British painting

Top 100 Famous British Painters: Turner, Constable, Bacon and Hockney

A clear guide to traversing three centuries of painting in the UK, from romantic landscape to Pop Art, from satire to the London School.

This ranking brings together the artists who gave British painting its strongest faces: Turner's skies, Constable's countryside, Blake's imagination, Victorian portraits, the Pre-Raphaelites, Scottish colorists, then Bacon, Freud, Hockney, Riley and the great figures of the post-war period.

100classified artists
49internal collections
51wikipedia links
Le Dernier Voyage du Téméraire de J. M. W. Turner

Before the grid

Why these painters matter in British art history

British painting has often been constructed in dialogue with Europe, but it retains a recognizable accent: love of landscape, strength of portraiture, satirical humor, taste for storytelling, then a modern figuration of very particular intensity. Turner and Constable change the light of the 19th century; the Pre-Raphaelites reinvent detail; Bacon, Freud and Hockney move the figure in the contemporary world.

The classification favors influence, the quality of the works, presence in museums, posterity and usefulness for a reader who wants to discover or choose a reproduction. Artists who died after 1956, or who are still alive, refer to Wikipedia in accordance with editorial rules.

Top 1 to 20

The visual founders

The ranking begins with the artists who have lastingly shaped the image of British painting: light, landscape, portrait, satire and visionary imagination.

Ranks 21 to 40

Modernisms, Bloomsbury and London School

This section expands the reading towards the workshops, movements and sensibilities that took British painting in new directions.

Ranks 41 to 60

Landscape, war, abstraction and Pop Art

This section expands the reading towards the workshops, movements and sensibilities that took British painting in new directions.

Ranks 61 to 80

Watercolor, story, interiors and surrealism

This section expands the reading towards the workshops, movements and sensibilities that took British painting in new directions.

Ranks 81 to 100

Pre-Raphaelites, satire, colorists and Celtic schools

This section expands the reading towards the workshops, movements and sensibilities that took British painting in new directions.

Method

How the 100 artists were selected

The first ranks go to painters whose influence goes far beyond the United Kingdom: Turner, Constable, Bacon, Hockney, Blake, Gainsborough, Reynolds and the Pre-Raphaelites. The following ranks include transitional artists, regional schools, Scottish colorists, St Ives abstraction, British Pop Art and the London School.

The selection distinguishes British artists by birth and some figures lastingly integrated into the British scene. Pure sculptors and artists who are too peripheral have been excluded to maintain a classification centered on painting.

Choose a reproduction

Look first at the light, the figure or the story

For a bright, classic atmosphere, start with Turner, Constable, Gainsborough or Wilson. For a more literary image, look at Blake, Rossetti, Burne-Jones and Waterhouse. For a modern presence, Bacon, Freud, Hockney, Riley, Auerbach and Rego give very different directions: body tension, color, optics, matter or narration.

Artists who died after this date, or are still alive, are sent to their French Wikipedia page.

British painting advances between observation and invention

She looks at skies, horses, salons, factories, bodies and popular images with a very particular intensity. Turner dissolves the pattern in the light, Constable gives it back its moist air, Bacon twists it to the point of shouting, Hockney reconstructs it with color and pleasure.

This Top 100 allows you to move between these poles: landscape, portrait, satire, Pre-Raphaelism, modernism, abstraction, Pop Art and contemporary figuration. It is less a straight line than a constellation, but a solid constellation for understanding what Britain brought to painting.

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