCarel Weight
Weight paints strange, funny or disturbing suburban scenes, where the ordinary discreetly shifts into the psychological narrative.
Read Carel Weight's biography on WikipediaRanks 61 to 80
Watercolor, story, interiors and surrealism
This section expands the reading towards the workshops, movements and sensibilities that took British painting in new directions.
LS Lowry
Lowry invents an industrial iconography of northern England: factories, streets, crowds and silhouettes become immediately identifiable.
Read LS Lowry's biography on WikipediaChristopher Wood
Wood mixes willful naivety, French influences and maritime subjects. His brief career remains essential to British modernity.
See the Christopher Wood collectionCedric Morris
Morris paints flowers, birds, portraits and landscapes with direct color and an independent look, highly sought after today.
Read Cedric Morris' biography on WikipediaEileen Agar
Hagar introduced collage, object, biomorphism and humor into British surrealism, with a very personal inventive freedom.
Read Eileen Agar's biography on WikipediaIthell Colquhoun
Colquhoun combines surrealism, occultism and interior landscapes. His work today returns to the forefront of British modernities.
Read the biography of Ithell Colquhoun on WikipediaLeonora Carrington
Born in England, Carrington builds in Mexico a surreal universe of animals, myths, powerful women and metamorphoses.
Read Leonora Carrington's biography on WikipediaWinifred Nicholson
Nicholson paints flowers, windows, landscapes and domestic lights with a light, vibrant color, which gives a poetic breath every day.
Read Winifred Nicholson's biography on WikipediaMeredith Frampton
Frampton paints portraits of cold, almost magical precision, where every surface detail reinforces the strangeness of the model.
Read Meredith Frampton's biography on WikipediaGerald Brockhurst
Brockhurst combines graphic virtuosity, worldly portraits and a smooth, often enigmatic atmosphere inherited from the Renaissance.
Read Gerald Brockhurst's biography on WikipediaJohn Nash
John Nash paints fields, plants, English views and war scenes with an attentive, different but complementary sobriety from Paul Nash.
Read John Nash's biography on WikipediaMary Fedden
Fedden renews still life with clear compositions, familiar objects and very accessible domestic poetry.
Read Mary Fedden's biography on WikipediaPrunella Clough
Clough observes quays, factories, fragments and urban signs to construct a discreet, rough and very contemporary abstraction.
Read Prunella Clough's biography on WikipediaMichael Andrews
Andrews paints groups, parties, aerial views and landscapes with meditative slowness, between social figuration and atmospheric dissolution.
Read Michael Andrews' biography on WikipediaEuan Uglow
Uglow measures the body and space with almost geometric rigor. His nudes and still lifes advance through stubborn observation.
Read Euan Uglow's biography on WikipediaVictor Pasmore
Pasmore moved from lyrical landscape to constructive abstraction, becoming an important figure in post-war British modernism.
Read Victor Pasmore's biography on WikipediaAlan Davie
Davie combines gestural abstraction, signs, jazz and mythologies. His painting seems improvised but remains dense in symbols.
Read Alan Davie's biography on WikipediaJohn Hoyland
Hoyland defends a broad chromatic abstraction, made of colored masses, depth and tension between field and form.
Read John Hoyland's biography on WikipediaGillray
Gillray is primarily a cartoonist, but his visual impact on British satire is immense: political bite, graphic invention and grotesque theater.
See the Gillray collectionThomas Rowlandson
Rowlandson captures taverns, streets, travelers and social nonsense with a supple line, bright color and sometimes fierce humor.
See the Thomas Rowlandson collectionSamuel palmer
Palmer transforms the countryside into a mystical vision. Its moons, hills and harvests give the English landscape a spiritual intensity.
See the Samuel Palmer collectionRanks 81 to 100
Pre-Raphaelites, satire, colorists and Celtic schools
This section expands the reading towards the workshops, movements and sensibilities that took British painting in new directions.
John Martin
Martin paints biblical disasters, immense architecture and tiny crowds. He invents a spectacular romantic close to cinema.
See the John Martin collectionDavid Roberts
Roberts made the monuments of Egypt and the Near East famous for his precise, theatrical and widely distributed views.
See the David Roberts collectionWilliam etty
Etty defends the nude and the Venetian color in emerging Victorian England, between academic admiration and moral scandal.
See the William Etty collectionFord Madox Brown
Close to the Pre-Raphaelites, Brown paints history, work and modern life with remarkable density of detail and moral intensity.
