Pablo Picasso (1881–1973) is a Spanish painter, sculptor, and printmaker, a major figure in modern art, co-founder of Cubism, whose prolific work profoundly transformed the forms, styles, and artistic language of the 20th century.

Georges Braque (1882–1963) is a French painter and sculptor, co-founder of Cubism with Picasso, known for his research on the structure of pictorial space and the integration of materials and signs in painting.

Juan Gris (1887–1927) is a Spanish painter of Cubism, a major figure of synthetic Cubism, known for his rigorous and harmonious compositions where forms, colors, and structure balance with intellectual clarity.

Fernand Léger (1881–1955) is a French avant-garde painter, close to cubism, known for his monumental style with tubular forms and bold colors, celebrating modernity, the machine, and urban life.

Robert Delaunay (1885–1941) is a French painter, co-founder of Orphism, known for his abstract compositions based on color and light, inspired by movement, modernity, and urban dynamism.

Albert Gleizes (1881–1953) is a French painter and theorist of Cubism, co-founder of the Section d’Or, known for his monumental compositions and his structured reflection on the principles of modern art.

Jean Metzinger (1883–1956) is a French painter and theorist of cubism, co-author of On Cubism, whose work explores the decomposition of form and the intellectual organization of pictorial space.

Sonia Delaunay (1885–1979) is a French-Ukrainian artist, a major figure of Orphism, known for her bold use of color and for extending abstraction to painting, textiles, fashion, and decorative arts.

Roger de La Fresnaye (1885–1925) is a French painter of Cubism, close to the Golden Section, known for his structured and colorful compositions that reconcile formal modernity and figurative clarity.

Jacques Villon (1875–1963) is a French painter and engraver, a figure of Cubism and a member of the Section d’Or, known for his balanced compositions and his rigorous transposition of the Cubist language into engraving and painting.

Marcel Duchamp (1887–1968) is a major French artist of modern art, a pioneer of Dadaism and conceptual art, famous for his ready-mades that radically challenge the very notion of a work of art.

Francis Picabia (1879–1953) is a French avant-garde artist, a figure of Dadaism and abstraction, known for his iconoclastic spirit and his diverse work that blends painting, imaginary mechanics, and provocation.

André Lhote (1885–1962) is a French painter and theorist of Cubism, recognized for his structured work and his major role as an educator, having influenced several generations of modern artists.

Gino Severini (1883–1966) is an Italian painter of Futurism and later Cubism, known for his dynamic and rhythmic compositions that convey movement, dance, and modernity through the fragmentation of form and color.

Amédée Ozenfant (1886–1966) is a French painter and theorist, co-founder of purism with Le Corbusier, known for his refined and rational compositions aimed at formal clarity and modern order.

Diego Rivera (1886–1957) is a major Mexican painter, a figure of muralism, known for his monumental frescoes that combine social commitment, history, and modern forms, which have profoundly influenced 20th-century art.

Louis Marcoussis (1878–1941) is a Polish-French painter and engraver of Cubism, close to the Golden Section, known for his refined and structured compositions blending music, objects, and geometric rigor.

Henri Le Fauconnier (1881–1946) is a French painter of Cubism, a member of the Section d’Or, known for his powerful and monumental compositions that explore the construction of form and expressive density.

Georges Valmier (1885–1937) is a French painter of Cubism and abstraction, close to the Golden Section, known for his colorful and structured compositions that evolve towards a geometric and decorative language.

María Blanchard (1881–1932) is a Spanish painter of Cubism, associated with the School of Paris, whose work is distinguished by a rigorous construction of forms and a deep emotional intensity.

Auguste Herbin (1882–1960) is a French painter and a pioneer of geometric abstraction, founder of the Abstraction-Création group, whose work combines formal rigor, color, and symbolism in a quest for universal harmony.

Leopold Survage (1879–1968) is a Russian-French avant-garde painter, close to cubism and abstraction, known for his research on rhythm, color, and movement, as well as for his pioneering projects in abstract cinema.

Max Weber (1881–1961) is an American painter of Russian origin, a pioneer of modernism in the United States, influenced by cubism and abstraction, whose work combines formal dynamism, spirituality, and urban energy.

Patrick Henry Bruce (1881–1936) is an American avant-garde painter, close to orphism and cubism, known for his rigorous abstract compositions based on color, shape, and geometric balance.

Arthur Dove (1880–1946) is an American painter, a pioneer of abstraction in the United States, whose work is inspired by nature and translates its forces and rhythms through simplified forms and expressive colors.

Jean Marchand (1883–1940) is a French painter of Cubism, close to the Golden Section, known for his structured compositions and his personal and poetic interpretation of the Cubist language.

Henri Hayden (1883–1970) is a Polish-French painter, close to Cubism and the School of Paris, whose work evolves from structured figuration to a sensitive abstraction marked by color and texture.

Marie Laurencin (1883–1956) is a French avant-garde painter, associated with Cubism and the School of Paris, known for her delicate and poetic style, populated with female figures in soft and harmonious colors.

Lioubov Popova (1889–1924) is a major Russian avant-garde artist, associated with cubo-futurism and constructivism, known for her dynamic compositions where geometric shapes and colors express movement and modernity.

Kazimir Malevich (1879–1935) is a Russian painter and theorist, founder of Suprematism, famous for his radical geometric shapes and his Black Square, emblem of an abstraction freed from all representation.