See the Ford Madox Brown collectionWilliam holman hunt
Holman Hunt gives Pre-Raphaelitism its symbolic, religious and moral meticulousness. Every detail becomes a sign.
See the William Holman Hunt collectionArthur Hughes
Hughes develops a tender, lyrical Pre-Raphaelitism, often centered on childhood, melancholy and narrative light.
See the Arthur Hughes collectionSimeon Solomon
Solomon combines Pre-Raphaelitism, Judaism, mysticism and androgynous sensuality. His work today finds a major place.
See the Simeon Solomon collectionJohn william waterhouse
Waterhouse extends Pre-Raphaelitism with mythological heroines, still waters and a very popular romantic narrative.
See the John William Waterhouse collectionLawrence Alma-Tadema
A naturalized British Dutchman, Alma-Tadema paints Antiquity as a world of marble, light and archaeological luxury.
See the Lawrence Alma-Tadema collectionJohn william godward
Godward extends the neoclassical ideal with female figures, luminous marbles and elegant compositions of refined precision.
See the John William Godward CollectionGeorge Frederic Watts
Watts wants to paint big ideas: love, death, hope, time. Its Victorian symbolism gives the allegory a new gravity.
See the George Frederic Watts collectionPhilip Wilson Steer
Steer adapts Impressionism to English light, from the beaches of Walberswick to the more solid portraits of maturity.
See the Philip Wilson Steer collectionJohn Lavery
Lavery, born in Ireland, paints portraits, social scenes and images of war with supple and international elegance.
See the John Lavery collectionWilliam Orpen
Orpen is a brilliant portrait painter and a major witness to the First World War, between worldly virtuosity and dark lucidity.
See the William Orpen collectionJack B. Yeats
Yeats gives modern Ireland a free, thick, dramatic painting, crossed by theater, sport and national memory.
Read Jack B. Yeats' biography on WikipediaWilliam scott
Scott reduces tables, bowls, stoves and household shapes into calm, tactile abstractions of great spatial accuracy.
Read William Scott's biography on WikipediaFrancis Cadell
Cadell, Scottish colorist, paints elegant interiors, portraits and views of Iona with a clear palette and refined composition.
See the Francis Cadell collectionSamuel Peploe
Peploe gives Scottish colorism a still life force: fruits, flowers, white tablecloths and pure colors.
See the Samuel Peploe collectionJohn Duncan Fergusson
Fergusson brings to Scotland a personal Fauvism, nourished by Paris, dance, rhythm and liberated color.
Read the biography of John Duncan Fergusson on WikipediaLeslie Hunter
Hunter paints flowers, landscapes and still lifes with a generous paste and light that makes simple objects vibrate.
See the Leslie Hunter collectionMethod
How the 100 artists were selected
The first ranks go to painters whose influence goes far beyond the United Kingdom: Turner, Constable, Bacon, Hockney, Blake, Gainsborough, Reynolds and the Pre-Raphaelites. The following ranks include transitional artists, regional schools, Scottish colorists, St Ives abstraction, British Pop Art and the London School.
The selection distinguishes British artists by birth and some figures lastingly integrated into the British scene. Pure sculptors and artists who are too peripheral have been excluded to maintain a classification centered on painting.
Choose a reproduction
Look first at the light, the figure or the story
For a bright, classic atmosphere, start with Turner, Constable, Gainsborough or Wilson. For a more literary image, look at Blake, Rossetti, Burne-Jones and Waterhouse. For a modern presence, Bacon, Freud, Hockney, Riley, Auerbach and Rego give very different directions: body tension, color, optics, matter or narration.
Artists who died after this date, or are still alive, are sent to their French Wikipedia page.
Continue
Guides, rankings and references
Explore Alpha Reproduction
Museum references
British painting advances between observation and invention
She looks at skies, horses, salons, factories, bodies and popular images with a very particular intensity. Turner dissolves the pattern in the light, Constable gives it back its moist air, Bacon twists it to the point of shouting, Hockney reconstructs it with color and pleasure.
This Top 100 allows you to move between these poles: landscape, portrait, satire, Pre-Raphaelism, modernism, abstraction, Pop Art and contemporary figuration. It is less a straight line than a constellation, but a solid constellation for understanding what Britain brought to painting.



































































































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